Interviews
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Kate Bush
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Interviews
About
Premieres
Features
Reviews
Kate Bush
Search
Featured
Dec 16, 2024
FEATURE: Spotlight: Hana Giraldo
Dec 16, 2024
Dec 16, 2024
Dec 15, 2024
FEATURE: Ricky Don’t Lose That Number: Getting Kate Bush’s Music Into the World
Dec 15, 2024
Dec 15, 2024
Dec 15, 2024
FEATURE: Lean Living: The Kate Bush Diet
Dec 15, 2024
Dec 15, 2024
Dec 15, 2024
FEATURE: The Digital Mixtape: Songs from Fantastic E.P.s of 2024
Dec 15, 2024
Dec 15, 2024
Dec 15, 2024
FEATURE: One for the Record Collection! Essential January Releases
Dec 15, 2024
Dec 15, 2024
Dec 14, 2024
FEATURE: The Charmers Under Me: Compiling and Considering Kate Bush’s Influences and Musical Heroes
Dec 14, 2024
Dec 14, 2024
Dec 14, 2024
FEATURE: Chart Dreams to Interesting Nightmares: Kate Bush’s Move From Pop and Into New Sonic Territories
Dec 14, 2024
Dec 14, 2024
Dec 14, 2024
FEATURE: 1 Problem: A New Level of Misogyny and Disrespectful for Women Through Hip-Hop
Dec 14, 2024
Dec 14, 2024
Dec 14, 2024
FEATURE: The Digital Mixtape: Eddie Vedder at Sixty
Dec 14, 2024
Dec 14, 2024
Dec 11, 2024
FEATURE: A Primadonna in Red Shoes: Why a Kate Bush Exhibition Is Long Overdue
Dec 11, 2024
Dec 11, 2024
Dec 11, 2024
FEATURE: Welcome to New York: Why There Is a Definite Need for Another Show Like The Marvelous Mrs. Maisel
Dec 11, 2024
Dec 11, 2024
Dec 11, 2024
FEATURE: How to Be Visible: The Discord Around Kate Bush Being Present
Dec 11, 2024
Dec 11, 2024
Dec 10, 2024
FEATURE: The Dreaming: The Desire to Track Down the Handwritten Lyrics for Kate Bush’s The Man with the Child in His Eyes
Dec 10, 2024
Dec 10, 2024
Dec 9, 2024
FEATURE: The Digital Mixtape: Marking Thirty-Five Years of The Simpsons: The Musical Guests
Dec 9, 2024
Dec 9, 2024
Dec 8, 2024
FEATURE: “They Really Aren’t Me Anymore” Dissecting Kate Bush’s ZigZag Interviews with Kris Needs
Dec 8, 2024
Dec 8, 2024
Dec 8, 2024
FEATURE: This Woman’s Work – The 2024 Extended Mix: Reflecting on a Terrific and Busy Year for Kate Bush
Dec 8, 2024
Dec 8, 2024
Dec 8, 2024
FEATURE: Spotlight: Nia Smith
Dec 8, 2024
Dec 8, 2024
Dec 8, 2024
FEATURE: Spotlight: KATSEYE
Dec 8, 2024
Dec 8, 2024
Dec 7, 2024
FEATURE: Kate Bush: The Tour of Life: Vanilla Swarm: Dissecting a ‘Lost’ 2011 Interview
Dec 7, 2024
Dec 7, 2024
Dec 7, 2024
FEATURE: You’ve Sold Us “a Dud” Kate Bush: The Star That Almost Got Away
Dec 7, 2024
Dec 7, 2024
Dec 7, 2024
FEATURE: 2024: Year of the Queens: The Continued Dominance of Women in Music
Dec 7, 2024
Dec 7, 2024
Dec 4, 2024
FEATURE: I Just Took a Trip on My Love for Him: The Beauty and Orchestration on The Man with the Child in His Eyes
Dec 4, 2024
Dec 4, 2024
Dec 3, 2024
FEATURE: From East Wickham Farm to the Far East: Inside the Cover Shoot for Kate Bush’s Debut Album, The Kick Inside
Dec 3, 2024
Dec 3, 2024
Dec 2, 2024
FEATURE: Kate Bush: The Tour of Life: Why Did the Icon Dismiss Her Earliest Work?
Dec 2, 2024
Dec 2, 2024
Dec 1, 2024
FEATURE: T.V. (Almost Killed the Radio Star): Kate Bush Alone on the Stage Tonight
Dec 1, 2024
Dec 1, 2024
Dec 1, 2024
FEATURE: The Digital Mixtape: A Christmas Mix
Dec 1, 2024
Dec 1, 2024
Dec 1, 2024
FEATURE: Groovelines: Band Aid – Do They Know It’s Christmas?
Dec 1, 2024
Dec 1, 2024
Nov 30, 2024
FEATURE: The ‘White’ in The White Stripes: Meg White at Fifty: Her Best Beats
Nov 30, 2024
Nov 30, 2024
Nov 28, 2024
FEATURE: My Broken Hearts, My Fabulous Dance: Reacting to the Success of Little Shrew (Snowflake) at the World Film Festival
Nov 28, 2024
Nov 28, 2024
Nov 27, 2024
FEATURE: Kate Bush: The Tour of Life: The Mystery and Transience of Sex and Passion Through Her Music
Nov 27, 2024
Nov 27, 2024
The Archive