INTERVIEW: Dim Sum

INTERVIEW:

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Dim Sum

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I am starting the week by speaking with the French artist Dim Sum…

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as he discusses the story behind his latest single, Ange. I ask whether there is more material coming and the sort of music he is inspired by; if there are any rising artists we need to watch out for and whether there are a few albums that mean a lot to him.

Dim Sum reveals what he has planned for next year and the importance of Paris; which artist he would support given the chance and if he gets chance to unwind away from music – he ends the interview by selecting a great song.

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Hi, Dim Sum. How are you? How has your week been?

Hi. It’s been a good week…until my laptop crashed.

For those new to your music; can you introduce yourself, please?

I am a French musician and producer. I live and work in Paris and I have released three E.P.s so far.

Ange is your new single. Is there a tale behind the song?

I started this track by sampling the voice of my girlfriend, who is not a singer at all. To me, this track evokes childhood and nostalgia.

It is from your forthcoming E.P. Can you reveal the stories and themes addressed?

I try to make Electronic music that you can both dance and think to; that you can play at a party or listen at home. This new E.P. is also in this mood.

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

I always listened to a lot of music during childhood with my parents. They made me discover a wide range of musical styles, from Classical to Folk and Rock...

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Can you recall when you got into music? How have your sounds changed since the early day?

I really got into music when I discovered Indie-Rock bands of the nineties and early-2000s; from Nirvana to The Strokes. That’s when I started in music: by learning how to play guitar. Then, I came to Electronic music with Daft Punk and Justice I think (smiles).

How important are Paris and its culture regarding your music passion and how you write?

I live in the neighbourhood of Bastille which is a very popular place with a lot of music venues and cultural events. This is a very inspiring place.

What do you hope to achieve by the end of 2018?

I’m going to release my fourth E.P. and I hope that people are going to listen to it (smiles).

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Do you already have plans for 2019?

Yes. I’m already working on new collabs that are not on the new E.P. but that may be released next year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I don’t have a particular memory in mind. To me, as a music composer and producer, each case of positive feedback regarding my music is a particular moment.

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Which three albums mean the most to you would you say (and why)?

Nirvana – Nevermind; Daft Punk – Homework and Phoenix - Wolfgang Amadeus Phoenix

I think they sum up what I love the most in music (smiles).

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to go on tour with LCD Soundsystem!

What advice would you give to new artists coming through?

I think I’m no good at giving advice (smiles).

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Are there any new artists you recommend we check out?

I have recently discovered tracks by PINES - Glisten; Betical - Voices and Vansire - That I Miss You.

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IN THIS PHOTO: Betical

Do you get much time to chill away from music? How do you unwind?

I love to chill in the city with no particular goal...and Paris is a big city (smiles).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Some fresh French vibes with Solal Roubine and Hublot

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INTERVIEW: Samana

INTERVIEW:

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Samana

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IT has been great speaking with Franklin and Rebecca of Samana…

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about their formation and what sort of music drives them. They speak to me about their new track, Beneath the Ice, and what it was like putting the video together. I ask if more material is coming and whether there are any tour dates approaching – they recommend some rising artists to look out for.

Samana talk about their favourite memories and what they have planned for next year; what sort of music they grew up around and how they spend time away from music – they end the interview by each selecting a great track.  

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Hi, guys. How are you? How has your week been?

Very well, thanks. Our week has been considerably wet, having spent the past week on top of a mountain, in our van, in the Welsh countryside in Storm Calum. We didn't bring a radio or a means of gathering the news, so had no idea what we were in for.

For those new to your music; can you introduce yourselves, please?

We are Rebecca Rose and Franklin Mockett from Samana.

The music video for Beneath the Ice is out. What was it like putting it together? Do you have a lot of say when it comes to concepts?

Beneath The Ice is a psycho-emotional improvisation; a poem that in the act of its creation, navigates the subconscious through the intensity of loss into a deep, eternal exhalation. This song is an ode to the moulting cycle of the poet, to the expansion of solitude; to the twilight that one lives inside, between the silence of stillness and movement. It was a pleasure to put the video together, being an amalgamation of impulses and instinctive ideas.

I believe you have a single coming out soon - in the prelude to the release of your first album?

We do indeed! Keep your eyes and ears peeled. 

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How did Samana get together? Have you known each other for a long time? 

Samana was born in Austria during a year-long trip the two of us took in our van as we travelled through Europe after we fell in love. We went out with the sole intention of exploring freedom in its purest form to us. During the two weeks we spent by an alpine lake, upon our return from a long walk we'd taken - where we'd stumbled upon an old woman's small rickety house in the forest where she fed us apple cake and cider - we decided to venture forward together; fusing our inner-worlds of thought, dreams and creation to form Samana.

Which artists did you all grow up around? Do you have any personal musical idols?

Franklin: I grew up to the sounds of Kraftwerk, The Stone Roses and Boards of Canada reverberating through the tiled floors of my childhood house over the years, if only to name a few. I've a lot to thank my father for. He more or less shaped the inner-musical fabric of my mind while my mum, who'd play The End by The Doors while she was pregnant with me, must have woven Morrison into my heart. 

Rebecca: Whilst my mother was pregnant with me, she played me nothing but African music - it still has an overwhelming effect on me to this day. I grew up with a very eclectic mix of music. I have many musicians that inspire me greatly - most of whom pay huge attention to the power and significance of the poetry within their music and words.

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What do you hope to achieve by the end of 2018?

Franklin: A means of heating a house this winter...and to share the music live of course.

Rebecca: To continue journeying down the path we're on.

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

With the release of our debut album, our hearts will be set on taking the music to the people and, in doing so, we hope for a powerful year of connecting, sharing and learning. 

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Have you both got a favourite memory from your time in music so far – the one that sticks in the mind?

Franklin: Playing in a Munich park, we brought a large number of people together from all walks of life who listened to each song in silence. At the very front were two homeless men, both of whom were arm in arm, dancing and swaying silently to the music with their eyes closed for the whole hour we played. Afterwards, we spoke to a number of people in the crowd and every single one of them from the area had said that, over the many years the two men had lived in the park; never had they come within two yards of one another without fighting. It was a small but significant moment that lined the path of our travels with many more instances that changed us and our music forever; something we seek to obtain and imbue in ourselves and those we share our music with.

Rebecca: There have been so many. One example would be when we played in the Montpelier opera house. After our set, a young man approached me with his hand on his heart, barefooted. Franklin and I always play barefooted - as it earths us. After some very poignant and deeply touching words, he left the opera house barefooted as a symbol of his understanding and connection to the music. This image has stayed with me ever since. 

Which one album means the most to each of you would you say (and why)?

Franklin: It's very hard for me to say as every album means so much for such different reasons. However, I guess if I was to strip them all down to their purest forms as I understand them, I'd have to say If I Could Only Remember My Name by David Crosby. It's the most human album I've ever heard in its construction and implementation and roots me to the ground and to myself whenever I hear it. I love how impulsive it is, how free it is and, with such boundless energy, how it draws rich and raw breaths with every word Crosby gifts. 

Rebecca: I think, to the day I die, I would never be able to provide a definitive answer to this question. Albums are like a geographical map of the heart; each to be paired with a significant state of emotion, time or experience. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Franklin: I'd probably want to support Bob Dylan before he goes, just to hear his stories first-hand before it's too late. I'd take a bottle of the finest malt whiskey, a packet of Sobranie and a chesterfield by a fireplace to be sure he'd entertain me. 

Rebecca: Alive today? Patti Smith - as she has shifted so many seas and I respect her greatly. The concert would be held in a building of significance - probably a beautiful old church. I'd go for an autumnal forest walk in her presence beforehand, with a flask of black coffee to listen to what she has to say.

Can we see you on the road this year at all?

We are disappearing next month to live in the south of France for six weeks to compose and transpose the album live; so any shows we'll be looking to play would be early-December, looking to next year. We are arranging some very interesting, boutique shows around London in the New Year so keep your eyes peeled.

What advice would you give to new artists coming through?

Franklin: Know that the only thing that will really serve you along the long, twisted and windy road is passion. You can more or less leave the rest at the door, for it will seldom come in handy and only weigh you down.

Rebecca: Follow your gut instincts and intuition; they will always serve you on your path.

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 IN THIS PHOTO: Mesadorm/PHOTO CREDIT: Sarah Cresswell

Are there any new artists you recommend we check out?

Franklin: The best new artist I've heard is Aaberg. The music speaks entirely for itself so I've very little to say other than it moves me to the core. A song from another new artist which I've fallen for is Mesadorm's Yours and Not Yours...a bit like Roxy Music's Mother of Pearl; It introduces a rather grating and uncomfortable theme before dropping into complete bliss that you really feel after being dragged through the thorny bushes. 

Rebecca: Seabuckthorn - poignant music. 

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IN THIS PHOTO: Seabuckthorn 

Do you both get much time to chill away from music? How do you unwind?

Franklin: We live and breathe our music and creations but I must say I feel constantly unwound through life; I guess it comes back to that word, passion. I have however spent more time recently working with really wonderful composers and musicians for my analogue mobile recording studio, The Road Records, which has given me objectivity and inspiration since the twenty-hour days we'd spend incessantly putting the album together. The two of us also spend large parts of our days wondering the countrysides and exploring country roads. 

Rebecca: As well as poetry, hot baths and forests.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your

music - I will do that).

Franklin: Pilots by Goldfrapp. For me, it conjures a thought of flying through the sky to a John Barry piece I've dreamt up; if only I could have remembered it first! 

Rebecca: Something on Your Mind by Karen Dalton

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INTERVIEW: Julen the Human

INTERVIEW:

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Julen the Human

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I have been speaking with Julen the Human…

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about his start in music and what inspired his latest track, Time. He discusses influences and which artists he grew up around; what he hopes to achieve by the end of the year and whether there are a few albums that are especially important to him.

Julen the Human reveals a favourite memory from his time in music and highlights some artists to watch; whether there are any gigs coming up and how he spends time away from music – he ends the interview by selecting a fine track.

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Hi, Julen the Human. How are you? How has your week been?

Hi! Good, thank you very much. How about yourself?

For those new to your music; can you introduce yourself, please?

Sure thing! Hi there. My name is Julen (the Human). I’m a multimedia artist who dabbles in both audio and visual mediums with a passion for topics regarding existence; the nature of reality and the human condition. Due to its immediacy and ‘in the moment’ nature; music is an essential part of what I do and one of the strongest emotional conduits I have to my disposal. It’s an indispensable catalyst that balances out the other, more ‘cogent’ content.

Time is your new track. What’s the story behind the song?

Well. Besides its super-original title; the song is pretty much exploring the realization of time being impartial to you or anyone; the haunting notion of wasting one’s youth by living in the hypotheticals. It’s about this sort of vicious cycle of apathy, where the chorus show a glimmer of hope/motivation but we then fall back to the monotony and melancholy of the verses. It talks about not seeing things through to the end so the song itself ‘ends’ without the ‘concluding’ chord to the final progression - smart, eh?

Might we expect some more material down the tracks?

Yup! Working on new stuff as we speak! And, by ‘stuff’, I mean content in both audio/visual mediums.

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You are a YouTube star. How does your work you do there and that experience feed into your music?

I wouldn’t really say ‘star’; more like a budding, baby ball of burning gas still nestled in a fluffy nebula’s embrace. Well. The whole idea of the channel is to use it as a way to merge and showcase an array of artistic ventures and collaborations. So, in a way, it’s a sort of feedback loop - I guess.

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

Growing up, I was always surrounded by music and instruments. My older brother is a musician so it became sort of second nature to me. To tell you the truth; I never really considered it a career choice until later in life. Whilst studying film, ironically enough.

What do you hope to achieve by the end of 2018?

Well. Seeing as that is right around the corner…I’m just aiming to get a better footing in terms of the content that I’ll be uploading for what’s left of this year and the upcoming one.

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Do you already have plans for 2019?

I’m currently working on it!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There’s a funny memory from when I was very, very young…

I remember my brother got a keyboard for one Christmas and, as most keyboards do, it came with a modest constellation of ‘preset’ song buttons. I had this weird game with myself where I would go to my brother’s room, play this particular preset - I believe it was a MIDI rendition of Pachelbel’s Canon in D - and I would see how long I could go before I felt the tears swelling. I know, it’s odd. I guess music just really strikes a chord. Hah! Get it?! Ok; sorry… dad joke (and no, I’m not a dad).

Which three albums mean the most to you would you say (and why)? 

Maybe I’ll get some heat for saying this but I don’t really have a particular album that means the most to me…it’s always been more about the individual songs. Don’t get me wrong; there are some amazing albums with insane concepts which I definitively find admirable and inspiring. Anyway; here are some I really enjoy:

Discovery - Daft Punk; Give Up - The Postal Service; Melody A.M. - Röyksopp; Stadium Arcadium - Red Hot Chili Peppers; Continuum - John Mayer; Tourist History - Two Door Cinema Club.

Basically, all of Joe Hisaishi’s work with Ghibli etc.

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What advice would you give to new artists coming through?

Don’t kill your ideas by judging them too fast. Also; it’s fine to have a vision, just remember it’s important to focus on the present and not get too carried away by illusions - or you’ll exhaust yourself in a futile pursuit.

Do you have tour dates coming up? Where can we catch you play?

Not at the moment, but I’ll keep you posted! If you subscribe to my YouTube channel and/or follow me on Instagram, I’ll make sure to keep you up to date and in the loop!

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 IMAGE CREDIT: Zhé

Are there any new artists you recommend we check out?

Sure! A lot of 'em: Zhé (his album, A Pretty Dark Soul, is on Spotify); Morris (their album, Va a Pasar, is also on Spotify); El HueyCoyote (yup; Spotify as well); David Alexandr (his new single, Take Your Leave, is on Spotify); Silver Twins (yes, yes. Spotify) and Nimbus (coming soon so keep an eye out!) to name a few. 

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 IN THIS PHOTO: El HueyCoyote

Do you get much time to chill away from music? How do you unwind?

When I’m not doing music, I’m usually working on some other content idea. I have an overactive brain, so something that has been of incredible help and benefit to my life in general is the practice of meditation. Really recommend it to anyone who identifies as human!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One Summer’s Day - Joe Hisaishi

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INTERVIEW: LeWis

INTERVIEW:

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PHOTO CREDIT: Bart Boodts  

LeWis

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I have been speaking with LeWis…

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about his new track, Mathilda, and how it came together. He tells me what he has coming up and whether he has any ambitions to fulfil before the end of this year - I was keen to know when music came into his life and which albums hit him hardest.

LeWis talks about the scene in his native Belgium and reveals whether he has tour dates coming; which rising artists we need to get behind and whether he gets time to unwind away from music – he ends the interview by selecting a classic song.

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Hi, LeWis. How are you? How has your week been?

Hello....

My week has been good. Every week is the same though: uni during the day and writing songs at night. I’m very lucky to be living outside the city centre of Liverpool because I love a good night walk around Sefton Park.

For those new to your music; can you introduce yourself, please?

I’m LeWis; a twenty-two-year-old Belgian songwriter. I write Indie-Folk/melancholic songs about life experiences and dreams. Like most songwriters, I started writing songs at a very young age. I hope to move people with my music and lyrics.

Mathilda is your new single. Is there a story behind it? How did it start life?

Mathilda is written about a person I met when I went traveling through Canada. It's very strange how the song came to life. It all started with a bridge part; it had a very nice melancholic feel to it. The first lyrics I wrote were: "The love, the love/The love Mathilda". I think this sums up the song, so I kept repeating the pattern - and then, in one hour, I wrote the whole song.

Do you think there will be more material coming next year?

Yeah. I try to write every day. I’ve done this for some time, so I'm dead-excited to get into the studio and record all my crazy idea’s and sounds. Can't wait to introduce people to my music. I’m hoping to bring out an E.P. around April.

Which artists did you discover young and become involved with?

It’s probably not a big influence on my music but Metallica was my first ever gig. I was ten-years-old. After that, I started exploring more artist like: Bob Dylan, Bruce Springsteen; Paul Simon (Simon & Garfunkel), Eddie Vedder and Sigur Rós. God Is an Astronaut were a massive influence for my writing cause they made me wanna experiment with instruments and sounds.

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Being based in Belgium; what is the scene like there?

I think Belgium has a lot of different genres which makes it very hard to pin down what the scene is like. I think Belgium is a country with a lot of talented musicians. If you really had to describe a scene, I would say Alternative/Synth-Pop.

What do you hope to achieve by the end of 2018?

I hope to be appreciated in the music industry. I hope to be ready to start playing live in 2019. I’d like to go on tour and start performing my songs all around the U.K. and Europe.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite memory was having an independent tour in Saskatchewan. I just packed my guitar and gigged for six weeks in all different places around Canada. It was a time when I didn’t have a lot of money, so improvising was the nicest part of travelling around.

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Which three albums mean the most to you would you say (and why)?

Graceland - Paul Simon

Grace - Jeff Buckley

Takk... - Sigur Rós

If you could support any musician alive today, and choose your own rider, what would that entail?

Oh; that’s a very interesting question...

I think I would have loved to go on tour with Nick Drake if he was still walking about. My dream is to play in the amphitheatre in Red Rocks (Colorado). A natural-sounding reverb in the middle of nowhere.

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PHOTO CREDIT: Geert Pollier

What advice would you give to new artists coming through?

I think everyone have their own way to become an artist. Just be yourself is the cliché́ one, but I think stick with that.

Do you have tour dates coming up? Where can we catch you play?

At the moment, we are just recording and practicing our live set so we can fire it up in 2019.

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 IN THIS PHOTO: Everything Is Imagined

Are there any new artists you recommend we check out?

Everything Is Imagined; Geppetto & the Whales.

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 IN THIS PHOTO: Geppetto & the Whales

Do you get much time to chill away from music? How do you unwind?

Not really. I do try to take my mind off of music but I always end up listening or playing (to) tunes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Paul Simon - 50 Ways to Leave Your Lover

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INTERVIEW: Ellzo

INTERVIEW:

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Ellzo

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THE first interview of the weekend is with Ellzo…

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who has been talking with me about his latest track, Agnostic, and what the story behind it is. With his E.P., Time Travel, now out; Ellzo has been chatting about that. I ask which artists and albums are important to him; how influential London is to his sounds and directions – Ellzo recommends some rising artists worth looking out for.

I was keen to know what comes next and how he got into music; if he unwinds away from music and whether he has advice for musicians coming through right now – Ellzo ends the interview by selecting a great track.

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Hi, Ellzo. How are you? How has your week been?

Hey. It’s been a real’ good week. Just came back from an interview with BBC 1Xtra.

For those new to your music; can you introduce yourself, please?

So. I go by the name Ellzo. I’m a producer (and, I guess, singer now) from London. I produce a lotta bouncy Futurebeats music and R&B mainly.

Agnostic is your new single. Is there a tale behind the song?

In social interactions, I’ve been known to be indecisive on expressing my own opinions from fear of being judged. The line “stuck in the middle” refers to my mental state being torn between choosing to express my opinion or not speaking at all. I tend to go with the latter.

It is from the E.P., Time Travel. Are there particular themes and ideas that inspired the work?

Time Travel, as a whole, sums up my development in music over the years.

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You were born in West London. How important is the area regarding your sound and work?

One thing I will say is that a lot is happening right now in London for the SoundCloud scene and I’m grateful to be situated here. I live very close by to my workplace, so it’s cool that I can just come straight back home and work on music.

In terms of influences; which musicians did you grow up around?

I would say The Black Eyed Peas, Pharrell; The Roots and Timbaland were key influencers for initially developing my sound. My dad was a D.J. so I heard a lot of that stuff. My guilty pleasure would have to be S Club 7, too, but don’t tell anyone (smiles).

How did you get into music? Was there a particular moment when you knew it was what you needed to do?!

I’ve always been music minded. However, as a kid; I never had the equipment to express it. But, once I was acquainted with GarageBand back in 2008; I knew this music thing would be what I wanted to do for life.

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What do you hope to achieve by the end of 2018?

I’d like to work with one more artist and potentially release a few more singles. 10k followers on SoundCloud would be great also. Haha.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’d have to be this time when I was doing a live D.J. set down at a club in London, Birthdays. I was stuck on right till the end (2 A.M.) but there were still a good amount of people waiting around for me. I started playing and, as soon as I dropped a banger, the crowd started chanting my name. It was a surreal experience that I will never forget.

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Which three albums mean the most to you would you say (and why)?

Sam Gellaitry - Short Stories

As it was the first vinyl I ever bought. He’s also my number-one producer like, ever, so it’d have to be his first E.P.

The Roots - How I Got Over

It was on-repeat when it first dropped. It has a special place in my heart, particularly as it got me through some long-ass car journeys. I never got tired of it and now it has a very nostalgic feel to it.

Flying Lotus - You’re Dead

It was the first time I was introduced to the legend. It blew my mind. I’d be lying if I said his use of stereo space didn’t have an influence on my sound today.

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If you could support any musician alive today, and choose your own rider, what would that entail?

It’d have to be Anderson. Paak. That dude is wild! I’d be filling up the backstage green room with champagne and Sour Skittles. Bean bags are a necessity, too.

What advice would you give to new artists coming through?

You can’t do this on your own (well, you can, but it’s 100x harder). Reach out to other likeminded musicians. If your music is good or they see potential, the nice ones will be willing to support you.

Do you have tour dates coming up? Where can we catch you play?

Sadly not, but if you know anyone willing to book my sorry ass, let me know.

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IN THIS PHOTO: K, Le Maestro

Are there any new artists you recommend we check out?

Olswel is one to look out for. At this point in time, he hasn’t got anything on Spotify so you’ll have to look him up on SoundCloud. K, Le Maestro is a local friend who’s got an incredible Boom-Bap vibe. Also; myself. I’ve got some crazy new music in the pipeline.

Do you get much time to chill away from music? How do you unwind?

When I’m not making music, or working down at the bar, I’m either drinking up at a pub somewhere, lifting at the gym or binging on T.V. boxsets. Oh…and an unhealthy amount of YouTube videos.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well, thank you. Holiday by rysk, please. Have a good one!

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INTERVIEW: NIKO

INTERVIEW:

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NIKO

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MY final interview before the weekend is with NIKO…

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who has been talking about his latest single, The One, and the inspiration behind it. I ask him whether there will be any more material coming along and how he got into music; which artists have inspired him and whether there are any rising musicians we need to pack.

NIKO reveals his plans ahead and talks about three albums that mean a lot to him; how he chills and unwind away from music; which artists he’d support given the chance – he ends the interview by picking a classic Swing song.

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Hi, NIKO. How are you? How has your week been?

Hi Sam! I’m good. My week has been busy getting ready for the release of my single!

For those new to your music; can you introduce yourself, please?

My name is NIKO. I was born and raised in Milan, Italy but now I live and work in N.Y.C. I would define my music as Pop: sonically, it has a Euro touch fused with a contemporary sound. Thematically, I’m inspired by my own experiences as well as my fantasies - and the possible scenarios that could happen in between the two.

The One is your latest single. How did that song come to be? What inspired it?

The One is a romantic song that touches on the frustration of modern dating. It’s inspired by the first moments with someone you're attracted to. It reminisces on warm summer nights, spent in and out of bars and clubs; looking for ‘the one’. It’s definitely a personal song - it was written and recorded in just one afternoon during a session in L.A.

Do you think there will be more material coming? How far ahead are you looking?

Yes. The One is part of a four-track E.P.: the fil rouge of the E.P. is romance, love and lust. The second single will come out next month while the full E.P. is going to be released early next year.

How did you get into music? Was there a particular moment when it all sort of clicked?

I was a very artsy kid and I took up acting and singing from a very young age. I think I realized I wanted to make music and be a performer when I first sang live in front of a live audience in Milan when I was fourteen. I performed Light My Fire; still one of my favorite songs.

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Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

I’m inspired by the big legends of pop such as George Michael, Madonna and Janet Jackson - whenever I’m looking for inspiration I turn to their music, which is so timeless and beautiful.

I grew up in a very musical household . Even though my parents were not professional musicians or in the music business, music was always playing at home and very much part of our lives. Still nowadays, big family gatherings often turn into dance parties!

What do you hope to achieve by the end of 2018?

As an independent artist, I would be grateful to connect with more people through my music; release another single and play a couple of live shows.

Do you already have plans for 2019?

Yes. I’m planning the release of my E.P.!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Some years ago, I spent a couple months in the U.K., working with different producers on a project that never saw the light of day (unfortunately). I had the pleasure of working with Joe Cross, the producer behind HURTS, and David Laudat, an amazing vocal coach who worked with the Spice Girls back in the day (and also FKA Twigs).

Even though those songs never came out, I learned a lot about music production and songwriting during my stint in London and Manchester. I treasure those days very much!

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Which three albums mean the most to you would you say (and why)?

Madonna – Erotica; Janet Jackson – The Velvet Rope and George Michael – Patience

If I think about it, these three albums share similar topics and are all very personal, raw and very, very sensual. Musically; these albums definitely pushed some boundaries and innovated Pop music at the time. And, visually, Madonna, Janet and George Michael had stunning, creative videos to go with the singles. These albums influenced me a lot growing up and I still turn to them when I need some inspiration.

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If you could support any musician alive today, and choose your own rider, what would that entail?

That’s a hard question. There are so many artists I admire but I would love to open for Lady Gaga. She’s such a multi-talented, multi-faceted artist. I’ve been a fan since day-one.

A glass of prosecco before the show would honestly be all that I need.

What advice would you give to new artists coming through?

I’m a new artist myself, so I would just say to never give up and to trust your vision.

Do you have tour dates coming up? Where can we catch you play?

Not yet, but I’m definitely looking to play some live shows in the future so stay tuned!

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 IN THIS PHOTO: Leo Kalyan

Are there any new artists you recommend we check out?

Yes. Lately, I’ve been listening a lot to the mega-talented Leo Kalyan, who put out some great music this year (like his latest single Focus), and NEIL FRANCES; a band that made an awesome cover of  Stardust’s Music Sounds Better With You and then put out a great E.P.

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Do you get much time to chill away from music? How do you unwind?

Sometimes, a good workout is all that I need to unwind and recharge but I also enjoy watching old Hollywood movies.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would go with one of my all-time favorites: Frank Sinatra - I’ve Got You Under My Skin

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Follow NIKO

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INTERVIEW: The Ting Tings

INTERVIEW:

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The Ting Tings

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I have been spending time with The Ting Tings…

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who have been telling me about their new (fourth) album, The Black Light, and its themes. Katie White and Jules de Martino discuss how the record differs from their previous work and how Spain and L.A. played a part in the recording process.

The guys talk about plans going forward and reveal albums that mean a lot to them; whether there is a rising act we need to get behind and whether they have any goals to tick off before the end of this year – they end the interview by selecting some awesome music.

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Hi, guys. How are you? How has your week been?

Jules de Martino: Busy. Putting out our own records is no joke!

For those new to your music; can you introduce yourselves, please?

Katie White: I’m Katie White…

Jules: I’m Jules de Martino; we are The Ting Tings

The Black Light is your new album. What are the main themes/stories that inspired the record?

Jules: We felt that years of living and touring built up a large trailer-full of baggage (as with all our lives) that gave us anxiety and concern. Most of that emotion made its way onto the record, musically and lyrically. It’s very much about shining a light on those bits we brush under the carpet of forget to address.

Do you each have a favourite song from the album?

Katie: Earthquake.

Jules: Blacklight/Estranged.

What was it like recording The Black Light in Spain and L.A.? Why did you choose those destinations?!

Katie: We always pack down; ship off to a new place to make new music. It’s just part of our fabric. We decided, very early on, that we would never make two records sound alike and, by shutting shop and starting again, we feel like a new band each time.

Jules: On The Black Light, we ended up in Southern Spain in a valley like lost souls suffering from extreme nerves and exhaustion in bliss mountain air and pure silence. Kinda freaked us out as we thawed. It almost chose us but, as the writing and jamming became something honest and worthy, we repacked and set for L.A. to cement the record. We had passed through L.A. many times - especially through the arts district - and vowed to make a record there; so it made sense that once the songs were penned to head there to get this record down.

Many people are familiar with your sound and biggest hits. How do you think your style has changed since the start?

Jules: Immensely. So many reasons for the evolution. As artists, we always want to discover and explore. Life’s short and we need to cram in as much as we can while we’re here.

Katie: We’re an Indie band that crossed over to the ‘other side’ but our hearts remain in the creation of music and art that means something to the creator.

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What do you hope to achieve by the end of 2018?

Katie: In a way, we’ve already achieved some of our goals: to complete album-four with material we adore is huge. When we’re this happy about our efforts, we start thinking about touring and performing it live.

Jules: I’d like to master drone flying…

Do you already have plans for 2019?

Katie: Erm. We’re starting to think about places we haven’t seen or performed. It’s an interesting list: Tasmania, Mongolia; India, Iceland; Greenland, the North Pole…

Jules: Wanna go back to Ibiza and party. We spent time there on album-three and didn’t get to do everything we set out to do - so, I’m going back to unfinished biz.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Jules: There’s so many...

I have to check my journal as each time an event surpasses the one before it becomes my fave. Sitting on the street tarmac in Las Vegas after a very heavy night when our T.M. (tour manager). He forgot to get us to the airport on time, which meant missing the next show and getting more messed up in Las Vegas…pretty memorable. If I'm not mistaken, we wheeled our T.M. back to his room that night in a wheelchair as he couldn’t stand up; ex-military dude at 6ft 5.

Katie: Jakarta blew my mind when the promoter crammed 15k peeps into a 5k venue falling apart at the seams. The audience had to watch a military film before we went on stage. (There were) military personal everywhere and we thought we were in for a dud but the 15k sung every single lyric of the entire set. It took a while for me to compute. Things aren’t always what they seem.

Which one album means the most to each of you would you say (and why)?

Katie: That’s tough. We Started Nothing will always be special as it was the first.

Jules: Yeah. I though; I still feel like I never got to finish the production on it…I’m feeling The Black Light big. It just feels like it’s really about where we are now - and the process of getting to this independent point in our lives means a lot. It’s the most honest record we have made.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jules: David Byrne. I would need to be playing drums on Once in a Lifetime - with tequila backstage.

Katie: If The Smiths reformed; I’d like to warm up then watch them from side of stage munching a salad and drinking white wine, of which Morrissey would approve. I love The Smiths…

Jules: I once confused J. (Johnny) Marr for J. (John) Squire. Marr showed up at our studio in Salford (Manchester) and I was hungover. Making small talk; I told him I loved his new band, The Seahorses. I think the single was You Can Talk to Me…which, of course, was Squires’ band. D’oh. No chance of a side of stage if The Smiths reform, then?

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What advice would you give to new artists coming through?

Jules: Do not do it unless you feel it is honest and you want to support it fully. Take no advice; stay true. The industry is in chaos and only artists creating their individual moments will save it.

Katie: Go slowly, surely; have a vision and stay in lane.

Do you have tour dates coming up? Where can we catch you play?

Katie: Not yet, but working on it.

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 IN THIS PHOTO: Sleaford Mods

Are there any new artists you recommend we check out?

Jules: The Sleaford Mods.

Do you get much time to chill away from music? How do you unwind?

Katie: Not at the moment. We are fully-independent releasing our own records. No time to turn off. Never been one to turn off but the time will come and I’ll fall into a big cream cake (or summin’).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jules: Sleaford Mods’ Jobseeker

Katie: The Smiths’ There Is a Light That Never Goes Out and Cardi B - Bodak Yellow

Bye,

J. & K.

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Follow The Ting Tings

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INTERVIEW: James Holt

INTERVIEW:

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 PHOTO CREDIT: Debbie Ellis  

James Holt

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IT is great to chat with James Holt…

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 PHOTO CREDIT: Debbie Ellis

about his new single, Alone Again, and how it came to mind. Holt discusses the song’s origins and reveals whether there will be more material; the artists he grew up around and what the music scene is like in Manchester – Holt recommends a rising act to watch.

I ask whether there will be any tour dates and how she spends time away from music; why he is inspired by the 1960s and that sound; a few albums that mean a lot to him – he ends the interview by selecting a great track.

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Hi, James. How are you? How has your week been?

Hey, Sam; all good thanks! Though, I’ve got a slight cold – aCHOO!

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter and multi-instrumentalist from one of the shires of England. I write music in an attempt to make people cry – but in a nice way.

Alone Again is your latest single. Is there a story behind the song?

There are three separate narratives in Alone Again with the underlying theme of loneliness and regret. In the first verse, the character loses his love in death (“Never-ending dream”); in the second he never told his love of his feelings (“I should have screamed when I was whispering”) and, in the final verse, he blames himself for suffocating their passions (“Like fire clings to a burning man I have smothered you”).

It’s mainly just exploring the idea of loneliness: how someone can be lonely by no fault of their own or alone in a crowd – I usually include ‘turning points’ in my songs (in this case, there are two or three!).

The song has that mid-1960s vibe to it. Was there a reason for stepping into that direction?

I really enjoy subverting people’s expectations in songs through sudden tempo changes, similar to Brian Wilson’s production method of splicing together of different sections…which gives Alone Again an angular quality. I’ve always loved the classic songs of the '60s and - drawing inspiration from The Beatles (the Rubber Soul/Revolver years) and the dramatic variety of early Scott Walker - I aimed to write a song that pays homage to that golden era of songwriting.

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PHOTO CREDIT: Paul Husband

What comes next in terms of material? Are you working on more stuff?

I’ll be going back in November to work on another track, maybe two. I can’t really say much about it but it’s a live favourite. 

Can you give me a sense of the artists you grew up around? Who do you count as idols?

I play piano, guitar and cello and I did all the exam grades and played lots of different styles of music (from Classical to Jazz to Rock) - because of this, I’ve grown up with so many different artists and composers. To name a few: The Beatles, Radiohead; Pink Floyd, David Bowie; Miles Davis, Bob Dylan; Nick Drake, Joni Mitchell; Scott Walker, Tchaikovsky.

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PHOTO CREDIT: Paul Wolfgang Webster

What do you hope to achieve by the end of 2018?

I’m looking ahead into next year now. The rest of 2018 will be spent recording some more material and I have a couple of really cool shows to announce very soon!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have two…

The first (is) meeting Brian Eno and have him champion and support my music; the second, performing at the Royal Albert Hall. The performance was great but I think I enjoyed the sound-check more. I could play with the room and hear it reverberating back to me; take it all in. When I was performing my set for real, I was just concentrating on my performance; making sure I didn’t f*ck up! Haha.

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 PHOTO CREDIT: Debbie Ellis

As a Manchester-based artist; what is the scene like up there now? Are there particular venues you’d recommend?

The scene is pretty healthy in terms of new music coming through – sadly, we’ve had a few venue closures recently to make way for accommodation or restaurants, which I believe is a similar story all over the U.K. (I’d like to highlight the Music Venues Trust, who protect and raise awareness of grassroots music venues). If you go to the Northern Quarter in Manchester, you’re likely to find a diverse set of musicians playing in one of its venues every night of the week.

Which three albums mean the most to you would you say (and why)?

Abbey Road - The Beatles

It’s my favourite Beatles album. It still blows my mind how a band that was pretty much split up at that point could make such a complete album.

In Rainbows – Radiohead

Just the perfect melting pot of Alt-Rock, Folk and Electronic music.

In a Silent Way - Miles Davis

My go-to chill album. This album was made by splicing together different sections and takes of different pieces. It was way ahead of its time and pretty genius really.

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PHOTO CREDIT: Paul Wolfgang Webster

If you could support any musician alive today, and choose your own rider, what would that entail?

Have you seen U2’s live setup recently? They have this huge setup with like a double-sided screen cage (which displays huge images) that’s a few-hundred metres long and dissects the crowd and they run up and down; play on the main stage and play right in the middle of the crowd. I think, for that experience alone, I’d like to support them!

I have a thing for olives so they’d feature on my rider along with orange and mango juice.

What advice would you give to new artists coming through?

D.I.Y.! You can do so much yourself now, from recording and events to radio/online promotion.

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 PHOTO CREDIT: Debbie Ellis

Do you have tour dates coming up? Where can we catch you play?

I’m playing at St George’s Hall in Liverpool on 1st November - it’s a event run by Universal Inclusion to celebrate equality and inclusion (featuring all sorts, including a big band; an orchestra, lute soloists). In December, I’m taking part in Foundations Fest in Manchester where I’ll be on a panel discussing the Manchester grassroots scene.

In February, I have a full band show at Victoria Theatre, Halifax for an all-day event hosted by Clint Boon. I also have a Manchester headline show announcement coming soon, so keep an eye out…

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 IN THIS PHOTO: The Slow Readers Club

Are there any new artists you recommend we check out?

Check out The Slow Readers Club if you haven’t already - they recently sold out Manchester Apollo! I supported them for a couple of shows for Independent Venue Week earlier this year.

Do you get much time to chill away from music? How do you unwind?

Sounds a bit sad but pretty much everything I do is music-related! When I’m not doing my own writing, recording or performing my own music I’m either teaching music or playing function gigs (I play piano in a restaurant and I’m playing keyboards in a production of Joseph and the Technicolor Dreamcoat in Bolton this November!)

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please can I have When You Know Why You’re Happy – Mary Margaret O’Hara

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Follow James Holt

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INTERVIEW: Leah Nobel

INTERVIEW:

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Leah Nobel

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THE fantastic Leah Nobel has been chatting about…

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her new single, Slow Burn, and the story that inspired it. I ask what we can expect from her upcoming album, Running in Borrowed Shoes, and the sort of themes that compel the music; which artists she grew up around and the albums most important to her.

Nobel talks about her future plans and recommends an artist to watch; a few albums that mean a lot to her and whether she gets time to relax away from music – she ends the interview by selecting a great track.

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Hi, Leah. How are you? How has your week been?

Great. Just got back from a hiking trip in The Smoky Mountains - a much-needed weekend away.

For those new to your music; can you introduce yourself, please?

My name is Leah Nobel. I am a multi-genre artist/writer currently based in Nashville.

Slow Burn is your latest track. Can you explain the story behind the song?

During the interview process for Running in Borrowed Shoes, I asked people to share the story behind how they met their significant others; if they believed in ‘love at first sight’ etc. I used what I heard in my interviews to inspire Slow Burn, which touches on the fact that most people’s relationships don’t play out like the fantasy pop culture often perpetuates.

It is from the upcoming album, Running in Borrowed Shoes. What is the reason for that title? Are there themes/concepts that inspired the music?

The title, Running in Borrowed Shoes, was a symbol for what this project stands for. I acted as a vessel for other people’s stories, opinions and experiences and channeled them through song. There are many themes that inspired the music - ‘not feeling good enough’, ‘grief’; ‘feeling alive in the outdoors’, ‘forgiveness’.

Do you have a personal favourite from the album that stands out?

It’s hard to pick a favorite but This Pain Will Be Useful, which is on the full album coming in early-2019, impacts me the most emotionally.

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How did you get into music? Was there a particular moment when it all sort of clicked?

I sort of feel like I fell into music by accident.

I never dreamed of being in the music business. I have always loved to sing and I have always known that I wanted to do something creative with my life. I think the first time I recorded in the studio as a teenager I knew that this was something more than a hobby.

What do you hope to achieve by the end of 2018?

I have been working a lot on my mental-health this year and would love to get to a place where I am less critical of myself.

Do you already have plans for 2019?

The full length record, Running in Borrowed Shoes, will be released!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I like the beginning of making records more than anything else. I like being in that quiet space of creativity - totally unsure of what will come out of your efforts.

Which three albums mean the most to you would you say (and why)?

Graceland - Paul Simon

It reminds me of my childhood and I love Simon’s lyrical prowess.

Say I Am You - The Weepies

It will always be one of my favorites, and I can’t really explain why- it is just comforting to me)

Slowmotionary - Ethan Gruska

A current favorite. His smart writing and musicianship blow me away.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to open for Carole King. My rider would be exceptionally boring. I like having a healthy meal before I perform and a quiet space to meditate.  

What advice would you give to new artists coming through?

Remember what makes you different and hold it tight. Support your ‘competitors’ and treat everyone with respect and kindness.

Do you have tour dates coming up? Where can we catch you play?

I will be performing Running in Borrowed Shoes next year. Dates T.B.A.

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 IN THIS PHOTO: Ethan Gruska

Are there any new artists you recommend we check out?

Ethan Gruska.

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Do you get much time to chill away from music? How do you unwind?

I try not to overbook myself because I am an introvert who needs time to recharge. I like to take baths and naps.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Valley by Ethan Gruska

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Follow Leah Nobel

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INTERVIEW: Wiyaala

INTERVIEW:

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Wiyaala

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IT has been eye-opening and amazing speaking with Wiyaala…

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about her upbringing and how she got into music. She talks with me about her mash-up mix of Better Treat Me Right, and how that came to be; whether we can see her on the road before the end of the year – she recommends a rising act to watch closely.

Wiyaala discusses her plans going forward and reveals how she spends time away from music; whether more material is coming down the tracks and whether she has a favourite memory from music so far – Wiyaala ends the interview by selecting a great track.

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Hi, Wiyaala. How are you? How has your week been?

Seems like I’ve living in motorway service stations between promos, gigs and recording in Sheffield, U.K. So different to the roadside ‘chop’ bars in Ghana!

For those new to your music; can you introduce yourself, please?

I’m Wiyaala; a Sissala girl from Funsi, a small village in the northern part of Ghana. I do something I guess you could call Afro-Pop or Afro-Rock. My songs Village Sex and Rock My Body will give you a taste of my flavours!

A mash-up mix of Better Treat Me Right is up. What is the story behind the song?

I’ve been on tour with an international all-female band GRRRL (like the Spice girls on crack) and U.K. producer Will Mount from What’s That Sound Productions saw me and said he had a song for me. So, I went to his studio and recorded Better Treat Me Right. A few remixes later we ended up with the mash-up mix. I went for it because “I’m not the kind of girl to sit here and wait for you to rescue me”. Where I come from, you don’t get rescued!

You are a big advocate of women’s rights. Have there been particular personal experiences that have made fight harder?

That sounds terrible, doesn’t it? ‘A big advocate for women’s rights?’ Look; like just about everyone else reading this, I’ve had to fight tough every inch of the way to try and get somewhere. Because I’m a woman, that can get you labelled a feminist. I love men! Ok; it’s true I’ve spoken out against child marriage and F.G.M. - which is still happening in some of our communities. But, who doesn’t, regardless of whether you are male or female?

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Did your upbringing and childhood shape how you approach music and what you write about?

Of course! I was drumming in the church choir when I was four-years-old! My mum was a chorister. In those days, we didn’t have electricity and we used to sit under the moonlight as a community, singing; dancing and playing games. We were happy. I used to organise the kids to perform for the village chief. I’ve portrayed this life in my song, Siiko. I’ve added a twist to it. With Smartphones and stuff, we are losing some of this culture. I’m saying, don’t forget it. As well as enjoying modern technology, we should add it to what we used to have.

The other thing was the western influence. When I was about eight-years-old, I saw Madonna’s video of Take a Bow on T.V. The red lips, the pointed nipples; the bull…I knew then I could do what she was doing. It was motivational and inspiring for a small girl in the African village.

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Might we see more material coming down the line?

Yes - for at least the next twenty-five years. I’ve got a new album due out very soon, Sissala Goddess. I’m also working on an E.P. with my Ghanaian brothers in Sheffield known as the Zongo Brigade. That’s going to include the LGBT Remix of Rock My Body. That song is fun!

What do you hope to achieve by the end of 2018?

I’ll settle for having my new album and E.P. out there. I’m a musician; from concept to execution. That’s all. The rest is up to the audience.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Yes. Performing at Womad, U.K. My first big ‘white’ crowd. They totally bought in to what I was doing. If you get it, you get it. Case closed. 

Which three albums mean the most to you would you say (and why)?

Hahahah! I don’t listen to music! I make it! Sure; I hear music all the time. But, I don’t sit down with a spliff and a drink and analyse albums. I don’t have time for that! I’m usually wandering around the house or sitting in the passenger seat of a car on the motorway doodling on my guitarlele. Or, I’m designing and sewing my own stage costumes. Or shooting and editing little videos for social media.

If you could support any musician alive today, and choose your own rider, what would that entail?

Look. I’m sorry I don’t have this kind of fantasy! I’ll support any living musician of any genre or nationality on any stage anywhere in the world. We’re all musicians, give us a stage; some basic sound and lighting and our job is to entertain. I don’t make or want crazy rider demands!

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What advice would you give to new artists coming through?

Be the musician you really want to be. Be yourself. Perform live at every opportunity. Do your thing, not somebody else’s thing. Be honest with yourself about your strengths and weaknesses. Believe in yourself.

Do you have tour dates coming up? Where can we catch you play?

You can see me with GRRRL at RichMix in London on November 2nd. Then, at the Kin Festival in Bristol (also with GRRRL) on 10th November. Then, I’m back to Ghana and it will be Wiyaala in Concert at the Alliance Francais, Accra on December 8th. Then, I’m back home to Wa in the Upper West Region of Ghana where I’ll be organising the local Djimba World Festival which I started three years ago.

How important is it being on stage and performing? Do you love playing your music to the crowds?

It’s everything. I’ve been a live performer since I was three-years-old. I can never imagine a life without performing. I’ve done crowds of 70,000 in Morocco and crowds of ten at some venues. It’s all the same to me. It’s what I do.

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 IN THIS PHOTO: Dark Suburb

Are there any new artists you recommend we check out?

Yes. Dark Suburb; a Rock band from Ghana. Start with I Dey Feel You Die.

Do you get much time to chill away from music? How do you unwind?

I don’t. But, if I do, I like spending time with my mum and four sisters; cooking fufu and light soup with goat meat. We gossip, sing and dance and generally have fun.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yes. Play the one I already mentioned above, I Dey Feel You Die by Dark Suburb. Thank you

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Follow Wiyaala

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INTERVIEW: Melanie Taylor

INTERVIEW:

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Melanie Taylor

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THANKS to Melanie Taylor…

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for discussing her new single, Adderall, and its inspiration; what it was like filming the music video and whether there is more coming down the line – she recommends a rising artist that we need to get behind and watch closely.

I ask how which artists and albums have impacted her most and how she got into music; whether L.A. is important and influential regarding her writing; if there are gigs coming along and whether she has plans in place for 2019 – she ends the interview by selecting a '90s anthem.

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Hi, Melanie. How are you? How has your week been?

It’s been busy! I wear a lot of different hats and these days I’ve been changing them often and doing something all the time! I’m obviously an artist, but I also do shows for corporations’ parties and am starting my own record label! So, this week has been a lot about training our new interns. Plus, of course, my new music video’s release!

For those new to your music; can you introduce yourself, please?

Hi. I’m Meanie Taylor; a Los Angeles based singer and songwriter. I would say I’m Indie-Pop with a soulful Rock edge a la the '90s because that’s what I grew up listening to. As a person, I guess I’m kind of a mix between the hippie stargazer, meditating with crystals and an urban city girl that likes to be surrounded by people. 

Adderall is your new song. How did that song come to you? What inspired it?

It honestly came out of a really bad fight I was having at the time with someone close to me. I wrote the verses and the pre-chorus all in a span of like ten mins when I was just trying to process my emotions and was like crying the whole time through it; it was cathartic for me. And then, when I brought the song to my co-writer (‘R8DIO’), he was like, “What if we made this song like a metaphor to taking Adderall?” and I was like, “That’s kind of bold, but also kind of perfect” - and that is how we got the chorus. In a broader sense, though, I wanted to express that when you hold onto emotions and don’t deal with them, you can end up hurting the people closest to you. 

The video is very striking! What was it like filming it? Who came up with the concept?

Thank you! I knew I wanted dancers to express the song, so I called a long-time friend and choreographer/artistic director, G Madison IV. He has worked with everyone and is on tour with Mariah Carey right now so needless to say he’s exceptionally talented. He took the idea of dance and just elevated it to this idea of me walking into an empty theatre where two dancers would be rehearsing and happen to be acting out the story of my life. He also really encouraged me to be as vulnerable visually as it is in the song, which I originally wasn’t going to do, but am really glad I went there. 

During the filming, the theatre’s A.C. was actually broken and it was extremely hot that day, so it speaks even more to the level of professionalism every one on set, especially the poor dancers, brought to the table! We also got really lucky with the projections; it was kind of an afterthought of images I found online and cut together that ended up being such a cool and needed element to the video!

Do you think there will be more material next year?

I will continue releasing a few more singles I’ve got up my sleeve and then possibly an E.P.!

In terms of other artists; who do you count as influences?

My favourite artist of all-time will always be Michael Jackson. I don’t think anyone can touch him in terms of stage performance and career longevity. I was also a huge Alanis Morissette fan and I think you can hear a lot of her influence in my more recent music. I also just grew up idolizing the kinds of singers who could really belt - Mariah Carey, Whitney Houston and Celine Dion. 

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Can you recall when you got into music? How have your sounds changed since the early day?

I have always been singing; since before I could speak actually. I used to point at the radio and demand “lala”, which meant music to me, and then I would apparently sing incoherent lyrics with a big smile on my face. I was always doing choir and show-choir and then musical theatre growing up.   Once I moved to L.A., I had shifted my focus a little more towards acting at the time but I answered a casting call that looked interesting where a production team was looking for artists to promote in Europe and would pay for a single as well as a music video.

My story turned out a lot different, but that production team ended up being the people who brought you Friday by Rebecca Black! So, needless to say, I didn’t stay with them but they did actually help me get my start after giving me a really great music video and a song to start reaching out to other producers with. It was just a process of meeting the right people after that. I definitely used to have a much more straight Pop sound and started to find the more Indie, Electro-Pop with a '90s influence I have now during the making of my second album.

What do you hope to achieve by the end of 2018?

I am working on the acoustic version of Adderall right now, which will be out really soon. That’s really where the song started, so I thought there should be a version of how it was originally written out there as well that is a little more true to the emotion of the concept. 

Additionally, I’ll be doing a few more performances in the L.A. area before the end of the year and have a special Dance cut version of the video I’m waiting just a bit to release as well…but will definitely be out soon.

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Do you already have plans for 2019?

I have a release plan for a few new singles that I’m excited to release! And I’m also really looking forward to getting back in the studio and just continuing to create.  

How important is L.A. regarding your inspiration and vibe? Is it a great place to live?

It’s great for a lot of reasons. Obviously, the sunshine and the vast amount of talent and opportunity here is amazing. However, I’m not as attached to it as I used to be. I think, with the world of technology that we live in, I can kind be making music and promoting it from anywhere. I am extremely drawn to experiencing new cultures and places and that stimulus of travel is actually what inspires me most. So, that’s why I spent a month in Southeast Asia this past January and why it was so amazing to have the opportunity to tour in Australia this past summer!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I actually think this past summer’s tour has made it very high on my list. Not only because it was such a dream come true to be experiencing a country I had always wanted to go to, but because I overcame some blocks about performing I didn’t even know I had. For pretty much all of my shows I perform with a band and these shows in Australia required me to just have a D.J. or simply backing tracks, which means I’m on stage all alone - and the idea of that really scared me for some reason.

However, once I started getting into it, I found that it made me connect so much more to the audience than I ever had before and I actually felt freer and in control than any time I’ve performed with a band. I had some hilarious and amazing moments with the audiences in Australia I’ll never forget. Not to say I’m just going to ditch my band now, but it made me realize I was partly hiding behind them instead of doing all the things I did when they weren’t there. 

Which three albums mean the most to you would you say (and why)?

Jagged Little Pill - Alanis Morissette; HIStory: Past, Present and Future, Book I – Michael Jackson; Back to Black – Amy Winehouse

Jagged Little Pill because of the storytelling her raw emotion expressed - which was just so refreshing and like noting I had ever experienced before as a kid. It was freeing and made me feel empowered. Even now, I listen and just applaud them for their songwriting skills.

HIStory: Past, Present and Future, Book I, I think is probably one of the world’s top-three albums, so I don’t even need to explain the genius that is Michael Jackson and his greatest hits. But, for me, I listened to that album probably twice a day for three or four years as a little kid; dancing around my living room as if I was right there with him. It just shows what an incredible range he had from fun and sexy songs like The Way You Make Me Feel, to one of the most powerful songs ever written, Earth Song.

And, Amy! I also listened to that album twice a day for a very, very long time. Obviously; she had something that no-one will ever be able to re-create but I definitely took a lot of notes on her vocalization.

If you could support any musician alive today, and choose your own rider, what would that entail?

Bishop Briggs. I think she’s an incredible artist and has been a huge influence for me in my current music.

 As for my rider; I don’t think I’d get too entitled until I really felt I earned it. Haha. But, I would definitely request there be like a dressing room with fresh veggies/hummus and tea…maybe some whiskey? (Smiles).

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What advice would you give to new artists coming through?

To practice! Every day. I even have to remember to do this myself, but your voice is actually a muscle that needs to be strengthened like anything else. Cultivating stage presence, or even feeling comfortable on stage, doesn’t happen overnight; you need to work at it. Keep getting experience however and whenever you can.

Do you have tour dates coming up? Where can we catch you play?

I will be doing a show in L.A. on Nov 6th at State Social House to celebrate this music video release! For all other upcoming dates just check my website.

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 IN THIS PHOTO: Donna Missal

Are there any new artists you recommend we check out?

Well. Speaking of the artist I said I would want to open for (Bishop Briggs); the artist opening for her at the moment is named Donna Missal and is also an incredible talent I first heard about from a mutual producer we’ve both worked with. Her voice, songs; everything is awesome!

Do you get much time to chill away from music? How do you unwind?

I have two corgis and they, and my boyfriend I guess, probably get the majority of my time when I’m not working on music! (Of course, they have an Instagram account because what kind of L.A. dog owner would I be if I didn’t give them one - and it’s @thunderboltcorgi if you want a daily dose of cuteness in your life!).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Awesoome! My special request is most definitely 4 Non Blondes - What’s Up? I recently covered it at a show and it was so much fun. I feel like everyone can relate to that song, especially in the crazy times we’re living in!

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Follow Melanie Taylor

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INTERVIEW: B Green

INTERVIEW:

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B Green

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THE awesome B Green has been telling me about…

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his new single, Christopher Columbus, and its interesting story. I ask him what comes next and which artists he is inspired by; a few albums that mean a lot to him and whether there are any plans to tour and come to the U.K.

The Atlanta-based artist tells me why the city draws people in; how he manages to chills away from music; which artist he’d support given the chance; the advice he would give to artists emerging – B Green ends the interview by selecting a Prince classic.

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Hi, B Green. How are you? How has your week been?

Good, no complaints. Focusing on promoting this record.

For those new to your music; can you introduce yourself, please?

I’m B Green; a musician from Oklahoma City (Oklahoma) currently living in Atlanta, GA. I sing, rap; produce and play some instruments – I do a lot of things creatively. I just released a song, Christopher Columbus, and it’s getting a lot of positive feedback.

Christopher Columbus is your new single. What is the story behind it?

It’s me dismantling colonialism in a song. Taking Christopher Columbus, an icon of the West, to task for many of the atrocities carried out on his behalf and in his wake. It’s also a hard-hitting, Techno-savvy club song but hidden in the nuances and backstory are images that paint a very vivid picture.

I understand an album is coming. Can you reveal any themes and inspiration behind the songs?

I have an entire life’s worth of inspiration to draw from! Topics range from unrequited love, to being black in America; to the beauty of dreams, to being financially insecure - nothing is off limits. I like to write songs that are distinctly my own and ideally this album will be a representation of everything I have to offer as a creative.

As a Hip-Hop artist/M.C.; how important was Atlanta regarding your tastes and direction? What is the scene like there at the moment?

Atlanta is currently the epicentre for both Hip-Hop and Urban music’s consumption and creation. There’s no better place to be with regards to resources, competition; collaboration or any plethora of things. I love Atlanta because it’s unabashedly raw and African-Americans flock from across the country in attempts to grab a piece of the money that seems to be circling the city’s bubbling industries. It’s kept me on my toes and hungry because everybody seems to be only around the corner from the success they so desperately desire. I’m on the precipice and I like having Atlanta as a home base because it’s a big city but it’s slow and charming.

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In terms of influences; which musicians did you grow up around?

I grew up listening to what my parents were listening to and that included a lot of old Soul classics like Patti LaBelle, Stevie Wonder; The Isley Brothers, Maze; Isaac Hayes and the likes. When I developed my own tastes, it was for guys with Pop sensibilities like Michael Jackson and Prince. I began playing the drums in church at eight-years-old and, as I grew older, I picked up the guitar out of admiration for guys like Stevie Ray Vaughn and Jimi Hendrix. Writing poems was something I always did because I was an avid reader. Eventually, I decided to marry my poetry with my instruments and write some songs like my inspiration Bob Marley.

What do you hope to achieve by the end of 2018?

Christopher Columbus will surpass a million streams on Spotify, which will allow us to set up a festival run throughout spring and summer of 2019. We’ll take the popularity from the streams and the momentum from the tour to release the debut album, Go, in the second half of 2019.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Four years ago, I was working on a lion share of songs over the holiday weekend with a close friend of mine. We, unfortunately, couldn’t afford to travel home and be with our families for Thanksgiving so we decided to turn that energy into creative energy and worked through the holiday. We grabbed a pre-cooked turkey and some sides from the local grocery store and ate Thanksgiving dinner in the studio. We proclaimed that we would remember the day we had to eat holiday dinner in the studio because we didn’t have any money to travel home and no friends to visit.

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Which three albums mean the most to you would you say (and why)?

The Miseducation of Lauryn Hill – Lauryn Hill

It was the first album that blew my mind as a child and, when I returned to it as an adult, it blew my mind again just in a different manner. There aren’t many perfect artistic creations in existence; I think it’s one of the few.

Late Registration by Kanye West

Because that was the album (when I knew) that I was positive there was nothing else that I was going to do with my life other than make music. That album is perfect, to me. I was young and smart and black and angry and this album helped me navigate my way through a lot of my teenage days.

Finally; I’ll have to say Thriller – Michael Jackson

Not for the same reasons as everybody else! When I was a small child, maybe eight-years-old, I discovered a dusty dubbed tape in the basement simply labelled Thriller and, being a curious child, I took the tape, found a Walkman and popped it in. I probably listened to that tape three hours a day for the next few years of my life. It was a perfect album to me. I stumbled on it by happenstance – but I loved it by nature. I saw something in this album and in music that I identified with deeply enough to make recreating the feeling my life’s passion.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Stevie Wonder because I could cut loose on the guitar while he got down on the piano - and he has a catalogue full of classics.

My rider would probably entail a couple cases of water and a tray with a bunch of tiny little sandwiches – they take riders off the top of your take-home pay!

What advice would you give to new artists coming through?

Stay focused because the race never goes to the swift but to those who endure.

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Do you have tour dates coming up? Where can we catch you play?

I’m piecing together a North American festival tour as we speak. I’ll be in the U.K. performing at a few festivals as well.

Might you come to the U.K. and perform?

I’m working on booking some festivals in the U.K. currently. So, you might see me there in the spring; fingers crossed.

Are there any new artists you recommend we check out?

Can I recommend myself?

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Do you get much time to chill away from music? How do you unwind?

Honestly; I like to solo over loops that I made for hours on end to unwind. Granted, it’s music but it’s a different part of the musical appendage. It’s not creative per se; it’s more open-ended and freeing. Soloing is awesome because it’s like painting a canvas that you never quite cover – there’s always more to be added.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Would Die 4 U – Prince. One of my favourites

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Follow B Green

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INTERVIEW: The High Loves

INTERVIEW:

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The High Loves

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I have enjoyed speaking with The High Loves…

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about the new single, Serotonin, and whether they have plans for new material in 2019. I discover how the Canadian band found one another and what sort of music they are influenced by- the members each choose a song to end the interview with.

I learn where the band will head on tour and which musical memory stands in the mind proudest; the artist they’d support given the chance; what advice they’d give to musicians emerging right now – they highlight some new artists worth getting behind.

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Hi, guys. How are you? How has your week been?

Our week has been really great! The release of Serotonin was well received and we are excited to get the ball rolling on the next steps!

For those new to your music; can you introduce yourselves, please?

We are The High Loves! An Indie-Rock band from Toronto, ON (in Canada). We have been playing together since October 2017 and, since then; we have been playing in some of the biggest bar venues in the city (The Horseshoe Tavern, Lee’s Palace; Rivoli). We released our first single, Perils of Passion, in January 2018 and, since then; we’ve been working on an E.P. that we will be releasing in November.

Serotonin is your new song. What is the story behind it?

Serotonin was the first song Noah wrote for this new project. He was at a low point in his life and working through the song helped him get his energy back. It was a beginning point for the band and it seemed fitting to release it as the first single.

I understand an E.P. is coming? Can you explain what themes and stories inspired the song?

All of the songs are written by Noah Monkton, the lead singer of The High Loves. So, all of the tunes are from his personal experiences with many various emotions. The upcoming E.P. is a reflection of his past year! From start to finish, this record follows a story-line of love, chaos, and reflection.

How did The High Loves come together?

Noah Monkton and Matt Bawtinheimer are both from Victoria, BC and they’ve been playing together for a while. Matt Bawtinheimer moved to Toronto to study at Humber College (in Music) and Noah followed shortly after. After a year of study, Monkton wanted to start a project and took some time off to work on The High Loves. He asked Matt Bawtinheimer and Marko Stojanovic, a fellow Humber College music student, to join his group. Looking for a drummer, they asked a friend for ideas and eventually found Mat D. Landry as their fourth member.

From there; we started rehearsing for our first show at The Supermarket in Toronto. We’ve been at it since then!

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Which artists did you all grow up around? Do you have any personal musical idols?

We all come from very different musical backgrounds! We listened to The Beatles, The Strokes; a bunch of Jazz, Funk; Rock, Folk. We have been fortunate enough to have grown up in very musical families. Oh! And! Coming from a French background and family, Mat D. Landry listened to a bunch of weird French music (haha)!

What do you hope to achieve by the end of 2018?

We hope to achieve a great E.P. release! Meaning, we want to get to get the most amount of contacts and opportunities to succeed in the long-run! We also hope to get together as a group to write a new record for a potential 2019 release. We are very happy with the opportunities that we’ve had so far and can only hope to grow exponentially from here!

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

Yeah! We’d love to play with ‘bigger and better’ bands in the scene, draw a larger crowd; play festivals in the GTA and further, write a record; make contacts…everything that we can realistically do in 2019 that could help us get where we’d like to be.

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Have you all got a favourite memory from your time in music so far – the one that sticks in the mind?

As a band, we’ve had some pretty great memories so far! I’d say one of our favourite ones could be our first show at The Horse Shoe Tavern on Queen St. Getting the chance to play at one of the most historic venues in Toronto, and even Canada, is a great opportunity. Especially, as our third show!

Which one album means the most to each of you would you say (and why)?

Noah Monkton: I would say Is This It by The Strokes

Because it changed my life! (haha). But, seriously, the lyricism, musicianship and songwriting of the record really connected with me at the time. And the attitude! So much of that raw energy that we’re always looking for!

Matt Bawtinheimer: Probably Pink Floyd’s The Dark Side of the Moon

I must have listened to that record a thousand times during my younger years, and it really got me inspired to learn about music and especially the possibilities of using the studio as an artform as opposed to just documenting what was naturally created.

Marko Stojanovic: John Mayer's Continuum

It is definitely up there. Great songwriting, great musicians; amazing guitar work and solid production.

Mat D. Landry: The one album that means the most to me would be Revolver by The Beatles

This innovative album truly had an effect on the music of that time and the next major music era of Psychedelic and Experimental music. Amongst many of the great tracks on the record, I’m Only Sleeping is THE ONE for me. The Folk signing of John’s voice, the harmonic brilliancy of the group and the experimental, backward guitar tracks are just some of the key points of this song.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I think a legend like Paul McCartney would be a fair choice! He still has a great show and such a presence on stage. We’d let Sir Paul choose whatever rider he wanted if we had the chance to support him.

Can we see you on the road this year at all?

We’re still going to be concentrating our time in Toronto as there is still so much ground to cover here! But, that being said; we’d love to play wherever we can. We had previously talked about a road trip/tour to the West Coast (where Noah and Matt B. are from). With the upcoming festival applications, we’ll see where we end up!

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PHOTO CREDIT: Sam Letnik

Might you come to the U.K. and play?

We’d love to if we got the chance! With the interest from many blogs and musical professionals in the U.K., a couple shows could be a possibility in the future.

What advice would you give to new artists coming through?

Play as much as you can! Rehearsals with your band mates are the most important thing you can do to get attention when you’re playing live in front of an audience! Being musically tight and on the same page is key to success. Even just a band hangout is great if you want to get together and talk about your next steps as a group.

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Are there any new artists you recommend we check out?

There’s some great innovative bands in Canada that are killing it right now! Among some of the many are: Lovers Touch, Pomes; Telecolor, Akeem Oh; FET.NAT, Moscow Apartment; Ferraro, MCLEAN and The Bandicoots.

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 IN THIS PHOTO: Akeem Oh/PHOTO CREDIT: Jennifer Adler

Do you get much time to chill away from music? How do you unwind?

The High Loves are busy but we still have some downtime. We love to hang out as band, grab a drink and some pizza; play video games. We also love to go see shows! In a city as rich in culture as Toronto, there’s always something going on at the local venues.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sun Leads Me On by Half Moon Run

Winter Crush by Akeem Oh

Slow Dancing in a Burning Room by John Mayer

Soma by The Strokes

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Follow The High Loves

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INTERVIEW: CHILDCARE

INTERVIEW:

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CHILDCARE

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THANKS to Ed from CHILDCARE…

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for telling me about the band’s latest cut, Man Down (King Kong Shake), and how it came together. I ask how the band got together and what is coming up; he highlights an album that means a lot to him and reveals whether there are gigs coming up for CHILDCARE.

Ed lets me into the band’s world and what makes them tick; whether he gets any chance to unwind away from music and what advice he would give to artists coming through – he recommends some rising musicians whilst the band each pick a song to end the interview with.

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How are you? How has your week been? 

Hello Music Musings and Such. I'm very well thanks. We've just come off a twelve-date tour so it's nice to be back home after a very fun few weeks, but there's loads to be getting on with; my to do-list is on thirteen items.

For those new to your music; can you introduce yourselves, please? 

So. We are CHILDCARE and writing to you today is Ed Cares (vocals, gesturing). Also in the band are Emma Topolski on bass, Rich Le Gate on guitar and Glyn Daniels on drums.

Man Down (King Kong Shake) is your new single. Can you reveal how it came together and what its story is? 

The song's a lightish-hearted take on the whole male mental-health thing. I think I wrote most of it last Christmas at my parents' house on the piano, then it's taken quite a while and lots of work to get it to where it is now. The drum machine was a bit of an accident - we weren't going to have any drums and the producer just put them on to keep us on time when we were recording. The message is be vulnerable, be weak: it's ok to moisturise your knuckles if they get dry.

It is from your upcoming album. Is it possible to reveal any themes or song titles we might expect? 

The album will be a mix of songs we've put out and some new ones. It's gonna be a Softcore-Psych sort of vibe; Pop tunes but with some unusual arrangements, interludes and spoken word bits.

How did CHILDCARE find one another? Was it an instant bond? 

Well. Emma I met at a party. Glyn I met on a mini golf course and Rich I knew a bit from music. So, we weren't mates before the band started but we've become very close. We have a WhatsApp group and everyone will be getting a message on Christmas day.

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You have been lauded by the likes of Annie Mac. What is it like getting support from someone like her?!

Yeah; it's cool to get played on the radio and we've respected Annie for a long time. She's always played good tunes.

What do you hope to achieve by the end of 2018? 

Our debut album should be all wrapped up and I want to be able to bench-press one-hundred-and-sixty.

In that same vein; do you have plans for 2019 in terms of what you want to accomplish? 

Get the album out, tour the album; do loads of festivals and get started on album number-two. Bench-press one-hundred-and-sixty-five.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

Well. We had a really fun gig at Omeara last week, which was our biggest headline show to date. That was v. cool. That, or listening to A Change Is Going to Come by Baby Huey & the Babysitters on mushrooms in July 2017.

Which one album means the most to each of you would you say (and why)? 

I can't get hold of the guys right now cos I'm up early-ish, so I'm just going to pick mine - most albums by Radiohead are basically my favourites. They make me feel sick. I know Rich would pick a Pixies or Elliott Smith album. 

If you could support any musician alive today, and choose your own rider, what would that entail? 

I guess, after my last answer, let's say Radiohead - with Pixies as main support and us on first. We'd like a bath of Aperol Spritz on our rider.

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Can we see you on the road this year at all? 

We've got two more gigs: Wed, 14th November at Two Tribes Brewing in London and Fri, 16th November at Band on the Wall in Manchester.

What advice would you give to new artists coming through? 

Stay away from heroin. I speak from experience. I've seen a lot of people struggle with it in music documentaries. 

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 IN THIS PHOTO: Lazy Days/PHOTO CREDIT: Ellie Crewes

Are there any new artists you recommend we check out?

Lazy Day; Greatest Hits.

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Do you all get much time to chill away from music? How do you unwind? 

I enjoy table tennis and cooking.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that). 

Tirzah - Make It Up

Baby Huey & the Baby Sitters - A Change Is Going to Come

Baxter Dury - Miami

Busta Rhymes/Q-Tip/Kanye West/Lil Wayne - Thank You

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Follow CHILDCARE

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INTERVIEW: NEAVV

INTERVIEW:

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NEAVV

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THE fantastic NEAVV…

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has been talking with me about her latest single, Keep, and what its story is. She discusses her upcoming album, Fall Hard. Get Sad., and what we can expect from it (it is out this Friday); which artists are important to her and a few albums that strike the heart.

I ask whether there are tour dates coming and whether there will be more material next year; how she came to work with Wendy Parr on her new single and whether she gets time to chill outside of music – NEAVV recommends some rising artists to watch.

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Hi, NEAVV. How are you? How has your week been?

Hi! I’m great, thanks. It’s been a busy week! My new album, Fall Hard. Get Sad., comes out this Friday, October 26th so I’ve been prepping for that. We also just had the release party for it this past Friday here in Toronto.

For those new to your music; can you introduce yourself, please?

My name is NEAVV and I’m an Alternative/Synth-Pop singer and songwriter from Toronto, Canada.

Keep is your new single. Can you explain the story behind it?

I wrote Keep with Wendy Parr (Regina Spektor and Sara Bareilles’ vocal coach) while on a 2017 writing trip to Nashville. I thought that I had already written all the songs for my forthcoming debut album, Fall Hard. Get Sad., but there was just something about Keep that clicked with me and dV, my producer – we both instantly knew that it had to be included on the record.

At the time, I was struggling with how to manage some unhappy relationships in my life that were holding me back. Keep was born out of that. The song is not necessarily about letting go of any one friendship or relationship, but more about the moment when you finally see someone for who they really are, rather than how you hoped they might be or wish they could become.

How did you come to write it alongside Wendy Parr?

I was introduced to Wendy through a mutual friend on Facebook. I was heading down to Nashville to do some writing and put a call out to friends on Facebook to see if anyone wanted to write. So glad I did!

Can we expect any more material in 2019? Are you looking that far ahead?

Absolutely! My new album, Fall Hard. Get Sad., comes out this Friday (October 26th) and we are already working on the next album. Expect more music in 2019!

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Do you recall your earliest musical memory? Which artist first struck your mind?

My earliest musical memory was actually watching a group of fiddle players perform in Colorado when I was around three. I begged my parents to play the violin after that for three years. Eventually, they gave in and signed me up for lessons. My parents had a great Beatles collection and I would say they are the first band that really made an impact on me. I was obsessed with them for years.

What do you hope to achieve by the end of 2018?

I would really love to get Fall Hard. Get Sad. out to as many listeners as possible and make some solid show and touring plans for 2019.

Have you got a favourite memory from your time in music so far?

So many favourite memories but, right now, I’d have to say recording Fall Hard. Get Sad. is pretty close to the top.

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Which three albums mean the most to you would you say (and why)?

There is no way I could pick just three albums, but here are three of many…

Purple - Stone Temple Pilots

This solidified my love for Alternative music.

Grace - Jeff Buckley

Everything about this album is amazing. Required listening for any artist.

After Laughter – Paramore

Fun songs, wicked singing; important message.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Oh wow…I’m a big Paramore fan, so I would love to support them! As for my rider…gluten-free snacks; red wine and space for my dog backstage. Ha.

What advice would you give to new artists coming through?

Be authentic, work on your craft and know that you are allowed to say no to things.

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PHOTO CREDIT: Chanel W.

Do you have tour dates coming up? Where can we catch you play?

There are some awesome things coming up in 2019 that I can’t share yet but, for now, I do have a few one-off shows. If you find yourself in Toronto in November I will be playing a full band show at The Horseshoe Tavern on November 20th.

How important is it being on the stage and playing your music to the people?

Being on stage is everything! It’s the place where I feel the most like myself. If I could, I would be on stage every night.

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 IN THIS PHOTO: X. ARI/ART CREDIT: Anna Olinova

Are there any new artists you recommend we check out?

I just played my album release party with two wicked alternative artist: X. ARI and FAVVKES…definitely check them out! Also; keep an ear out for BRKN Love.

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 IN THIS PHOTO: FAVVKES/PHOTO CREDIT: Dani Gagnon

Do you get much time to chill away from music? How do you unwind?

I honestly don’t get a lot of time to chill away from music, nor do I really want to. Haha. But, to unwind, I like to go for long walks with my dog and I also swim on a masters swim team.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This artist is currently blowing my mind: YEBBA - My Mind

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Follow NEAVV

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INTERVIEW: Tina Boonstra

INTERVIEW:

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Tina Boonstra

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I have been speaking with Tina Boonstra…

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about her new track, Find You, and how it came together. She reveals whether there is a concept behind her song series, Underrated Animals, and what the next single will be; how she got into music and which albums are important to her.

Boonstra tells me what gigs she has coming up and whether she gets time to chill away from music; what advice she would give to artists coming through and which rising band we need to get involved with.

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Hi, Tina. How are you? How has your week been?

Hello! I’m pretty good, thanks. I released a new song called Find You on Friday, so it’s been a pretty nerve-wracking week, but good fun too.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter based in London, but (like most people in London) I’m not really a Londoner. I like to say I’m from Liverpool, because I spent my teenage years on the outskirts of the city but, unfortunately, I don’t have the accent so no-one ever believes me.

Find You is your new single. What is the story behind the song?

Find You is realising how completely un-self-sufficient I am. I have a tendency to slip into thinking that I don’t need anyone or anything to be happy. I’m fine on my own and, if stay focused and work hard enough, I’ll get what I want. But, the truth is, it doesn’t work like that. I hate to admit it, but I can’t survive this city and this life on my own. If I try to; I either end up living like a robot, not really feeling or enjoying anything, or a total wreck on the floor. Usually, both. It’s a disaster. Find You is about being honest about that and trying to figure out a way back to the things that matter.  

I understand it is part of a series of songs called Underrated Animals. Is there a concept behind the tracks and what compelled you to release a series?

It happened by accident, really. As we were recording this project, I realised that all the songs explored the idea of weakness or smallness from a different perspective.

When it came to designing the cover art; we had this idea to use unpopular animals to depict each song, as a way to try and celebrate the small and the weak. That’s how the idea came about to release all the songs as a series.

Why should we always talk about the pandas? Or the lions? What if I’m not a panda? What if I’m a pangolin or a jellyfish? Should I try to change who I am? Try to be bigger, louder; more appealing?  Everyone wants to be strong but, if we try that, we end up all the same. In this project, I wanted to celebrate the small and overlooked. And, hopefully, get people thinking about how great small is and how powerful weak can be - maybe we’re all just underrated animals?

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When might another single come forward? Are you releasing a new song at regular intervals?

The next single is called Flicker and will be out early next year 

Growing up in a missionary family; how did that affect you in terms of music being played and when music came into your life?

My parents weren’t really that into music, so my main exposure to music at the start of my life was the Gospel music that was sung in my church in South Africa. Some of it is pretty wild and raucous which I loved and still do. Then, there are other songs in that genre which come from such a deep place; it’s hard not to be moved by them.

It was great, but also quite restrictive. Thankfully, I have three older sisters who eventually started sharing their music collection with me. From Nirvana to Elvis; whatever they were into, I was into as well; for a better or for worse.  

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 PHOTO CREDIT: Alice Greenfield

Which artists did you discover young and become involved with?

Because of my slightly limited exposure to music growing up, I have so many memories of coming across new music as a teenager and being completely blown away; from Bob Dylan to No Doubt. I loved discovering new artists. Jeff Buckley had a particular impression on me. I was pretty obsessed with the album Grace as a teenager.

What do you hope to achieve by the end of 2018?

Well. Releasing music can be a bit of an emotional rollercoaster. I hope people will connect with the new song and I hope I manage to stay human through the process.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s an incredible feeling when you’ve worked on a song which describes a time or feeling in your life to hear other people connect with that song. I don’t think there’s anything quite like it.

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Which three albums mean the most to you would you say (and why)?

Oooh; only three? I don’t know. I’m very fickle so I’ll probably change my mind depending on which day you ask me. Today; I think I’d say

Grace - Jeff Buckley

A Black Mile to the Surface - Manchester Orchestra

Chutes Too Narrow - The Shins

Such different artists writing such incredible songs. All of them have had a big impact on my life personally and as a songwriter.

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Do you have tour dates coming up? Where can we catch you play?

I’m playing at the Hope & Anchor on 25th October and at The Finsbury on 6th Dec. More info on my website.

If you could support any musician alive today, and choose your own rider, what would that entail?

Tough choice. There are so many great bands around right now. Maybe Manchester Orchestra. I think they’re doing amazing things at the moment.

When it comes to a rider, I’m a simple creature. I don’t need much. Just some water would do me. My band, on the other hand...

What advice would you give to new artists coming through?

Make exactly the music that you want to make. Don’t worry about what other people are doing. Do what you want to do and do it because you love doing it. At the end of the day, nothing else really matters.

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 IN THIS PHOTO: VOS

Are there any new artists you recommend we check out?

There’s this new band called VŌS that are doing pretty cool things right now. You should check them out.

Do you get much time to chill away from music? How do you unwind?

I’m a big fan of wild swimming. There’s nothing quite like it.  I’m a bit of an introvert, really. I like reading books or being outdoors in the countryside.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Was Alive Back Then - Kevin Devine

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INTERVIEW: Blast Bomb

INTERVIEW:

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Blast Bomb

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THE German band Blast Bomb…

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have been telling me about their new E.P., Burn History & Live Today, and what themes inspired it; whether they have a favourite cut from the E.P. and how they all found one another – the guys recommend rising artists to watch.

I ask whether they are planning more tour dates and if we can see them in the U.K.; what sort of music they grew up around and how they relax away from music – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Johnny: Great, thank you. We are talking to you from a bar in Hameln. We play here tonight…

Tobi: The Mad Music Club.

Klaus: Yesterday, we played a great show in Bremerhaven; too much free drink....but I was a good boy and didn’t drink.

Torben: This week is great because of the shows. It’s great to be back on the road.

For those new to your music; can you introduce yourselves, please?

Torben: We are Blast Bomb; an explosive Crossover-Punk band from Hamburg.

Johnny: That’s actually a very tough thing to describe. I can only call it Blast Bomb. Andy from The Dukes of Bordello (we’re currently on the road with them) says our style is “Loud sh*t”. I actually like that! We officially formed early last year and we are really proud of what we have achieved.

Burn History & Live Today is your new E.P. Is there a concept behind it, would you say?

Johnny: I would’t say it’s a full-on concept, but I noticed, as I was preparing for the recorded sessions, that the songs kinda followed a story of the reason why I´m now in Germany. It was never supposed to be this way.

Klaus: There is a concept in the lyrics. The four songs are linked through that way.

Torben: From the music side; it is definitely not following a concept. It was just an example of all our styles! We are still finding our sound.

Do you each have a favourite song from the E.P. at all?

Johnny: Burn History. I love that one. It’s so erratic and powerful lyrics.

Kai: Gambler and Live Today. They show the two different sides to our sound.

Klaus: Burn History and Stray…because I wrote it!

Tobi: Gambler. The original recording had a two-minute drum Jazz intro - and we cut it out because it was too long. I’m still not happy about this.

Torben: Burn History and Live Today. Both are fantastic.

How did The Blast Bomb get together? When did the band form?

Torben: Me and Klaus tweaking on amps in the High Gain District rehearsal room, when Tobis comes in. So, we start a session together, which was great. So, a few sessions follow. Then, Kai comes to us (we know him from the youth) and only a vocal was missing.

Kai: We did a post on a Hamburg music forum and Johnny replied to us - and Blast Bomb was complete. That was in January 2017.

Johnny: These guys have, on and off, been working together for twenty years; so it was like walking into a little family. I liked that. Plus; we are all very open-mined so it helps makes us unique.

Which artists did you all grow up around? Do you have any personal musical idols?

Johnny: I was raised on The Beatles, Pink Floyd and David Bowie, so they are my D.N.A. But, as I grew up and became an angry teenager, I was heavily influenced by Black Sabbath, Amen and Turbonegro. So, quite a contrast. But, my personal idol, without question, is John Lennon.

Klaus: I love the Rock stuff from the '70s, but also harder Metal and Punk-Rock are my favourite styles. I love Adriano Celentano and Dean Martin. Just sayin’.

Kai: From '70s Classic Rock to '80s Thrash-Metal to Scandinavian Rock ‘n’ Roll, I was influenced by all kinds of stuff...

Tobi: Billy Cobham; Chick Corea; Nomeansno.

Torben: I grew up with German radio in my parents’ house - that was Neue Deutsche Welle, mostly. First record for me was Run-D.M.C. The second was Beastie Boys’ Licensed to Ill; after that, I went to Rock. The biggest influences were then Guns N’ Roses and I start playing guitar because of Slash; like a lot of guys in my age. Then, Suicidal Tendencies and Pantera pushed me to another direction. But, so far or in general, it is/was a mix between Rap and Rock.

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What do you hope to achieve by the end of 2018?

Johnny: World domination! Haha. Actually; I just hope we continue to grow at the speed we currently are. I really believe in this music and I’m very proud of the E.P. with have recorded.  I hope that the listeners understand what we are trying to create.

Klaus: I hope to be able to reach a few more people with our music.

Kai: We have a killer shows coming up. I hope they are successful.

Torben: That the E.P. reaches the correct ears. This, of course, is the toughest part of our job.

Tobi: To continue writing good songs!

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Johnny: I think, for me, it would have to be my first-ever European tour with my old band. So many amazing experiences; amazing roads and views. The crowds were all so warm and friendly. We even had a couple ‘getting it on’ on top of our bass drum in one show! But, I actually think my best musical memory is yet to come - and that´s what inspires me.

Torben and Klaus: The first time we played outside Germany. We have a tour in Spain and we had to fly. It was really special.

Kai: The first time I played my Rickenbacker on stage. It’s been one of my favourite instruments since I was younger. It’s a 4001 and is from 1979. It’s an awesome instrument.

Tobi: Every time I make music and create music, it fills me with a unforgettable feeling. My aim is to have this feeling until the end of my life.

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Which one album means the most to each of you would you say (and why)?

Johnny: Pink Floyd – The Wall

My mother us to play that album to help me sleep when she was pregnant with me! But, it’s not the greatest album of all time: that’s, without question, Sgt Pepper’s Lonely Hearts Club Band.

Torben: Guns N´Roses - Appetite for Destruction

It made me learn guitar! But, I never played a song off it!

Tobi: Nomeansno - Wrong

Because its right!

Kai: Led Zeppelin – One

It was the first album I brought with my own money!

Kai: Iron Maiden – Somewhere in Time

Because, it opens a door to another dimension.

If you could support any musician alive today, and choose your own rider, what would that entail?

Johnny: Paul McCartney or Amen, I think. As for rider; I would need peppermint tea and prawn cocktail Walkers! Oh; I miss them crisps.

Tobi: Nomeansno. Energy drinks! Nasal spray and some herbs...

Torben: Smoke Blow. Backstage, I need Iso drink and beer.

Klaus: Frank Carter & the Rattlesnakes. I just need beer and food!

Kai: Gluecifer. They are still the kings of Rock. Craft beer and a good steak - cooked rare!

Johnny: Funny how we all said food. Such an exciting band, right?

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Can we see you on the road this year at all?

Johnny: We are on the road as we speak!

Do you think you’ll come to the U.K. and play next year or this one?

Johnny: Next year, we plan to visit. If we are allowed. Would be really cool to bring the guys over.

What advice would you give to new artists coming through?

Johnny: Don´t conform to the norm and create only what you want!

Torben: Never give up on your dream.

Kai: Practice, practice and practice all the time and then, when you’re good enough, you can relax and party (Euroboy – Turbonegro)

Klaus: Practice and play live early.

Tobi: Practice even when you think your good enough!

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IN THIS PHOTO: Van Holzen 

Are there any new artists you recommend we check out?

Klaus: Van Holzen. They are the most exciting band in Germany.

Torben: Chefboss. They are from Hamburg.

Kai: Svartanatt are from Sweden. Fantastic.

Johnny: They may be new to you but, to us, they are damn old…but Smoke Blow are fantastic!

Tobi: Moving Parts.

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 IN THIS PHOTO: Chefboss

Do you all get much time to chill away from music? How do you unwind?

Johnny: Music is my unwinding!

Tobi: I play drums.

Torben and Klaus: We all have families so it’s great to spend time with them! And Sport!

Kai: (Parental advisory).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Johnny: I really love the new Paul McCartney album. Despite Repeated Warning is fantastic; the riff two minutes in...

Tobi: Nomeansno – Rag 'N Bones

Kai: Imperial State Electric – Down in the Bunker

Torben: Frank Carter & the Rattlesnakes - Devil Inside Me

Klaus: Kvelertak – Blodtørst

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INTERVIEW: Julian Wa

INTERVIEW:

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Julian Wa

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THANKS to Julian Wa…

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for talking about his recent single, Bloom, and how it came to mind. I wonder whether there is any more material coming and if he has ambitions to hit the road and play his music to the people – Wa recommends a couple of rising artists we need to get behind and support.

The Australian songwriter tells me a few albums that mean a lot to him and what he does when not making music; what he hopes to achieve by the end of the year and whether he feels he has evolved as a musician since the start – he ends the interview with a great track.

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Hi Julian, how are you? How has your week been? 

Hi, there. I’m very well, thanks. My weeks are busy but productive. 

For those new to your music; can you introduce yourself, please? 

I have always viewed the music as more of an experience than a collection of songs. Like a psychedelic soundtrack to my life.

Bloom is your debut single. Is there a background to the song?

Bloom is actually about the very opposite: it’s about taking the easier route in life and feeling totally unfulfilled as a result.

Might we see more material coming next year? Are you working on new stuff? 

The main focus currently is an experimental, lo-fi project set for release mid-next year. But, I am working on several things. I like to stay busy and keep my mind focused.

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Do you think you have evolved and strengthened as a musician since your early days?

Very much so. Naturally, the more I grow as a musician, the easier it becomes. 

Can you remember when you decided to get into music? Was there a moment you knew it was for you? 

For as long as I can remember, music has always been there for me and I have always had a great deal of passion for it. It’s also very much therapeutic.

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What do you hope to achieve by the end of 2018? 

I feel I have achieved most of what I wanted in 2018 with the release of Bloom; recruiting Ditto as my new distributor and gaining some traction on the Aussie music scene. Very much looking forward to what next year has in store.

Have you got a favourite memory from your time in music so far - one that sticks in mind?

I have plenty of stories to tell about shows/tours etc. But, I must say my favorite memories are always recording in total solitude and jamming with close and talented friends

Which three albums mean the most to you (and why)? 

I can’t say definitively as there are many more but currently I would say John Martyn - Solid Air; Captain Beefheart and His Magic Band - Safe as Milk and Wings - Wild Life. All three are truly innovative and I feel we are in need of that in 2018.

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If you could support any musician alive today, and choose your own rider, what would that entail? 

I would love to work with Reggae artist Barrington Levy. All I need is English breakfast tea and whatever he is smoking .

What advice would you give to new artists coming through?

My advice would be keep your head down and work harder than you ever have if this is what you truly want in life.

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Do you have tour dates coming up? Where can we catch you play?

Shows will be announced for late-2019. I want to release as much music/content as possible before getting back on the road. I love having the time to write and record with very little outside influence.

How important is it being on stage and performing? Do you love playing your music to crowds? 

Stage time is everything and I cannot wait to introduce a brand new sound/energy. All very exciting to me.

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 IN THIS PHOTO: Harry Heart

Are there any new artists you recommend we check out?

My knowledge of new music is limited to be quite honest…but I will say that Harry Heart and Good Boy certainly have my attention.

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IN THIS PHOTO: Good Boy/PHOTO CREDIT: Michelle Fish

Do you get much time to chill away from music? How do you unwind?

My life revolves around the studio and Twitter at the moment - but I can occasionally unwind with a cup of tea and a hug from my partner.

Finally, and for being a good sport; you can choose any song and I’ll play it here.

Thanks so much. Love in Song (from Venus and Mars) by Wings

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INTERVIEW: Verasect

INTERVIEW:

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Verasect

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THIS interview sees me talking with Verasect…

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who discusses the new E.P., Sleep Stories. I ask what themes inspired the work and what the story is behind the single, Aeon – Tom Vera (Verasect) tells me which albums and artists are most important to him.

I was keen to know whether the E.P. was fun to put together and what music he grew up around; whether there are any favourite memories from his career so far; which artists he’d support on the road given the chance; how he chills away from music – he ends the interview by selecting a great song.

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Hi, Verasect. How are you? How has your week been?

I'm doing well. A lot of traveling for me. I've been away for London for a few weeks now. I was in New York visiting friends and listening to some upcoming remixes for the first time. Now, I'm down in West Palm Beach which sounds exciting - but I'm not a beach person at all. Or a daylight person, for that matter. But, I’ve had some things to take care of down here.

For those new to your music; can you introduce yourself, please?

I'm Tom Vera and produce under the name Verasect. The name is short for ‘veraciter sectari’ or ‘hunt the truth’ in the Latin. 

I'm originally from New York and was born out of the underground Industrial/Goth scene. I spent my youth stomping around East Village basement clubs but now that I'm older my music has moved in a more nuanced and emotional direction. My music is a mix of Darkwave, Synthpop, and Witch House with ethereal female vocals. I work with guest vocalists around the world but I write or co-write all the lyrics and vocal melodies, keeping a common narrative across all my music.

Aeon is out now. Is there a tale behind the song?

Aeon is based on a concept in the novel Ubik by Phillip K. Dick that I found incredibly strange and haunting. In the book, when you die you’re brought to a facility called ‘a moratorium’; revived and placed in a dream-like state. Your family and loved ones can come visit and ‘wake’ you up to talk via a headset.

But, the amount of time you can be awake is finite. It is used sparingly until you ultimately pass and can no longer be woken up. I read that book when I was a kid and that part always stuck with me. While it would be great to prolong life, are you just extending the pain for both side?! Aeon is about how it would be to have someone you love in that state of being between life and death. 

Sleep Stories is your new E.P. What ideas and stories inspired the music? Is there an overall arc/theme?

I've been an insomniac all my life, so I spend a lot of time in bed, staring at the ceiling lost in my thoughts. I keep myself super-busy during the day and am keeping lots of plates spinning but, at night, it's just you alone in the bed with the universe; past, present and future surrounding you.

While I consider myself an emotionally strong person, this is the time when I feel the most introspective but also the most vulnerable. So, whenever a thought or feeling would keep me up at night, I would try to form it into a song. I'd keep a notebook next to the bed and jot down ideas or lyrics. When in the studio, I'd use those notes as inspiration for songs which turned into this E.P.

Was it quite an enjoyable E.P. to put together? How quickly did the music form and cement?

I knew I wanted to do something different from my previous projects so I spent a lot of time exploring new sounds and techniques. I was really struggling but everything came together while writing Catch Your Breath and I knew I found the sound I was looking for. I wanted to finish the E.P. in a year and it took a bit longer than that. I can only write music when I'm in the mood and sometimes I need to walk away from music for a few weeks at a time.

Can you tell me what sort of music you grew up around? Which artists struck your ear?

I grew up on Industrial and Goth music. In high-school, I was the only kid really into that stuff but managed to drag some of my Metal and Punk friends to clubs in N.Y.C. There I was exposed to a lot more music and became friends with lots of local artist and D.J.s.

I tend to gravitate to older music. My all-time favorite band is Frontline Assembly - who are still putting out great albums after thirty years. For more modern Electronic music, I love The Glitch Mob and Jon Hopkins as well as a lot of female-fronted projects like Purity Ring, Chvrches and Grimes.

What do you hope to achieve by the end of 2018?

A remix E.P. should be done by the end of the year. I'm lucky enough to have two good friends who are experienced re-mixers in their respective genres: Tony Rohr for minimal Techno and Dobie for Trip-Hop. Ofdream also remixed a track - so talking to two more artists to complete it.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Probably the first time my music was played in front of a group of people, which happened in a bizarre way…

I had been producing for a few years and had a bunch of songs that I shared with friends but wasn't posting online or playing shows yet. Now, I'm at a big Fourth of July party at my friend's house with one-hundred-plus people. I was supplying music from my phone plugged into a P.A. system and stepped away so I put on ‘shuffle’. A few minutes later, a piñata comes out and I can get dragged over and blindfolded.

Just as I'm about to swing, I hear one of my songs start to play. I froze. It was like instantly and unexpectedly being put on stage, except I couldn't see anything which made it super-weird. I couldn't see anyone's face and gauge what they were thinking. I contemplated running over to turn it off but I just rolled with it and fuck*d that piñata up. When I took my blindfold off, I saw that nobody was revolted by my music and some people were actually enjoying it. Not a bad first gig.

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Which three albums mean the most to you would you say (and why)?

Skip…

If you could support any musician alive today, and choose your own rider, what would that entail?

Nine Inch Nails, definitely. Trent puts so much creativity and effort into their shows and would love to be a part of it. Also, their touring keyboardist, Allessandro Cortini, is a huge gear-head and would love to nerd out with him backstage.

My rider would be pretty simple:  fast Wi-Fi and Phish Food.

What advice would you give to new artists coming through?

Just do your own thing and stop trying to replicate other artists.  YouTube tutorials are great but it's hindering creativity and originality. Mess around, turn some knobs randomly and turn mistakes into something interesting.

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Do you have tour dates coming up? Where can we catch you play?

After the remix E.P. is out, I'm going to finish up another E.P. of original songs and play some shows in London. We'll see what happens after that.

Are there any new artists you recommend we check out?

Skip this - I don't know any new music (smiles).

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Do you get much time to chill away from music? How do you unwind?

I have quite a few projects outside of music so leisure time is rare these days. My other creative outlet is photography which I do casually and is more of a relaxing hobby for me. For exercise, I powerlift, longboard and play squash.

Probably my most interesting hobby is Shibari, which is Japanese rope bondage. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Everything Connected by Jon Hopkins 

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Follow Verasect

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INTERVIEW: Nuela Charles

INTERVIEW:

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Nuela Charles

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I am ending today…

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by speaking with the Canadian artist Nuela Charles about her fantastic new E.P., Distant Danger. She talks about some of the themes addresses and who she worked on the E.P. with; what she hopes to achieve by the end of the year and which albums are most important to her – she recommends some artists to look out for.

Charles talks about how she got into music and where she is headed on tour; if she is coming to the U.K. at any point; whether she gets time to unwind away from music – the songwriter ends the interview by selecting a great track.

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Hi, Nuela. How are you? How has your week been?

Hiya. My week has been great so far. I just got back home and unpacked after four weeks on the road!

For those new to your music; can you introduce yourself, please?

Sure thing. My name is Nuela (pronounced new-ella) Charles. I’m an Alt-Soul artist based out of Alberta, Canada and I like to say that I sound like a soundtrack to a James Bond movie.

Can you recall when you made your way into music? Was there a time or artist that influenced that decision?

Music was always in our house growing up. My dad had an old acoustic guitar that he’d play. When I was around fourteen or fifteen, I started teaching myself how to play guitar after feeling inspired by artists like Avril Lavigne, Michelle Branch and Fefe Dobson seeing them playing on MTV and Much Music.

Which artists do you draw from most? Do you have particular favourites?

It’s funny, because the music that I listen to leans more to the Alternative/Rock side; artists like Nothing But Thieves, Arctic Monkeys; Reignwolf etc. – so my influences are pretty ranged. But, I’ve always thought Kimbra, Jacob Banks and Lianne La Havas were great and would continually see what they were doing.

 

Distant Danger is your new E.P. What sort of themes inspired the songs we hear?

This E.P. touches on relationships, but talks about the strength that comes in realizing your own self-worth and standing up for that - like in Troublemaker and Do It Right. Danger is about taking a risk and stepping out of your comfort zone; even if only a little. 

Sugar might be one of my favourites because it talks about the worst parts of a relationship, but ultimately asks for the sweeter side. And, after all is said and done, even if your world is crumbling down; you need to get up and March On.

 

Did you work with different producers and writers on the E.P.? Was it fun putting everything together?

I worked with a few different producers on this project. Do It Right was one of the first songs for this project and was written and produced with the Grammy-nominated producer Rob Kleiner (Andra Day, Ceelo Green and Sia), while I was in Los Angeles. Danger was produced in Vancouver with Ryan Worsley (Dear Rouge) and the rest were co-produced by myself and production duo Towers in Edmonton, Canada.

It was fun being able to take the time moulding the songs into what they are now. I definitely pushed and we often went through several versions of most of the songs before we settled on the versions you hear on the record – and they’re better for it.

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What do you hope to achieve by the end of 2018?

The rest of 2018 is going to be a bit quiet as I look toward 2019. I look forward to playing more gigs and festivals in different countries and putting out more music. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This past March, I was nominated for a 2018 JUNO Award for Contemporary Album of the Year - which is the Canadian version of a Grammy - so that was pretty amazing; being in a category with Michael Bublé is never a bad look. The event itself was amazing and it was my first time rocking a red carpet…although I definitely felt in my element!

Which three albums mean the most to you would you say (and why)?

Alanis Morissette - Jagged Little Pill 

It was the first album I’d heard which made me think ‘You’re allowed to say that?!’ She was so raw and honest and it really resonated with me. 

Mariah Carey - Mariah Carey

This album taught me how to sing. Every song is a lesson in vocal control and it gives me life every time I hear it. 

And, most recently… 

Nothing But Thieves – Broken Machine and Nothing But Thieves

I know, technically, that’s four albums but their albums are some of the few that I can actually get through all the songs and keep on-repeat. It’s just so good - vocally, musically and lyrically. They’re actually saying something that carries weight (and they’re killer live).

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Beyoncé, any time, day, hour or place. In regards to a rider; I’m pretty easy going. A masseuse would be rad, though. 

What advice would you give to new artists coming through?

I tell artists to learn the different parts of the industry so that you know what is expected of people when you hire them to work for you. Be knowledgeable, develop your craft; collaborate and be nice. 

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Do you have tour dates coming up? Where can we catch you play?

Currently working on booking some more shows for the New Year but I have two nights at the Citadel Theatre here in Edmonton in January.

Will you come and play in the U.K. at some point?

I will definitely come back to the U.K. I actually just got back from there where I played my first Sofar Sounds gig. It was amazing!

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 IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

I’m always so bad with keeping up with new artists: I’m usually a year or two late. But, I’ve been loving Sam Fender, grandson and Grace Carter lately. 

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IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Not much time to unwind, but Netflix and chill is always a safe bet. Especially, when I’m on the move – the familiarity is comforting. Even if it’s just on in the background while I’m working on the computer.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I just head the new Lukas Graham song, Not a Damn Thing Changed. There’s so much tension; I love it

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