INTERVIEW: Lazybones

INTERVIEW:

Lazybones

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IT has been cool speaking with Lazybones...

about the new track, Heart Beat Like a Drum, and filming its awesome video. Candi takes up the questions and tells me how the guys got together and what is coming up – I ask whether there are any tour dates coming along and which albums are important to them all.

I was keen to know which rising artists we need to keep an eye out for; if there is a favoured musical memory and whether Candi has any advice for rising artists of the moment – each member chooses a song to end the interview with.

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Hi. How are you? How has your week been?

Candi: Good, thanks! We’ve been super-busy with the video release and had lots of positive feedback, so it’s been an exciting one.

For those new to your music; can you introduce yourself, please?

Sure. I’m Candi and I sing and play Hammond organ. We then have Joe on bass and Sam on drums.

Heart Beat Like a Drum is out. Is there a story behind the song?

It’s not so much a story as more of a feeling. It’s all about that feeling you get when you really like someone; that excited bubbly feeling all wrapped up in a song.

Musically, we wanted to emulate that and create something people could sing and dance along to; in the car, in your living room - wherever you fancy.

The video is a one-shot filmed using an iPhone. Was that challenging to do?! What was the reason behind that approach?

It was very challenging, yes!

Especially as it was the hottest day in the year and we were all in a lot of denim, but it was totally worth it. The approach was chosen firstly because it would be a lot of fun to do but also because it would be interesting. A lot of videos are exciting for the first twenty seconds but then it kind of stays the same and you get bored. We wanted to create something that is new every second you watch it and is entertaining - and I think we achieved that.

How did Lazybones find one another? When did you meet?

We found each other in the local music scene - we were all in other bands and played gigs with each other at one time or another. We got chatting and realised we wanted to try something a bit different, had a pint and here we are. That was last November, so it’s been a crazy year.

Is there going to be more material next year? How far ahead are you looking?

We have our new single coming out in early January followed by our E.P., Bang! Bang!, coming out on Killing Moon in early-2019 (which you can pre-order now on our site!). We’re then already planning for the next release following and have spent a lot of time in the writing room in the last few weeks.

Do you all share similar tastes? Who are you inspired by?

We all have slightly different tastes. I’m (Candi) tend to like softer Rock and Pop. I’m inspired by people such as Skin from Skunk Anansie and Laura Jane Grace from Against Me! Joe then likes Black Sabbath and Chas & Dave and Sam’s into more Punk stuff and the D.I.Y. ethos.

As Christmas is coming; what one present would you each like if you could have anything?

Candi: A Britney mic. I won’t even wear it in public; just around the house for fun.

Joe: Pet chimp.

Sam: World peace.

Do you already have plans for 2019?

2019 is going to be a super-exciting year for us. As I mentioned, we have our E.P., Bang! Bang!, coming out on Killing Moon early-2019 but we are also going on a U.K. tour in February, woo! So far, we’ve announced five dates with more to be announced. We’ve then got a new release planned after, so watch this space...

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our favourite memory as a band was our recent single launch at Green Door Store. Lots of yellow; lots of bunting and balloons and a great crowd. It really felt like something special.

On a side-note and the worst memory - breaking the van door at 2 A.M. in the rain, fixing it with a crowbar and then locking the keys in the back. That was a long, cold night!

Which one album means the most to each of you would you say (and why)?

Candi: Stoosh by Skunk Anansie

Skin’s voice is absolute perfection and the variety of songs and themes include every emotion, so it always has you covered, whatever mood you’re in.

Joe: Black Sabbath – Black Sabbath

It’s just four skint guys recording an album in a day or two and it still sounds huge today. Great instrument sounds, great songs and such a huge contribution to Rock/Metal and the rest.

Sam: I can’t possibly answer that question but maybe At the Drive In - Relationship of Command, because no matter when I play it it’s still good.

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d support someone like Blondie or Black Sabbath…if they ever tour again. If not, maybe Jack White.

The rider has to include Custard Creams, really good pizza and at least eight cans of Stella.

What advice would you give to new artists coming through?

Be as creative as you can with what you have and play to your strengths. It’s a really saturated industry but, if you work hard and learn what makes you unique, you can really create something new and exciting.

Do you have tour dates coming up? Where can we catch you play?

We’re playing on 10th December at The Old Blue Last, supporting Fangclub and Big Spring which is going to be awesome. Our tour dates in Feb are then as follows:

15/02/19: Crofters Rights, Bristol

16/02/19: Good Mixer, London

19/02/19: The Horn, St Albans

20/02/19: The Hope, Brighton

21/02/19: Frog & Fiddle, Cheltenham

With more T.B.A.!

 IN THIS PHOTO: DITZ

Are there any new artists you recommend we check out?

Definitely, we would recommend our pals DITZ - they are killer live and just came off tour with The Coathangers. Also, Gender Roles and Orchards  - both Brighton bands and both bring something new and really exciting to the scene.

 IN THIS PHOTO: Orchards

Do you get much time to chill away from music? How do you unwind?

I’d like to say I do yoga or something productive but, instead, I binge-watch terrible teen dramas and then deny all knowledge of them when questioned. I also read a lot. Joe then watches Forensic Files or Simpsons and Sam just plays more drums. Drums.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Candi: Black Me Out - Against Me!

Joe: The Lord of Lightning - King Gizzard and the Lizard Wizard

Sam: The Reason They Hate Me – Daughters

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Follow Lazybones

Official:

https://www.wearelazybones.com/

Spotify:

https://open.spotify.com/artist/0CBPtqOqwRhnK93GuXE715?si=NJ_Sf7TsSBS3uzTcWUHkPg

Twitter:

https://twitter.com/wearelazybones_

Instagram:

https://www.instagram.com/wearelazybones/

Facebook:

https://www.facebook.com/wearelazybones/

YouTube:

https://www.youtube.com/channel/UCTZCus55u0MUwLmBJgJL1kQ

ALL PHOTOS:

Thomas Lisle Coe-Brooker

INTERVIEW: Ciircus Street

INTERVIEW:

Ciircus Street

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THANKS to Ciircus Street...

for telling me about their track, Broken, and how it came together. I was keen to learn how they formed and whether Sam and Jim share similar musical tastes – they reveal some rising acts we need to keep an ear out for.

I ask whether tour dates are coming and which albums strike them hardest; if they have anything they especially want for Christmas and what next year holds – they each select a cool track to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We’re good thank you. We’ve just finished two weeks on tour with Coffee House Sessions, so recovering from that and preparing for our headline show in London next week.

For those new to your music; can you introduce yourselves, please?

Sam: Hey. I’m Sam and I play guitar and half of the vocals. I’m a big fan of olives and a nice cup of tea. Pretty much sums it up.

Jim: I'm Jim. I play piano, the other half of the vocals and occasionally an egg shaker!

When did Ciircus Street form? How long have you been playing together?

We formed about three years ago - this month is actually our anniversary! We used to perform solo music and one day went to go see Saint Raymond in Oxford; had a few beers and decided to make a band! Actually got up the next day and did it as well! (After sorting out our hangovers).

Broken is your latest track. Is there a story behind it?

Yeah. Broken is more written from a hypothetical perspective, rather than anything we are currently going through. It’s about someone who has finally got the strength to leave a relationship they weren’t happy in - and the relief that came from them actually doing it.

Is there going to be more material next year? How far ahead are you looking?

Yeah. For sure! We definitely want to release more next year - as we waited a year in between songs. Now, we're excited to get some more ou; hopefully before the summer.

Do you share similar tastes? Who are you inspired by?

We do and we don’t…

Musically, we love a lot of the same things, and then we have some things we prefer more. However, we both agree crumpets with Marmite are banging. I think we draw inspiration from a lot of places. Listening to a lot of different genres of music, we take it all in. When writing Broken we had been listening to a lot of Lewis Capaldi, so I think that had some input on the end product.

As Christmas is coming; what one present would you each like if you could have anything?

Sam: I actually love Christmas and start getting excited by it in January, so the fact it’s coming round is enough for me. But, If I could have anything, probably a new guitar. Mine’s doing alright, bless it, but it was cheap when I bought it and I’ve been banging it around for years.

Jim: I'd have a new keyboard. I've always fancied a Nord but maybe that's a little unrealistic; mine is just so heavy!

Do you already have plans for 2019?

At the moment, we have some basic plans but we’re having some meetings at the moment to see where we really want to go with the year. We’re definitely excited!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We went to Dublin earlier this year and we've got some really fond memories of that. We had a good laugh and played some cool shows, so that was pretty sick.

Which one album means the most to each of you would you say (and why)?

Sam: In Utero by Nirvana for me, for sure! I was the first album I listened to. I remember playing it in the car on the cassette player and just sitting there listening over and over.

Jim: I have absolutely no idea. I really like Hybrid Theory by Linkin Park. It reminds me of when I was a teenager and didn't have any responsibility!

If you could support any musician alive today, and choose your own rider, what would that entail?

Jim: I'd love to support Muse! Mainly because I'd love to see them live. Rider would probably include some beer and a burrito each. Nothing too fancy!

What advice would you give to new artists coming through?

Work hard, but don’t put too much pressure on yourself. Sometimes, there are going to be really hard days but that’s cool. It’s okay to have them; just enjoy it and be yourself. Don't take anything too seriously.

Do you have tour dates coming up? Where can we catch you play?

We have our headline London show on 27th November at the Servant Jazz Quarters in London which we’re mad-excited about. It’s going to be really fun. 

Do you get much time to chill away from music? How do you unwind?

Sam: Yeah. I enjoy playing games. There are a lot of games for the Switch coming out, so that’s going to be a laugh.

Jim: I'm pretty basic. I enjoy stuff like cooking and a few beers with friends down the pub.

Are there any new artists you recommend we check out?

We have listened to Ocean Wisdom since he dropped his video for walking and have been massive fans since. If you’re into Hip-Hop or Grime, go have a listen if you haven’t heard him already.

IN THIS PHOTO: Ocean Wisdom

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sam: Ahh. Wicked. My song choice would be Fake Happy by Paramore. I have been listening to them again a lot recently and that song is sick.

Jim: Cowards by Raleigh Ritchie is an amazing song, I love it at the moment and more people should listen to him!

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Follow Ciircus Street

Spotify:

https://open.spotify.com/artist/3fcClrnWaQ4WQcMvxgeVxY?si=T8NhRQXwR4-5AS1pGKcc3Q

Twitter:

https://twitter.com/Ciircus_Street

Instagram:

https://www.instagram.com/ciircus_street/

Facebook:

https://www.facebook.com/ciircusstreet/

 PHOTOS:

Viv Morris

INTERVIEW: talker

INTERVIEW:

PHOTO CREDIT: Bridgit Fatora 

talker

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I have been speaking with talker...

 PHOTO CREDIT: Jocelyn Raulston

about her latest track, Intimidated, and its story. She reveals which artists are important to her and albums that mean the most; whether there is more music coming and whether her upbringing has a lot of great music in it.

I ask talker if there are tour plans and what is afoot for 2019; any rising artists we need to look out for and how she spends time away from music – talker ends the interview with a great track selection.

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Hi, talker. How are you? How has your week been?

Hey! It has been great and exhausting. I just got back from Mexico City, which was amazing. Readjusting from a trip is always a little weird though!

For those new to your music; can you introduce yourself, please?

For sure – my name is talker and I’m a Grunge-Pop artist from Los Angeles.

Intimidated is your new track. When did it start life? Is there a story behind it?

Intimidated actually took a while to come together. It started really organically when I was just writing in my room and I didn’t think much of the song. A couple months later, I was going through my voice memos on my phone and stumbled upon an early draft and realized I really liked it. And then I reworked it a bit and it all came together! There’s not a huge story behind the song besides that. I just really tend to overthink and get in my head too much and I let it affect my relationships. This was one of those times.

Is there going to be more material next year do you think?

Definitely! I’ll be putting an E.P. out pretty soon after the New Year.

Did you grow up around a lot of Grunge music? When did bands like Nirvana and Soundgarden come into your world?

I did. My parents listened to a lot of Alternative and Rock, not only Grunge, when I was growing up. Apparently, they would listen to it on the way to the hospital when my mom was pregnant with me, so they claim that I started listening to it in the womb. So it runs deep!

PHOTO CREDIT: Sean Nunley

Do you already have plans for 2019?

We’ll see! Right now, I’m focusing on putting out the E.P. and booking some shows for the New Year - but I’m just planning on writing a lot more and putting more music out as soon as possible.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I feel really lucky because I have so many! But, a really special one is when I performed at Red Rocks with Frenship, which is a band that I play keys for when they tour. That was really surreal; it’s just a beautiful and iconic place unlike anywhere else in the world.

PHOTO CREDIT: Bridgit Fatora 

Which three albums mean the most to you would you say (and why)?

Oh, wow it’s so hard to choose from my top-ten or so. Definitely Transatlanticism by Death Cab for Cutie. I’m really influenced by Ben Gibbard’s lyricism and think he’s an absolute genius. That album doesn’t have a single filler track and every song makes me lie on the floor and cry. That album has seen me through years of insecurities and growing up.

The 1975’s self-titled debut album is another one for me. I have a lot of special memories with that record and I also just think it’s so well done and groundbreaking.

It’s so hard to only pick one more! But, definitely High Violet by The National. In all honesty; I want to say all of their albums because I’m a huge fan of theirs and each record means a lot to me. But, High Violet is the first album of theirs that I got into and it’s been a lifelong obsession since.

As Christmas is coming up; if you had to ask for one present what would it be?

If there’s no limit to that present then a plane ticket (and all other expenses paid if I’m being honest), good for any location that I choose. Is that too much to ask?

PHOTO CREDIT: Tom Bender

If you could support any musician alive today, and choose your own rider, what would that entail?

If we’re dreaming big I would love to open for Foo Fighters. I’m obsessed with Dave Grohl and wish he were my cool uncle. Honestly…I just want a lot of amazing food on my rider. And socks.

What advice would you give to new artists coming through?

It’s funny answering this question because I’m still figuring everything out myself and am super-new to the scene! But, I’d say just try everything. Go to every show. Meet everyone you can. I am such a different artist and person than I was when I first moved to L.A. and it took a lot of soul-searching and musical experimentation to figure out who I was artistically. And, while I’m confident with where I am now, I’m still constantly evolving and figuring it out!

 PHOTO CREDIT: Bridgit Fatora 

Do you have tour dates coming up? Where can we catch you play?

I do! I’m opening for my friend and amazing artist Yoke Lore at The Dacres in Walla Walla, Washington on December 7th. And then I’m playing a free, full band show in L.A. on December 11th at Madame Siam in Hollywood as a part of the We Found New Music and BuzzBands L.A. holiday party.

Might you come to the U.K. - or are you playing in California for the most part?

I would love to come to the U.K.! Right now, I’m mainly focusing on California and other semi-local shows, but I’m really hoping to get over there sometime within the next year or so. I’d also love to do some writing over there too.

IN THIS PHOTO: Dan Sadin/PHOTO CREDIT: Rachael Wright

Are there any new artists you recommend we check out?

Yes! My friend and close collaborator Dan Sadin has an awesome E.P. out – he also shreds on guitar. Another friend of mine, Chanel & the Circus, just put out their new video and is, hands down, the most creative and genuine person I know. Plus, their music is catchy as hell. Who else can I shout out? Colyer just put out a sick E.P., as did my amazing friend Fiona Grey. Honestly, I’m super-lucky to be in a tight-knit community of incredible artists! They inspire and terrify me.

Do you get much time to chill away from music? How do you unwind?

My brain is definitely always wrapped up in music. It’s easy to go down the rabbit hole and get a little obsessive; always trying to be productive and constantly worrying about wasted time. But, I love to spend time with my friends, hike; drink good coffee, watch Friends on-repeat and travel as often as I can. I really strongly believe that it’s important to focus on my personal life and the people and things that make me happy and the rest will follow. Just have to remind myself sometimes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ooh, fun! Your Loves Whore by Wolf Alice – one of my forever-favorite songs. Thanks, guys!

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Follow talker

Spotify:

https://open.spotify.com/artist/1wcTmtixisIzV10W69W6lm?si=_1AX5HwSQcSNotoMxrblpQ

Twitter:

https://twitter.com/talkerceleste

Instagram:

https://www.instagram.com/talkerceleste/

Facebook:

https://www.facebook.com/talkerceleste

INTERVIEW: Billie Black

INTERVIEW:

Billie Black

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I am ending today by speaking with Billie Black...

as her E.P., The Last Time, has just been released. She talks about themes and inspirations and which artists have compelled her; a few albums that are very dear and what she has planned in terms of the future – Black explains how music came to her and when the bug struck.

I ask whether she gets time to chill outside of music and what advice she’d give artists coming through; which new artist we need to get behind and follow – she ends the interview by selecting a great current track.

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Hi, Billie. How are you? How has your week been?

I’m well, thank you. It’s been a very busy week - but I’m happiest when I’m busy.

For those new to your music; can you introduce yourself, please?

My name is Billie. I am twenty-three. I make music. I learnt how to sing through listening and then studying Jazz at uni but also have a passion for Electronic music. I have tried to combine the two in my original projects.

The E.P., The Last Time, is out. Are there themes and personal experiences that inspired the songs?

I wanted the E.P. to be quite bold and cinematic. It’s definitely got a romantic theme. I am a very romantic and passionate person, so I suppose it’s quite honest in that sense

Do you have a personal favourite song from the E.P. at all?

My favourite is the final track, Long Way to Go, because I love the melody and then sample of Eartha Kitt at the end. I, of course, love all of the songs though.

Might we see more material next year?

Yes! I took some time out of music to start a degree in Social Anthropology at SOAS (School of Oriental and African Studies). I finish my course in May and I am looking forward to focusing solely on music again; it is my passion.

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

I love Billie Holiday. I am really inspired by her honesty and raw emotion that comes across in her expression. Chet Baker. I also love old Soul – Donny Hathaway, Aretha Franklin. I don’t come from a musical family: I am the only person in my family who does music for a living but my mother used to be a professional Disco dancer so I grew up listening to a lot of Disco. My dad is into Reggae and Bob Dylan - a strange mixture!

Your music has been championed by the likes of BBC Radio 1. How does that make you feel?!

It’s cool.

What do you hope to achieve by the end of 2018?

Continue writing, continue gigging. Start a new project – maybe start working on an album.

Do you already have plans for 2019?

Well. I wanna finish my degree. I also want to do another show where I play music off my latest E.P. and maybe play some tunes that might become part of an album.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Every time I perform, whether it is jazz or my own stuff, I feel amazing. It’s hard to think of a performance that particularly stands out - as I’ve done so many - but my favourite memories are definitely being on stage. Even when I took a break from doing my own music, I was still gigging doing Jazz roughly twice a week so it makes me really happy.

Which three albums mean the most to you would you say (and why)?

Donny Hathaway – Live

Because I feel and believe every single word he’s singing. I can relate to his emotion and his soulfulness makes me feel warm. This album makes me feel like myself.

Laura Mvula – Sing to the Moon

Because it helped me through a really tough time in my life. I am also really inspired by her writing and her use of strings to create a really atmospheric, bold sound

Nancy Wilson and Cannonball Adderly - Nancy Wilson/Cannonball Adderly  

Because it was one of the first Jazz albums I listened to in its entirety. I know all the tunes off by heart and they bring back some really fond memories.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Sade because she is effortlessly sophisticated and classy and an absolute legend. I’m not fussy with my rider as long as there’s red wine I’m happy.

What advice would you give to new artists coming through?

First and foremost, be yourself. Don’t get caught up in the race. Take things at your own pace. Try not to compare yourself with others. Constantly question whether the things you’re doing are making you happy; try to live in the moment and enjoy yourself, remember that music should be fun and fulfilling; be determined and don’t give up.

Do you have tour dates coming up? Where can we catch you play?

Early-2019 - I will let you know!

 IN THIS PHOTO: Kadhja Bonet

Are there any new artists you recommend we check out?

Kadhja Bonet – the most beautiful voice and writing I’ve heard in a while.

Do you get much time to chill away from music? How do you unwind?

I enjoy spending time with my family. I have a twin brother that I’m really close to.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This Love – Kadhja Bonet

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Follow Billie Black

Spotify:

https://open.spotify.com/artist/0dvdngm0WZX3GFfsD4zWmC?si=dJ5I6g58So2P4SxSKCu0Ag

Twitter:

https://twitter.com/thisbillieblack

Instagram:

https://www.instagram.com/thisbillieblack/

Facebook:

https://www.facebook.com/thisbillieblack/

INTERVIEW: Payson Lewis

INTERVIEW:

Payson Lewis

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MY last piece until later...

is an interview with Payson Lewis who has been talking with me about his new track, Better Run, and filming its rather interesting video. I ask him what is coming up and whether there will be more material afoot; which artists inspire him and when music struck.

I was keen to know about future gigs and some approaching talent to keep an ear out for; which albums mean the most to him and what advice he’d provide rising musicians – he picks a great cut to end things with. and what advice he’d provide rising musicians – he picks a great cut to end things with.

__________

Hi, Payson. How are you? How has your week been?

Hey! I'm doing great - thank you so much for asking. And it's been an awesome week. I mean; we just had Thanksgiving, so I feel like I'm still stuffed from that and still buzzing from being able to spend a lot of time with family and friends. It's been a good week!

For those new to your music; can you introduce yourself, please?

Umm, yeah, sure. My name is Payson Lewis. I'm an Indie-Pop artist. Originally from Philly, now permanently in L.A. I don't know. I never know what else to say about myself. I'm a Pisces; favorite color is blue; take my coffee black?

Better Run is your new video. Is there a story behind it?

Well. The story behind the song is about taking back control in an otherwise controlling relationship. So, when we were thinking about ways to portray that on screen for the video, we came up with this idea of being held hostage by these dominatrixes in a futuristic ‘neon prison’ and then breaking free and ultimately coming back to exact my revenge.

The video looks like it was interesting to shoot. What was that like?

Oh, man. This was one of the most fun video shoots I've ever been a part of. First of all, shooting with the dominatrixes was awesome. The actors portraying them in the video, Serena Koo and Janis Valdez, were so fun to work with; were totally game to leave their comfort zone a little and honestly really made me enjoy being ‘tortured’.

And then, as far as the filming in the desert...we used this unbelievably awesome picture car, a 1972 Scout II, which was probably the most fun thing I've ever driven. So, both days of filming were just a blast. And James, the director, is one of my best friends, so that made it all that much better.

Might we see more material next year?

Oh, yeah. So much. I don't want to give it all away...but expect new music, new videos; live stuff, maybe a tour. The whole compliment of tricks are coming out of the bag next year.

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

I mean, it's impossible to list them all. But, I grew up on Classic-Rock; Queen, The Beatles and Elton John. Now, I'm definitely listening to a more Pop-driven palette. Mostly Indie-Pop stuff but also some top-forty like Shawn Mendes or Troye Sivan. For a specific example, on my first E.P., a lot of the vocal production and background parts were really inspired by HAIM who I was pretty into around the time we were laying down the tracks.

Do you already have plans for 2019?

I definitely have plans. Like I said; lots of music and videos are on the way. I'm incredibly excited about 2019 actually. If we didn't have Christmas and New Year’s coming...I'd just like fast-forward and get it going!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I feel like this is an easy one - and I've heard it before from other artists, so I apologize if I come off cliché but the first time playing a show and hearing the crowd sing my music back to me; singing along to the hooks, knowing all the lyrics. Man, that was amazing! I will also say that hearing from fans all over the world who have been listening to my music is really cool too. I wasn't expecting that, so it's really just kind of eye opening about the global reach of music today.

Which three albums mean the most to you would you say (and why)?

Wow. Most meaningful is hard. But, I can tell you the three that I most often go back to - so maybe that is what meaningful is. But, I can't quit listening to Lauryn Hill’s The Miseducation of Lauryn Hill, Continuum by John Mayer or Prince by Prince. And a bonus fourth is Amy Winehouse’s Back to Black.

As Christmas is coming up; if you had to ask for one present what would it be?

Oh, gosh. I mean, there's not any material thing that I can't live without, so I have to go a bit more ‘generic’ I suppose (or ideological) and I would just ask my man Santa to make sure my family and friends were happy and healthy. I wouldn't be anywhere without them so I just want the best for them all. Oh, and I promised my dad a Rolls Royce if I ever get rich and famous. So maybe throw one of those in the back of the old sleigh.

If you could support any musician alive today, and choose your own rider, what would that entail?

You are asking all these big questions - this is so hard. Actually, no, this is easy: Paul McCartney. And the rider would just say ‘thank you’.

What advice would you give to new artists coming through?

Again, it may sound cliché, but you just gotta be true to yourself. Be you. So much of the music I hear coming out these days sounds the same. It feels like people are chasing what's cool or what's happening. But, the ones that always cut through are the ones who are just themselves because by definition - that means they are unique.

Do you have tour dates coming up? Where can we catch you play?

Unfortunately, I don't have anything lined up for the rest of 2018. But 2019 is gonna be filled with lots of live music from me, so stay tuned and I'll let you know!

 IN THIS PHOTO: Carrie Manolakos

Are there any new artists you recommend we check out?

Definitely. How about I give you some variety; check out Bridesman, Joe Leone; Carrie Manolakos, James Byous or Meg DeLacy.

 IN THIS PHOTO: James Byous/PHOTO CREDIT: Dalen Muster

Do you get much time to chill away from music? How do you unwind?

Going to an empty gym and shooting hoops is like church to me. I'm not a religious person, but there's just something about being alone in the gym and seeing that ball go through the hoop that makes me feel centered and in control. It's the best way for me to blow off steam and also to relax within myself.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

First of all, thank you so much. This was so fun. But, if it's totally up to me; it's a bit moody but I can't get enough of this song by Lennon Stella, Like Everybody Else (Acoustic). It's haunting and just so timely for our day and age of constant and crippling comparison. If you need something slightly less depressing check out another one of her tunes, Bad. Basically, check her out

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Follow Payson Lewis

Spotify:

https://open.spotify.com/artist/69zyKWGSd3gemLNgqGxaOA?si=MGb8qvc5SLmPH5ugfq300g

Twitter:

https://twitter.com/paysonlewis

Instagram:

https://www.instagram.com/paysonlewis/

Facebook:

https://www.facebook.com/paysonlewismusic/

INTERVIEW: Matt Warren

INTERVIEW:

Matt Warren

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I have been talking with Matt Warren...

about his role kickstarting House music and how he helped create this incredible scene in Chicago. Warren discusses the scene in Chicago now and artists/albums that have impacted him; what he has planned coming up and if there will be tour dates.

His album, Music Is My Life, is forthcoming and he discusses the themes that inspired the album; what his favourite musical memory is and which rising artists we need to watch out for – he ends the interview by selecting a classic track.

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Hi, Matt. How are you? How has your week been?

It's been a whirlwind of activity...with my new disc out, interviews and other promo duties - but it's been awesome.

For those new to your music; can you introduce yourself, please?

I'm Matt Warren from Chicago. I've been producing music since the inception of House music; I've had numerous releases over the years and have worked with the likes of J.M. Silk, Byron Stingly; Shawn Christopher and many others.

 

Music Is My Life is your new album. What can you reveal about it and how it came together?

The album came about from the suggestion of my Executive Producer, MyMy ‘Pepper’ Gomez. I've been engineering and producing for other artists for the past ten years and we thought it was time to bring a new fresh perspective on dance music. I wanted to go back to the days where you could put on a record and it would be entertaining from start to finish.

You are a legend of the House scene. Can you remember when you started and which artists inspired you?

I was making records before House was born, so I naturally wanted to know what this new genre was all about. I have to give credit to the late, great Frankie Knuckles who inspired me to write my song Bang the Box. From there, I was hooked!

How do you think House has changed since 1980s?

Well. I would say that there is some good House music still coming out, but I feel like a lot of it has ‘lost its soul’ and that's why I recorded Music Is My Life - to remind everyone where the ‘soul’ of House music comes from. Real arrangements, real instruments and soulful vocals.

Chicago is, obviously, in your blood. Is there still a varied scene in the city?

There is still a scene in Chicago as far as musicians go; however, I feel like the ‘Club’ scene here has really changed since the heyday's of the late-'80s and early-'90s. You’re hard pressed to find a House music club in Chicago nowadays.

Do you already have plans for 2019?

We are looking forward to getting out a doing D.J. sets all across Europe and the U.S. I'm also already working on the follow up disc to Music Is My Life.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I played a gig in Switzerland for the millennium New Year. There were sixteen-thousand-plus people in the crowd. It was amazing!

Which three albums mean the most to you would you say (and why)?

Led Zeppelin - Houses of the Holy

This album taught me what arrangements and music are all about. 

Sade - Diamond Life

This album showed me what amazing vocals should sound like.

Heatwave - Too Hot to Handle

Perfect example of an album that you play from start to finish. Brilliant!

As Christmas is coming up; if you had to ask for one present what would it be?

I would ask that all mankind could put away these hurtful political and nationalistic views and start to treat each other with humility and kindness.

If you could support any musician alive today, and choose your own rider, what would that entail?

I'm not sure what you're asking about with the rider part of the question...do you mean my performance rider?

What advice would you give to new artists coming through?

Keep putting out new music. Don't ever give up your dreams.

Do you have tour dates coming up? Where can we catch you play?

Nothing scheduled yet but dates will be forthcoming.

 IN THIS PHOTO: Elena Andujar

Are there any new artists you recommend we check out?

Elena Andujar, Sharkeyes and B.B.

Do you get much time to chill away from music? How do you unwind?

When I have time to chill, I'm spending it with my wife and two sons. I'm a huge fan of mixed martial arts = UFC!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I would request The Ones You Love by Frankie Knuckles (Shapeshifters Mix)

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Follow Matt Warren

Official:

https://mattwarrenmusicismylife.com/

Spotify:

https://open.spotify.com/artist/6at3aDV01ztkagGCY3BeN8?si=_izRViPOSfCDoIlHGpHmbg

Twitter:

https://twitter.com/wakeupmusicgrp

Instagram:

https://www.instagram.com/wakeupmusicgrp/

INTERVIEW: Junior Bill

INTERVIEW:

Junior Bill

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THE band is supporting former Supergrass...

drummer Danny Goffey at the moment so it is a great time to speak with Junior Bill about their recent single, There’s a Wolf in Grangetowen, and what comes next. Their eponymous E.P. is out so Rob from the band has been talking about future plans and the sort of music that inspire him.

I ask about the band’s beginning and what plans are afoot for next year; which rising artists we need to keep an eye out for and where the band are gigging – each of the band members end the interview by selecting a great track.

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Hi. How are you? How has your week been?

Rob: Hi. I’m very well, thanks and extremely excited and happy to be touring with Danny Goffey right now.

For those new to your music; can you introduce yourselves, please?

We are a five-piece band from Cardiff. I, Rob, write the songs, front the band; sing and play the guitar. We have Joel Beswick on keyboards, Rory Saunders on bass; Jim Strickland on drums and Luke Owen is the new boy - who sings and plays just about everything.

How did Junior Bill get together? When did the band form?

We’ve had previous incarnations. It’s always been led by me and Joel and Rory have remained present since the start when we met in Cathays Community Centre, Cardiff in 2013. Joel and I, in fact, have played together since I was thirteen, and him fifteen, in a previous band. Junior Bill had a rapper for the first few years, who was Portuguese and rapped in Portuguese and the band had a slightly different flavour then. Luke and Jim joined more recently and the new line-up is now complete. We still rehearse in the place we all met - Cathays Community Centre.

There are four self-released songs coming. What was the reason behind that?

We wanted to tell the stories of where we come from. Each of the four songs tells a different narrative about Cardiff that has wider resonance with national stories. We felt that we wanted to use this offering to say to the world: ‘This is who we are. These are the streets and stories that made us and the same things are happening in your town too’. Not all our music is Cardiff-centric, but these four are our most localised and it ties them neatly together.

Can you talk about There's a Wolf in Grangetown and its story?

The Wolf of Grangetown was a rumour back in my secondary-school, Cathays High. Kids would say “Wallahi, there’s a wolf in Grangetown, bruv”. I thought, maybe, the Muslim kids said it cos a lot of them were scared of dogs. It seemed like a kind of funny idea and the catchiness of the name invited a song. It’s a fun song with a balance of surrealism, urbanism and playground humour as well as an ode to one of Cardiff’s most important and life-filled areas.

I promoted it by creating a hoax campaign about the presence of a wolf in the area. I put warning posters up and got up to all sorts of antics and it absolutely caught fire in local press and social media. Here are two articles which tell the story.

Do you share similar musical tastes? Who are you inspired by?

We’ve all got grounding in Reggae, Ska and Dub. We hold that classic Roots sound, for me particularly from Kingston between 1975 and ’79, up as the pinnacle of that type of music - which is why we revere it and pay some sort of tribute to it but understand that what we do needs to be different and not attempt a rehash of that music - it was done best in a certain time and a certain place.

We all love everything, really. Jim has played in many bands including some which do live drum and bass stuff, which influences his drumming, and he produces Drum ‘n’ Bass in his spare time. Two of Rory’s favourite bands are Jungle and Everything Everything. Luke has a melodic ear and loves Pop, Soul and a good boogie. Joel likes a lot of interesting instrumental stuff and jazzy stuff ranging from Bill Evans to BadBadNotGood. I mostly love songwriters and voices - people with something to say who invite you into their peculiar and different way of seeing the world. And that could be anything from Richard Dawson to Lily Allen to Nadia Rose to Baxter Dury.

As Christmas is coming; what one present would you like if you could have anything?

A pony? I guess we haven’t thought about it yet.

Do you already have plans for 2019?

Yes. To write and write and write.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Seeing as we’re on tour with their drummer; what comes to mind is when I saw Supergrass at Glasto 2004 in the sun/rain when a rainbow appeared and they kicked into Alright. I was eight-years-old and was dancing like mad, wearing a fez and a man wearing only a green tent called me a “fookin legend!”.

Which one album means the most to you would you say (and why)?

Impossible question to answer but, for right now, I’ll go with Word Gets Around by the Stereophonics of all things! I really don’t like most of their stuff but they really captured young life in the Valleys in this album and it, for some reason, really resonated with me when I was really young, even though I’ve hardly spent any time in the valleys.

If you could support any musician alive today, and choose your own rider, what would that entail?

Seeing as you said ‘alive today’, I’ll go for The Rolling Stones. We’d have caviar and champagne. I don’t even like either of those things.

What advice would you give to new artists coming through?

Don’t think you need permission to do what you want to do. Spend two years making your art with no specific purpose other than for making it and enjoying it. Connect with the art as deeply as you can before you start trying to be famous.

Do you have tour dates coming up? Where can we catch you play?

Our tour continues this week:

Friday 23rd - Thousand Island, London

Saturday 24th - Gwdihw, Cardiff

Is it true you are supporting Danny Goffey?! Have you met him before?

Yes and yes. He found out about us through a mutual friend and invited us to play his party. It was great.

 IN THIS PHOTO: Aldous Harding/PHOTO CREDIT: Cat Stevens

Are there any new artists you recommend we check out?

Where do I start?! You might already know some…but I like Aldous Harding…Unknown Mortal Orchestra’s new album is great; LUMP, BALOJI; Duval Timothy…but most of them have been around for years to be honest.

IN THIS PHOTO: LUMP

Do you get much time to chill away from music? How do you unwind?

I like to go swimming.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Joel (keys): Oscar Peterson - A Hymn to Freedom

Rory (bass): Ian Dury - Wake Up and Make Love to Me

Jim (drums) - The Slackers - Married Girl

Rob (vocals and guitar): Aldous Harding - Party

Luke (vocals and synth): Nao - Fool to Love

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Follow Junior Bill

Official:

http://juniorbill.co.uk/

Facebook:

https://www.facebook.com/juniorbillmusic/

Spotify:

https://open.spotify.com/artist/250nqRYTUiSI6nnVXG5yXa?si=eXyDC6s2T52ZRUpSDNYf2A

Twitter:

https://twitter.com/juniorbillmusic

Instagram:

https://www.instagram.com/juniorbillmusic/

INTERVIEW: Jane's Party

INTERVIEW:

Jane’s Party

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THE guys of Jane’s Party...

have been speaking about their latest song, Wait for You, and its story. I ask them how the band formed and what it was like supporting Tom Odell on tour – they each select an album that means a lot to them.

I was curious to learn whether tour dates are coming up and whether they have new stuff in the pipeline; the advice they would give to approaching artists and some new talent we need to look out for.

__________

Hi, guys. How are you? How has your week been?

We’ve had a very successful release of our new single, Wait for You, and we just came off a weekend packed with shows and recording - so we’re all doing great!

For those new to your music; can you introduce yourselves, please?

Jeff Giles (keys/guitar/vocals), Tom Ionescu (guitar/vocals); Devon Richardson (bass/vocals) and Zach Sutton (drums). we are Jane's Party - a band out of Toronto, Canada.

What is the story behind your new track, Wait for You? How did it come together?

Wait for You was written in the months following our return from opening Tom Odell’s No Bad Days tour in Europe. There’s a real vulnerability in coming home from a huge tour and not knowing what the future has in store. Writing the song was a sort of therapy that helped us come to terms with how we were feeling and turning that into inspiration and excitement for what’s to come.

The energy that emanates from a packed venue is exhilarating and the whole tour we wished for something simple to sing at the top of our lungs that could be shouted back, no matter the language barrier. We knew right away, as soon as the chorus to Wait for You came together, who it was meant for.

What was it like supporting Tom Odell in tour? Was that a crazy experience?

It was one of the most surreal experiences we’re ever had as musicians. Playing to audiences like that on a daily basis, spanning countries we’d never even visited before and connecting with people on that level was very special.

Might we see more material coming later down the line?

We’ve got the record slated to release on February 15th with a total of twelve tracks.

How did Jane’s Party find one another? When did you meet?

We all met at York University by Jane and Finch where we studied music and shared a house. We recorded our first album, The Garage Sessions, in our garage. We went on to release that album independently and garnered some CBC radio play, which sparked many years of creating music together.

Do you share similar tastes? Who are you inspired by?

We do share similar tastes, but mostly it just boils down to great music made by great players performing tasteful, well-crafted songs. I don’t think that can be pinned to a genre or handful of artists.

As Christmas is coming; what one present would you each like if you could have anything?

I think we all agree that another European tour would be the perfect Christmas present this year!

Do you already have plans for 2019?

As we mentioned, the new record comes out February 15th, 2019 so that will be accompanied by a lot of touring and support material for the album, including new videos and festival season of course.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Definitely touring Europe as support for Tom Odell.

Which one album means the most to each of you would you say (and why)?

The Beatles – Abbey Road; Arcade Fire – The Suburbs; Radiohead – The Bends and Bob Dylan – Blood on the Tracks. The sounds, lyrics; songs and nostalgia in these recordings will always resonate with us.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lady Gaga – meat and cheese platter; in-season avocadoes; local artisan; hand-made breads and assorted dips; premium, locally roasted single-origin brews; assorted wine and spirits and fresh underwear and socks.

What advice would you give to new artists coming through?

Play live a lot. Just keep playing live and, if you play covers, play covers that you love not ones that you think you should play because they are relevant.

Do you have tour dates coming up? Where can we catch you play?

We are playing Buffalo at the end of this month with Lowest of the Low on Nov 24th and are part of Concert for Socks at the Rivoli on Dec 6th. There will be more dates to announce closer to the album release.

IMAGE CREDIT: Matt Duncan

Are there any new artists you recommend we check out?

Matt Duncan, Lukas Nelson; Kirty, Ferraro and The Beaches.

 IN THIS PHOTO: Kirty

Do you get much time to chill away from music? How do you unwind?

Sometimes. Nothing beats a good flick or an Americano at your local coffee spot with friends. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Matt Duncan - The Keys

Robyn - Honey

Lukas Nelson - Find Yourself

Kirty - That’s Not Me

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Follow Jane’s Party

Facebook:

https://www.facebook.com/janesparty

Spotify:

https://open.spotify.com/artist/16SY7vICMlc8XGaTPocEa3?si=zt7_Ai4NRxuFyLh40p3KPA

Twitter:

https://twitter.com/janespartyband

Instagram:

https://www.instagram.com/janespartyband/

YouTube:

https://www.youtube.com/channel/UCDCvJjSnfs9ZFgJy1SGbdrw

INTERVIEW: Gaspar Narby

INTERVIEW:

PHOTO CREDIT: Yolane Rais  

Gaspar Narby

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MY first interview of the day...

is with Gaspar Narby who has been telling me about his latest track, Words of July, and how it came together. I ask the Swiss artist if there is more material coming and what he has planned coming up – Narby reveals a few albums important to him.

I ask what music he grew up around and how he came to work with LEES on his latest track; if he gets time to unwind away from music – Narby ends the interview by selecting a cool track.

__________

Hi, Gaspar. How are you? How has your week been?

Hey, Music Musings and Such! It’s been beautiful! Releasing new music is always a bit overwhelming, but I’m on it!

For those new to your music; can you introduce yourself, please?

I’m a twenty-two-year-old producer based in London. I mix elements of Electronic music, Pop and R&B; using organic samples I often record myself.  

Words of July is your latest track. What is the story behind the song?

My girlfriend, Felix Gonzales-Torres’ Double Portrait and my cassette player inspired the track. To me, Words of July is about finding mutual trust, becoming a shelter for the other and vice versa - without ‘becoming one’ and losing your individuality.

IN THIS PHOTO: LEES/PHOTO CREDIT: Elizabeth Farrell.

How did you come to work with LEES? What did you think when hearing her vocals back for the first time?

LEES and I were at uni together (at Goldsmiths College). The first time I heard her sing was during our first week and it blew me away. Her voice has such a grain; it seems to carry her entire self in there! And, on top of that, she is one of the most talented songwriters I know.

The video, shot by Theo Le Sourd, was filmed on 16mm. How did you feel seeing the video back?

I was really excited! As I mentioned above, I used a cassette recorder a lot to add texture to sounds and getting some of this through the use of film in the video was great. Theo also brought his own vision of the song, which I thought was really interesting. I don’t hear a different song on YouTube and on Spotify now!  

Might there be more material next year do you think?

That is the aim! Two E.P.s are on the way, if all goes according to plan. I have quite a lot of material ready and working on some more. I’m releasing a five-track E.P. on 14.12.2018 so I am still focused on this, but I’ll soon be preparing the next!

What sort of music did you grow up around? Which artists inspired you to get into music?

I had such a varied playlist when I was little. I was the biggest fan of Placebo. The Swiss band The Young Gods, who pioneered sampling in Rock music, were also a huge part of my musical childhood. My father is a big fan of Boards of Canada and also gifted me The Eminem Show when I was six.

I still don’t know whether that was good or bad parenting to be honest (but this album is brilliant!)… I can still hear my mother whistle CocoRosie, Yann Tiersen or Agnes Obel if I close my eyes.

 PHOTO CREDIT: Les Mauvais Garçons

Do you already have plans for 2019?

Releasing more music (two E.P.s are on the way) and gigging! I’m not going to lie; I’ve had a hard time finding as many concerts as I’d like to play but my live show is ready and I think it’s great, so booking agents reading this hit me up, thanks!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s hard to choose one! Writing my first single, Home, with the British singer LEES was just such an organic and beautiful session.

Which three albums mean the most to you would you say (and why)?

That’s so hard!

Bonobo – The North Borders

The sound-world Simon Green creates on this album is out of this world; the way he brings acoustic instruments and electronic layers together is pure inspiration to me. It really influenced my way of seeing electronic music.  

Moderat – III

The way these guys approached songwriting within Electronic music inspires me a lot and every single layer of their production blows me away. Their drums and synths…no words.

Deru – 1979

This ambient album accompanied me throughout the past few years; when driving at night, when going on a run; when cooking lasagna, Deru’s textures and melodies just make things better.

 PHOTO CREDIT: Yolane Rais

As Christmas is coming up; if you had to ask for one present what would it be?

I actually just got the Tascam 414 (a four-track cassette player that adds an amazing lo-fi touch to whatever you put in it) for myself as an early Christmas present, so I’m all good! If you’re willing to spend a thousand pounds I wouldn’t refuse a Juno-60 though, thanks!

If you could support any musician alive today, and choose your own rider, what would that entail?

Lorde, of course. Just to be able to see her perform every night! My rider would revolve around food more than drinks I think. Get me sushi and Peruvian food please! 

PHOTO CREDIT: Theo Le Sourd

What advice would you give to new artists coming through?

Believe in yourself! Experiment! Keep learning! Collaborate! Work harder than the day before!

Do you have tour dates coming up? Where can we catch you play?

Gigs aren’t confirmed yet, but I’ll be playing in January in London! Follow me on Instagram and Facebook to know when (I swear I’m not just trying to get more followers; I genuinely don’t know the exact date. Hahah)!

IN THIS IMAGE: IMOGEN

Are there any new artists you recommend we check out?

The singer-songwriter IMOGEN just released an E.P. and I can’t quite describe how beautiful it is. I saw her live and stopped breathing for forty-five minutes I think.

I’m not too big on Techno usually but this amazing Polish woman, L Ʌ V Σ N, has been releasing massive tracks that find a way to stay really subtle and intricate.

Do you get much time to chill away from music? How do you unwind?

I’d say running, but I usually use this occasion to listen to mixes and discover new music. So, cooking would be the answer. It started because I love eating, really (I’m conscious I mentioned food about two hundred times in this interview already…). It’s also super-nice to share good food with friends!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nepthune – 20+17

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Follow Gaspar Narby

PHOTO CREDIT: Les Mauvais Garçons  

Facebook:

https://www.facebook.com/GasparNarby/

Spotify:

https://open.spotify.com/artist/2j4vLZ1ZNKpYCPhk98FR2s?si=ysEfyGsoRgKpsRd7hkn4fQ

Twitter:

https://twitter.com/gasparnarby

SoundCloud:

https://soundcloud.com/gasparnarby

INTERVIEW: Elle Hollis

INTERVIEW:

Elle Hollis

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I have time for one more interview...

and was keen to discover more about Elle Hollis and her latest track, Luxury. The Netherlands-based artist tells me more about its background and what we might expect from her going forward – she also reveals a rising artist we need to keep an eye out for.

I ask which artists and albums have played a big part in her life and how important it is getting onto the stage; if she gets chance to unwind away from music and if there are tour dates coming up – she ends the interview by picking a great song.

__________

Hi, Elle. How are you? How has your week been?

Hi! My week’s been pretty chill so far. I have a performance tonight which I’m really excited about.

For those new to your music; can you introduce yourself, please?

So. I’m Elle Hollis; twenty-two-years-old from the Netherlands. I’ve been singing and making music for as long as I can remember. But, I didn’t grow up in an area where a lot of people did that or something else that was creative. I was never the odd one out but, deep down, I always wanted something different than my peers; always wanting something more, something creative.

I eventually went to Stockholm to work on music and after that I got my first publishing deal at Warner/Chappell. Since then, I’ve been writing and creating so much and I love it. My music is a mix between Pop/Electronic with fresh vibes. 

Luxury is your new single. Can you reveal the story behind it?

I made Luxury with producer duo QSTNMRKS. We initially wanted to make something in the style of Finesse by Bruno Mars because we were really digging that vibe at the moment. So, I wrote the lyrics and we recorded a first version which was still very upbeat. And then the next day we thought ‘No, this just doesn’t feel right’. It’s not the feeling we want to convey with this. And then we changed the production to what it is now and it all just made sense.

The song is about the feeling of only being able to express the feelings you have for someone when you’re under the influence of something, like alcohol. And even though it can be very fun to just be reckless and impulsive for a moment, it’s also very sad because those feelings are still there when you’re sober. So, combining that with a darker and more serious production gives us Luxury as we know it now. 

Might we see more material arriving next year?

Yes. I have so many songs ready to be released! I really just can’t wait for everybody to hear them. 

Did you grow up in a musical household? When did music come into your life?

As I said; I didn’t grow up in an area where people were very creative or made lots of music. No one in my family sings or makes music. My parents have always really appreciated music though and are always interested in the stories behind songs or albums. But, besides that, I really did it all myself.

You are based in the Netherlands. What is the music scene like there at the moment?

Right now, Hip-Hop/Rap is pretty big in the Netherlands. Dutch music really fills up the charts. But, the Dutch charts are not really my priority. I’ve always been really interested in the Scandinavian music industry for instance. And I’d rather not be ‘famous in a commercial way’ but still have sold-out shows and fans who appreciate your music because they genuinely like it, even though it’s not big on the radio. 

Do you already have plans for 2019?

In 2019, I’m gonna release a lot of music and perform! I love performing, so I want to do that as much as possible. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My best memories in music include a performance I did in Luxembourg. I was the opening act for Louane, a French singer, and it was a sold out show with about 3000 people in the audience. I loved it. The bigger the audience the better I feel when I’m performing. And my other best memories are studio sessions with people that you really connect with on a musical level. Since I’m not used that where I grew up, it always feels really special.

Which three albums mean the most to you would you say (and why)?

Three favourite albums, O.M.G. I have so many! But, I guess the ones that hit a part of me I feel no one else gets is Where the Light Is by John Mayer (the live album); Nothing Was the Same and Take Care by Drake and Blue Neighbourhood by Troye Sivan. And everything that Billie Eilish makes. That’s more than three, I know. But, these albums really came out at times when I apparently really needed them. They really inspired me in terms of songwriting and composing. 

As Christmas is coming up; if you had to ask for one present what would it be?

If I could ask for any kind of present for Christmas, it would be the ability to travel anywhere as much as possible. My more realistic wish is a snowboard or a skateboard.

If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support any musician right now, I would pick Troye Sivan. I absolutely love his latest album. Let’s hope it’ll happen some day! 

What advice would you give to new artists coming through?

If I could give any new artists advice, it would be to really not care about what people think of you being creative and making music or whatever it is you do to express yourself. I literally have to tell myself this every single day as well. Haha. But, it’s so true. In the end, it’s all about making yourself proud.

Do you have tour dates coming up? Where can we catch you play?

I have some shows planned in the Netherlands in 2019, but I also really wanna go abroad! I would love to perform in the U.K.! (so please book me if you want to see me. Haha).

How important is it being on stage and delivering your songs to the fans?

Being on stage is one of the most important things for me. When you have a good show and the audience is really into it, it just gives you so much energy. I really want to be an artist that doesn’t just have fun songs but that really puts on a great show that people will always remember. 

 IN THIS PHOTO: Billie Eilish

Are there any new artists you recommend we check out?

I think some people still haven’t found out about Billie Eilish. Her songwriting is amazing and she’s only sixteen. That’s insane. I wish I was that confident at sixteen. Haha. Maybe her music is a bit too alternative for most people but I still think she’s gonna be huge. 

Do you get much time to chill away from music? How do you unwind?

When I’ve been working on music a lot, I sometimes really need to chill away from it. I can never really completely chill away from it since it goes on in my head 24/7. But, watching movies, T.V. series and hanging out with friends really helps. That also gives me time to get new inspiration.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s play Lost by Frank Ocean. I love that song - always makes me feel good!

__________

Follow Elle Hollis

Facebook:

https://www.facebook.com/ellehollismusic/

Spotify:

https://open.spotify.com/album/4eEkGn4Jt6vtLssiOd9EHA?si=etrSdTLWQ7OZ3IMjqhUjWw

Twitter:

https://twitter.com/ElleHollisMusic

Instagram:

https://www.instagram.com/ellehollis/

YouTube:

https://www.youtube.com/user/Lonn4z?fbclid=IwAR2h2al6gGXTw5aC1JUb2qgjNt6_tDpmpnueG2GIkr7TA2XmBGKgO5It1kY

INTERVIEW: Jazzboy

INTERVIEW:

PHOTO CREDIT: Louise Desnos 

Jazzboy

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MY last interview of the day...

is with Jazzboy. He has been telling me about his new E.P., Jesus Jazz, and its creation; what the music scene is like where he is in Paris; which artists and albums guide him – I ask whether there are any tour dates approaching.

Jazzboy tells me about some upcoming artists to check out and what advice he would offer musicians starting out; if he has plans for 2019 already and how he spends time away from music – he picks a pretty good song to end things on.

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Hi, Jazzboy. How are you? How has your week been?

I’m good, thanks. My week’s been kind of intense and full of surprises, but I’ve actually enjoyed it.

For those new to your music; can you introduce yourself, please?

My name is Jules and I write, record; produce and perform music as ‘Jazzboy’. I’m currently living in Paris, France.

Jesus Jazz is your latest E.P. What sort of themes inspired the E.P.?

Songs are about death, ego, drugs and falling asleep. This is the first time I’m summing it up and it’s sounding weird. Haha.

What was it like working on the music? Do you have a favourite song from the selection?

The process was very natural, as I’m producing everything myself. The only pressure I felt was my own and that was a nice thing to experience. 

I don’t really have a favourite song: the E.P. as an entirety forms this kind of little monster that I love. It’s hard to choose just one piece of his whole body, you know?

What sort of music did you grow up around? Which artists inspired you to get into music?

I grew up around Nu-Metal, Post-Punk and Pop music, basically. Marilyn Manson, The Clash; Siouxie and the Banshees, Pavement; Deftones and David Bowie had a big influence on me as a teenager. 

As a Parisian artist; can you reveal what the music scene is like in Paris right now? Has it changed a lot over the last few years?

I feel that the most interesting scene in Paris right now is the Electronic music scene. It takes a lot from the D.I.Y. and Punk ethos: throwing illegal parties in huge basements, playing very loud music and the rest of it...I’d love for the Pop music scene to move more in that kind of direction; to get more attracted to danger in a way, thereby becoming more risqué.

For example, I think that N.Y.C. has a great Pop/Experimental scene with a very free and crazy vibe (s/o to The Glove). Saying that; D.I.Y. parties in Paris have come a long way, which is good.

 PHOTO CREDIT: Christopher Barraja

Do you already have plans for 2019?

I'm barely making any plans; just going with the flow I guess. I'm gonna go back to N.Y.C. in February to support the great Tredici Bacci at Mercury Lounge and will probably play in London, Paris and Berlin too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

I guess the very first time I tried to record music on a computer. I was messing around with samples and vocal effects; I didn't know what the hell I was doing but I loved it. Kind of the same feeling as when I first stepped on a skateboard – freedom!

PHOTO CREDIT: Louise Desnos 

Which three albums mean the most to you would you say (and why)? 

Always a very harsh question. I'll go with whatever comes to mind now…

Television - Marquee Moon

Instant crush when I was very young and into Punk music. It sounded so different, pure and beautiful but also very unapologetic. If ‘perfection’ is a thing, I think it comes very close to it…

Jeff Buckley - Grace

Totally hated it the first time I heard it and then I spent a whole month getting lost in all of the songs. I love how it's easy to hate it, but how it also has this magic that eventually gets to you.

Broadcast - Haha Sound

The most melancholic, divine; beautiful, weird and haunting album I’ve ever heard. It reminds me that music is something way bigger than the humans making it.

As Christmas is coming up; if you had to ask for one present what would it be? 

A little donkey-back riding trip in the countryside with my girlfriend.

PHOTO CREDIT: Edouard Sagues

If you could support any musician alive today, and choose your own rider, what would that entail?

I'd love to support Mica Levi or Micachu and the Shapes. And I’d ask for fifty fresh kiwis with fifty bananas, all cut in small, round pieces in a big bowl.

What advice would you give to new artists coming through?

Get as close as you can to your inner-self and try to love it.

Do you have tour dates coming up? Where can we catch you play?

I’m playing in Paris for one of my ‘Jazzodrome’ parties I run there on 23rd November. I'm also playing in N.Y.C. at Mercury Lounge on 14th February, supporting the great Tredici Bacci.

 IN THIS PHOTO: Ryder The Eagle/PHOTO CREDIT: @loganwhitephoto

Are there any new artists you recommend we check out?

Luxardo, Ryder The Eagle; Krampf, Oklou; EarTheater, Tirzah; Tredici Bacci, Ryan Power and Locate S,1.

 IN THIS PHOTO: Oklou

Do you get much time to chill away from music? How do you unwind?

I go skate a lot - mostly in the mornings. I do a bit of English boxing too. Also, a lot of movies.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

You should play OK by Demon V then. Thx!

__________

Follow Jazzboy

PHOTO CREDIT: Louise Desnos  

Facebook:

https://www.facebook.com/jazzboyworld/

Spotify:

https://open.spotify.com/artist/6EaFxUvBz6JbPruye7gwGN?si=SI-VeMP2QiatCkxuHfdQ0g

Twitter:

https://twitter.com/jazzboyworld

Instagram:

https://www.instagram.com/jazzboyworld/

YouTube:

https://www.youtube.com/channel/UCG0-N_JMpcI1HEoS8DTafPQ

INTERVIEW: Julian Mika

INTERVIEW:

Julian Mika

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THE first port of call today...

is with Julian Mika. He has been talking with me about his latest track, Know To, and what comes next; which albums and artists have been inspiring and influential; what he thinks of the current British Hip-Hop scene – he recommends some rising talent to watch.

I have been asking about his heroes and idols; whether he gets time to chill outside of music; which artist he’d support on tour if he had the opportunity – Mika ends the interview by selecting a cool track.

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Hi, Julian. How are you? How has your week been?

Yo. What’s happening? Yeah. It’s been good; lots of things going on. Lining up a couple things for the next months. You know how it goes.

For those new to your music; can you introduce yourself, please?

First and foremost, my name’s Julian Mika - that’s my real name, no stage name. I feel like it’s important to keep it personal; it represents what I'm trying to do with the music which is to keep connected to the people who listen and get involved. I want to feel like there’s a relationship there through the music and what better way to start that than with your birth name. That’s really me at the end of the day.

Know To is your new track. What is the story behind it?

(Laughs). Do you want the short version or the long version? Nah; I'll put it simply...I heard the beat and the song literally just wrote itself. You have different experiences of writing. Sometimes, it takes a bit longer to write a track and you sit with it a bit more and sometimes it’s like fishing. You just catch it out of thin air and that’s what happened with this song.

It came at a time when I was figuring out a lot of different things and I just felt like this song is going to represent the start of something new. It’s kind of like saying I've been waiting for some time and the time is now.

Might we see an E.P. coming next year?

You might (laughs).

Which artists do you consider role models and icons? Did you grow up around a lot of music?

The thing is, yeah, the list of artist is very long because there’s been a very wide range of music that has surrounded me my whole life. But, what pops into my head straight away, and even if it might seem super bate (laughs), are the early Jiggaman (Jay-Z) records. When I heard Reasonable Doubt and The Blueprint young, it proper just connected to me and I feel like I really studied that. The words and the way it makes you feel like you were really there. And, then obviously you got your Tupac Shakurs who I just feel like even (just) his character in interviews taught me loads. In terms of Hip-Hop, as I’m sure you can imagine, the list is long.

When I think about my relationship with words; that really brings up Bob Dylan for me. There was something about his voice and the poetry he used which was intriguing to me, even as a child. In a funny way, that kind trickled down to my taste in music. I like a voice that actually stands out; that you can recognise as soon as you hear it, along with the words which makes the message so much stronger. From that, that sparks the time when I heard Boy in da Corner for the first time. You can’t deny the production and Dizzy’s voice.

Lastly, growing up, there was so much music around. So much Soul, Rock; Blues...just all of it. The Aretha Franklins, Whitney Houstons; Sam Cooke, Ray Charles; Otis Redding, Lauryn Hill; James Brown and, of course, uncle Frank, the great Frank Zappa. It’s one of those questions I could sit and talk about for days because these are all part of the D.N.A. that makes me. Not just as an artist but as a person.

Do you think the British Hip-Hop scene is growing? What is your take on the modern vibe?

So, firstly, I love it, what’s going on. It’s not even just about Hip-Hop to me; it’s just about being part of something. I just love the whole thing of being unapologetically U.K. It doesn’t matter what you’re doing, as long as you’re representing that; you’re all one because we are representing where we are from and not sugar-coating it for the rest of the world to accept like we might have done back in the day.

But, also, that is part of the growth...so, yeah, in short: I do think the scene is growing. It’s always been here but it’s for the world now, not just our little bubble and that’s sick to see. Coming from London, I just rate the merging of sounds because that represents our community, essentially.

Do you already have plans for 2019?

Yeah. I’ve definitely got plans. Keep releasing music, getting shows going. Big plans for 2019; I’m excited.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Yeah. I think my favourite memory would be Willesden Green Resident Studios; just turning up there after-hours with a bunch of olders, just falling in love with the craft. Those were like the beginning days of catching the bug.

Which three albums mean the most to you would you say (and why)?

Oh, rah; that’s mad-difficult. I recon, right now, it would have to be Reasonable Doubt - like I mentioned earlier. Also, To Pimp a Butterfly and Views. The answer to that question will forever be changing though. Depends on the day, my friend.

As Christmas is coming up; if you had to ask for one present what would it be?

A boxer puppy (laughs). R.I.P. Noodles.

If you could support any musician alive today, and choose your own rider, what would that entail?

It’s funny, actually. I was having this conversation with my girl the other day and, again, obviously I could list a thousand artists but, for right now, I would have to say SZA, yeah. I think there’s something I like about supporting an artist that’s in the same family of what you do but that’s in a different medium.

My rider would be: Magret de Canard (laughs hard). Nah. I would probably have some good speakers to bang music, some rum and ginger; some Monster Munch, a bucket-full of 99p chicken wings from KFC - cos it’s my favourite, even though man’s trying to get on that veggie life (laughs). Tea and biscuits, no doubt, and a nice comfortable sofa. It’s the simple pleasures. Yeah. I'll keep it at that for now.

What advice would you give to new artists coming through?

The advice I would give myself (laughs) would just be persistence.

Do you have tour dates coming up? Where can we catch you play?

Not yet. I still want to get a couple songs out into the world but, yeah, keep your eyes peeled.

 IN THIS PHOTO: RIMON

Are there any new artists you recommend we check out?

Yeah, there are. I like RIMON. She’s really hard. It’s not necessarily new but I'm messing with slowthai and Octavian right now. There’s also an artist called dijon that I like. There’s loads, man.

 IN THIS PHOTO: slowthai

Do you get much time to chill away from music? How do you unwind?

I watch The Great British Bake Off (laughs). Shout out to Prue.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Eugy – ‘Starboy  Soco’ remix

__________

Follow Julian Mika

Facebook:

https://www.facebook.com/Julian-Mika-2064529566914248/

Spotify:

https://open.spotify.com/artist/2Mvd1qANA5NbEJQFwt7q50?si=RvN0Yg5-T5C9HupX1jazqQ

Twitter:

https://twitter.com/JulianMika1

YouTube:

https://www.youtube.com/channel/UCzfdCTM-JQNFGNGd7Uh53KQ

INTERVIEW: Zoe Polanski

INTERVIEW:

PHOTO CREDIT: Ori Kroll 

Zoe Polanski

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MY last interview today...

PHOTO CREDIT: Ori Kroll 

is with Zoe Polanski who has been talking about her new single, Violent Flowers, and filming its video (which is due soon). I ask the Tel Aviv-based artist what the scene is like there and which artists have inspired her – and which albums are most important to her.

Polanski talks about her upcoming plans and provides some advice to rising artists; which gifts she would like for Christmas and whether there are any approaching artists we need to get behind – she selects an interesting song to end the interview with.

__________

Hi, Zoe. How are you? How has your week been?

Hi, Sam. I’m great thanks! This week has been really nice since summer has finally ended in Tel Aviv and the heavy hit has been broken at last. It always feels like a burden is lifted when summer ends here and the first rain arrives.

For those new to your music; can you introduce yourself, please?

I was trained as a guitar player, but I’ve been also writing music for as long as I can remember myself. I started my first solo project, Bela Tar, in 2010 as a manifestation of my growing fascination with texture-based songwriting, production and loop exploration and, during the years, it has been an active project. I have released two albums and an E.P. Another substantial project I was involved with is the Israeli band, Reo. It served as an outlet for a vision we had combining ’80s Pop aesthetics with Hebrew lyrics. In recent times, Bela Tar and Reo have taken the back seat in my life and gave room to new interests.

Composing several film scores shifted my work into the field of ambient experimentation. I met Aviad Zinemanas, who is a prominent Israeli Electronic musician, and together we started creating new arrangements to my songs.

Violent Flowers is your latest single. What is the story behind it?

I originally created it as a Bela Tar song using my familiar method of working with loops. First came inspiration for a single loop with a texture that fascinated me and made me want to explore all of its secretes; its lights and shadows. In this method of working, the loop is like a terrain for me and the song structure is my exploration of it.

I later realized that the basic loop in Violent Flowers was a manifestation of a beautiful memory I had that belonged to a previous chapter of my life. The song evolved as a visualization of that memory. When I met my current band mate, Aviad, we tackled this song pretty quickly. The soft electronic parts are his take of my first basic loop and an enriching addition to the sound image of the song.

What was it like putting the video together? Was it good working with Nadav Direktor?

In the video, we tried translating the audial experience of the loop based song into image and editing. We knew from the start that our subjects are going to be flowers and leaves, so coming up with the idea of a constant ‘zoom-in’ motion set us on a journey exploring hundreds of old nature films. It was a really fun process and Nadav is a mastermind in finding the rarest most beautiful pieces of film. Nadav worked hard on creating an organic flow between the different footage and the result, in my opinion, is a trip like experience.

Is there a strong music scene in Tel Aviv right now? What sorts of sounds are popular?

Tel Aviv is a very culture oriented city. Music-wise, its strong-suit at the moment is the Electronic music scene. There are a lot of great-sounding clubs and a growing amount of Techno/House producers and D.J.s that are based here. Tel Aviv is dramatically different from the rest of Israel (much more international) but, still, this is a Middle Eastern country and you can find traces of more local musical genres in a lot of the music that originates from here. The use of African or Arab instruments is evident. I also like using the Darbuka (an Arab percussion instrument) in some of my songs.

The sound of it is pretty far away from the kind of dream Pop that my music is often described as, but it’s an instrument that I heard around me growing up in Israel and I feel that it makes sense for me to combine it with what I do.

PHOTO CREDIT: Goni Riskin

Did you grow up in a musical household? When did music come into your life?

My mother was a classically trained pianist and we always listened to music when I was growing up. Jazz and ethnic music were the most common; some Country music as well. Surprisingly enough, we hardly ever listened to music sung in Hebrew, so when I started writing songs, it was strangely obvious for me that I needed to write in English - even though my native tongue was Hebrew. Only later on did I start writing in Hebrew and it was a big challenge for me.

Do you already have plans for 2019?

Yes, I do. I am planning to release the album that I am currently finalizing with Aviad Zinemanas. It will include both songs and ambient pieces. I am also currently working on a few collaborations that will see the light of day in 2019. One is with an Israeli Techno producer and another is a new project in Hebrew. My biggest plan for 2019, which is more of a hope though, is to continue experimenting and collaborating and creating lots of new materials.

PHOTO CREDIT: Ori Kroll 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Music gave me so many great memories. But, in all honesty, I think nothing beats the feeling of having a moment of musical inspiration when I’m working on a piece, by myself. It’s rare and it’s wonderful.

Which three albums mean the most to you would you say (and why)?

Teenage years are the ones in which music hits you with the most intensity so it saddens me a bit to admit that music I discovered then and loved during that period of my life probably means the most to me. Red House Painters - Rollercoaster was one of the first albums I fell in love with.

In later years, I discovered a newer incarnation of the same artist and Sun Kil Moon’s Admiral Fell Promises became a really important album for me. My third choice would be a more recent one; one of the exceptions that were able to blew my mind, even though I was older…that’s William Basinski’s Disintegration Loops. In contrast to Mark Kozelek’s work I adored in previous years, in Basinski’s music I found elements that are closer to my own creative process.

PHOTO CREDIT: Ori Kroll 

As Christmas is coming up; if you had to ask for one present what would it be?

Tough call. There is a Neumann microphone that I am dying for and a Maison Kitsuné jacket I would love to have. Either one of those would be awesome. Or, perhaps, that the entire world becomes vegan.

If you could support any musician alive today, and choose your own rider, what would that entail?

I was actually pretty blessed and I got a chance to support so many great musicians in their Israeli tour dates - like Tame Impala, Swans; Mark Kozelek, Lætitia Sadier; Sleep Party People and more. I feel I’m satisfied in that area. Regarding my dream rider - maybe a backstage full of dogs.

What advice would you give to new artists coming through?

I don’t know that I’m qualified to give any advice; I believe that, for different people, it works differently. Some clichés are worth mentioning though - that it’s okay to be influenced by stuff but don’t try sounding like someone else. Try doing only what inspires you and makes your insides feel warm and fuzzy. Don’t worry too much about self-promotion. Worry about your art being amazing. That being said, you should find an awesome graphic designer.

PHOTO CREDIT: Ori Kroll 

Do you have tour dates coming up? Where can we catch you play?

I am currently playing only in Israel but planning some European dates for spring of 2019.

How important is it being on stage and delivering your songs to the fans?

Playing live is a part of my work as a musician that I have grown to love. When I started out, I had a terrible stage fright and it took me years to shake it off. Only in the past year have I started to enjoy it. And I do now, tremendously. I am not a super-social person to say the least and playing shows allows me to connect with people on a very profound level, something that is almost impossible for me otherwise. So, I would say being on stage is a huge deal for me and it has a lot to do with me being less lonely.

 IN THIS PHOTO: Shame on Us

Are there any new artists you recommend we check out?

I would love to recommend some Israeli artists that I admire. As I mentioned; the Electronic scene is happening in Tel Aviv and there are a lot of interesting artists like: Red Axes, Shame on Us; Or Edry and TV.OUT. And, not Electronic but still great: Vaadat Charigim and Hila Ruach.

 IN THIS PHOTO: Vaadat Charigim

Do you get much time to chill away from music? How do you unwind?

Since I work independently in music - with no day job -, I have no other choice but to really fill my time with all kinds of different projects. Other than creating original music, I score films and I teach production and guitar. I actually don’t have much time left for hobbies. I do unwind though by taking my dog on walks and watching Netflix.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Or Edry - Cheder Choshech  

__________

Follow Zoe Polanski

PHOTO CREDIT: Goni Riskin 

Facebook:

https://www.facebook.com/zoepolanskiakabelatar/

Spotify:

https://open.spotify.com/artist/6Bo6nw7v7mY8f8Qx9hET3B?si=SN8OzqMLT7mgWG_f0juHug

YouTube:

https://www.youtube.com/user/zoepolanski

SoundCloud:

https://soundcloud.com/bela-tar

Bandcamp:

https://belatar.bandcamp.com/?fbclid=IwAR14cg9O25CJT053mEtvE066E7KyhBJvXAFI4hyCPmJdxA3BDQuiqJ73w9M

INTERVIEW: Love Ghost

INTERVIEW:

Love Ghost

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THE guys of Love Ghost have been talking with me...

about their track, Nowhere, and its award-winning video; whether there is going to be new material coming along and how the band found one another – they select albums that are important to them and rising artists we need to watch.

I ask if they get time to relax away from music and whether they share musical tastes; the importance and role of L.A. in their music and what they have planned going forward  - they select some cool songs to end the interview with.

__________

Hi, guys. How are you? How has your week been?

Finn: My week has been the whole mix of emotions - good and bad, happy and sad; you name it.  We have been getting ready for a show this Saturday at Casey’s Irish Pub - it is one of our favourite spots to play, so that’s good. I also had a friend that passed away over the weekend and that’s been difficult.

Mya: I have felt especially swamped by graduate school applications, essays; book contributions, meetings and, of course, performing. I am unsure whether I have actually gotten worse at adulating (sic), or whether my obligations have placed a peak level of demand on pre-existing adulting capabilities.

For those new to your music; can you introduce yourselves, please?

We are Love Ghost.  We play progressive, hard Grunge-Rock with Jazz elements and strings. Mya Greene plays viola, Finn Bell plays guitar and sings lead vocals; Ryan Stevens plays bass guitar and sings backup vocals and Samson Young plays drums and sings backup vocals. Our new album is called Lobotomy.

Nowhere is your new track. What is the story behind it?

Finn: Nowhere actually grew out of an argument I had with an ex-girlfriend. It sprung from that argument but, on a deeper level, it speaks to adolescent depression. Depression is something I have fought with for most of my life. We all jammed together to come up with the instrumentals.

Mya had initially composed a viola part, which involved mode-mixture in rhythmic unison with the guitar but Finn offered suggestions, which led to the catchy melody you hear on the recording. The song has initially been shorter, but a bridge was added. We have performed it extensively.

The video has won awards! How did it come to be and what was it like being involved?

Finn: My dad directed it. It was fun to be a part of the filmmaking process. Finding all the locations with him was a fun experience. My dad was really inspired by this Beatles movie, Across the Universe, by Julie Taymor and The Beatles concert on the roof. Those were the inspirations initially and I guess there is also a little Magical Mystery Tour in it - so it was sort of our ode to The Beatles.

Mya: Our manager Dan Bell has extensive filmmaking experience and came up with the idea to do a psychedelic-themed video featuring our performance of the song. To my knowledge, none of the band members really had too much input on the script for this particular video, though that is different for the other videos. We filmed the video on a rooftop in downtown Los Angeles.

The weather and food provided at the shoot were perfect and it was fun being shot by drones (pun intended) and with Go Pros attached to our instruments in unusual places. The person managing the location was over-the-top aggressive, but we all had a good laugh poking fun at him.

Might we see more material later in the year perhaps?

Absolutely. We will be recording a single next week and we have plans to record an E.P. when we return from Ireland.

How did Love Ghost find one another? Did you all meet in L.A.?

Finn and Mya are the two original members from the initial lineup. They met through parental connection in the film industry. Their parents suggested a jam session and it went well. Ryan had come to our shows and had a mutual connection with Finn and so was invited to join after the initial bassist left. We knew Samson through mutual attendance at a local music school. We all met in Los Angeles.

Do you share similar tastes? Who are you inspired by?

Finn: I would say, since we all come from different musical backgrounds, we don’t exactly have the same musical tastes but it lends to our unique sound and for that I am grateful. Me, personally; I love ’90s and early-2000s music. I am inspired by Alice in Chains, Smashing Pumpkins, Radiohead and Elliott Smith amongst others.   

Mya is rather open to experiencing all genres, but was trained primarily as a musician in the western Classical tradition. We are inspired by an increasingly diverse array of genres and artists.

What do you hope to achieve by the end of 2018?

Finn: I would like to record the best single I possibly can; one that showcases all our abilities.

Mya: I hope that we produce a high-quality new single, solidify some of our new, yet-to-be performed material and attract a significant audience during the first days of our tour in Ireland.

Do you already have plans for 2019?

We will be doing the latter-half of our Ireland tour. We are going to go to Japan and play twelve shows in both Tokyo and Osaka.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Finn: That’s a really good question. There are a lot. Selling out our record release at the Bootleg and having four-hundred people chant “Love Ghost, Love Ghost” - that really moved me.

Mya: For me, I would say that it would have to be during this one outreach performance at an elementary school where children literally jumped out of their seats and tried to hug me. I played some excerpts from the Viola Concerto by Bela Bartok and the Cello Suite No. 3 by Johann Sebastian Bach. That was the most enthusiastic audience response I have ever witnessed with respect to any music that I performed.

That moment also supported the hypotheses that none of us are innately wired to only appreciate top-40 hits and that exposure helps form musical preference, which felt encouraging.

Which one album means the most to each of you would you say (and why)?

Finn: In Utero by Nirvana

Listening to that album is what really made me want to write music. In particular, Scentless Apprentice really captured my imagination.

Mya: I cannot really say. I pretty much never listen to whole albums and my favorite songs by different groups are usually a collection of songs and/or pieces scattered across albums.

Rayn: System of a Down - Mezmerize has some of the hardest bass lines ever. Love that album.

Samson: Buddy Miles - Them Changes made me want to be a drummer. Listen to it.

If you could support any musician alive today, and choose your own rider, what would that entail?

We’d support Thom Yorke. 

Our rider would be that the venue we are playing at has to give one meal to a homeless kid at the end of every show. That is definitely a cause for all of us. We have been organizing and feeding the homeless on skid row in Los Angeles this entire year.

Mya: ...and I want hot sauce with Carolina Reaper listed in the first five ingredients.

What advice would you give to new artists coming through?

Finn: Stick with it. It’s the ones who have faced adversity and stuck with it that you know about today.

Mya: Don’t put all of your eggs in one basket; don’t underestimate the need for entrepreneurship and don’t major in music. I have been around too many musicians who appear to never make an effort to develop any other skills in addition to their musical discipline and then struggle to make ends meet when they cannot make their career take off. There are also many who do not understand the need to be promoted and wait for others to simply hand things to them. I had this mentality for a while.

Do you have tour dates coming up? Where can we catch you play?

We are playing six shows in Ireland coming up: Roisin Dubh, Galway 27th; Whelan's, Dublin 28th; Cleere's, Kilkenny 2nd Jan; ChezLeFab, Limerick 3rd Jan; Spirit Store, Dundalk 4th Jan; Crane Lane, Cork 5th Jan.

We will be playing twelve shows in Japan in March.

 IN THIS PHOTO: Bitch Falcon

Are there any new artists you recommend we check out?

Bitch Falcon (from Ireland), Moollz and the Irish band we will be touring with, modernlove.

Do you get much time to chill away from music? How do you unwind?

Finn: I don’t get much time to chill but, whenever I do, I usually eat ice cream and watch YouTube tutorials on black holes.

Mya: I do lots of things in addition to music. I am not sure I would use the word’chill’ to describe many of them. I unwind by Googling things; looking up videos of medical procedures which involve things oozing, looking at puppies; writing and lying in bed under piles of clothes with crumbs underneath them.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Finnegan: Frame by Frame - King Crimson

Mya: Langes Haar by Die Vamummtn

Ryan: Flypaper by My Ticket Home

Samson: -Istoid by Chuan Tzu

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Follow Love Ghost

Official:

https://loveghost.com/

Twitter:

https://twitter.com/@LoveGhost_

Instagram:

https://www.instagram.com/loveghost_official/

Facebook:

https://www.facebook.com/loveghost.official

Spotify:

https://open.spotify.com/artist/7oYWWttOyiltgT19mfoUWi?si=uBDs4XScRp-F_7d6oiBvrg

YouTube:

https://www.youtube.com/c/LoveGhost

SoundCloud:

https://soundcloud.com/loveghost_official

INTERVIEW: Holler my Dear

INTERVIEW:

Holler my Dear

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IT has been cool speaking with Holler my Dear...

about their recent album, Steady as She Goes, and its themes. I wanted to know how the band started life and whether they share similar tastes; what Berlin, their base, is like in terms of influence and creative drive – they recommend rising artists to watch.

I discover what they have coming up and if they each have favourite albums; whether there are any gigs coming up and how they relax outside of music – the and choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! It’s been an exciting week. We’ve been making a lot of plans and creative decisions. So, yeah, quite a good week altogether! (Smiles).

For those new to your music; can you introduce yourselves, please?

We’re Holler my Dear; an international six-piece from Berlin. We have been described as “Music as antidepressant” (Die Bühne); we call it ‘Disco-Folk’. We are a passionate live band: for us, nothing is better than a sweaty burst of energy while playing one’s heart out.

Steady as She Goes is your latest album. What sort of themes and ideas inspired it?

It’s a political album that signalises confidence, courage and movement. When the shadows in the world grow longer, lamenting doesn’t help but optimistic determination does. No fear. Seeming contradictions are also where the album’s nautical title stems from: Steady as She Goes, a term for 'keeping the ship on course', is less about going in straight lines and more about navigating high tides: finding consistency in fluctuation. Change is part of our life and we are in perpetual motion.

How did Holler my Dear get together? When did you start playing together?

It felt like a blind date when we met for our first session in 2011. Fabian was the first musician I got to know in Berlin and I literally found the others via a combination of recommendation and coincidence. I had a sound in mind and was very lucky that it came off right away and kept going ever since.

Do you share similar tastes? Who are you inspired by?

Our musical tastes are as super-diverse as our musical backgrounds: from Hip-Hop to Turbo-Folk; Neo-Soul to Ambient. This contrast keeps us going. We inspire each other.

Is Berlin a great home? What is it like to create there?

Oh, yes! We love Berlin! Although gentrification has kicked in massively in the last couple of years, we still feel and love the city’s unique spirit and sense of freedom and space. It seems to attract libertines of all kinds from all across the world. There are so many talented people out there! We find Berlin’s vibrant art scene seriously inspiring.

What do you hope to achieve by the end of 2018?

After the intense period of our third album release and now at the end of various release tours, it’s time for us to get back in 'Schwung' creatively and write new songs. Plus, our video series, the Neon Tearoom Sessions, is in the making - so watch out for massive output from us. Muahaha! You know, autumn and winter are no joke in Berlin, so better to slip off into the creative zone where you can basically achieve anything...

Do you already have plans for 2019?

We’re about to launch our very first crowdfunding campaign to realise a massive concert at Lido in Berlin next April under the title The More the Merrier (named after a soulful ditty from our latest album). With the help of our fans, we will be putting on a spectacle featuring various special guests, circus performers; a light-show and our very own recipe Holler drink...super-exciting!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing an open-air festival in Mexico City in 2016 for 9,000 pogoing music-lovers was an experience beyond words – pure love!

Which one album means the most to each of you would you say (and why)?

Stephen: Rage Against the Machine – Rage Against the Machine

It switched me on to Rap, showed me that music can have a message, be funky AND angry at the same time and still ecstatically enjoyable...and encouraged my small rebellion and shift toward the counter culture that I hold dear to this day.

Lucas: A Love Surpreme by John Coltrane

This album inspired me to study music.

Laura: Cewbeagappic by Beady Belle

It felt as if somebody was singing directly into my ear and was reading my teenage mind (“When my anger starts to cry”).

Fabian: De-Loused in the Comatorium by The Mars Volta

Its intensity completely blew my mind and changed my way of thinking about Rock music fundamentally.

Lena: My favourite four albums from Pink Floyd (Wish You Were Here, The Dark Side of the Moon; A Momentary Lapse of Reason and The Division Bell)

Melodies, philosophical lyrics and, of course, Gilmour’s guitar solos.

Valentin: Nevermind by Nirvana

Because it was something completely different than Bach. And, finally, loud.

If you could support any musician alive today, and choose your own rider, what would that entail?

Well. You know we are foodies, so...catering! Never-ending catering! Never-ending, delicious catering!

What advice would you give to new artists coming through?

Keep going. We strongly believe in langer atem (literally ‘long breathing’; meaning being in it for the long haul and persevering) #forward.

Do you have tour dates coming up? Where can we catch you play?

Have we already mentioned our crowdfunding campaign? (Winks). If the campaigns goes well, we shall Holler in Lido (Berlin) on 04/04/2019.

 IN THIS PHOTO: Yazzkimo

Are there any new artists you recommend we check out?

We’re lucky to be surrounded by inspirational creative colleagues such as: Ben Barritt, Yazzkimo; Kwena, Kid Be Kid; Tanga Elektra, Jim Kroft; Oko, Zinq; Komfortrauschen, Maria Christina/Federico Casagrande DuoJacky Bastek; Schmieds Puls, Skazka Orchestra; Alright Gandhi, Yusuf Sahili; Teresa Bergman, Friede Merz; Leni & The Boys, Meetin’ Moa; Fräulein Hona, Listen to Leena and many, many more!

 IN THIS PHOTO: Scmieds Puls/PHOTO CREDIT: Astrid Knie Photography

Do you get much time to chill away from music? How do you unwind?

Nature, food; books, travelling; dancing, meditation; having deep talks and silly laughs with friends and lovers.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Moses Sumney - Lonely World

It’s magic.

__________

Follow Holler my Dear

Official:

http://www.hollermydear.com/

Instagram:

https://www.instagram.com/hollermydear/

Facebook:

https://www.facebook.com/hollermydear/

Spotify:

https://open.spotify.com/artist/6OhRuqw2CDZ9O9FJUuIHUb?si=esRNA-U9QnWRFZn6dGpdgQ

YouTube:

https://www.youtube.com/channel/UCwFk39bbG9QBgkgNk5oLzeA

INTERVIEW: Hero Fisher

INTERVIEW:

Hero Fisher

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THE fantastic Hero Fisher...

has been talking with me about her latest single, Life Through Closed Eyes, and how the song came to be - she talks about her new album, Glue Moon. I was keen to explore how music found her and which artists she is inspired by; what is coming next and a rising artist we need to look out for.

Fisher explains her plans going forward and which three albums mean the most to her; what advice she would give to artists coming through and if there are any tour plans – she ends the interview by selecting a cool song.

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Hi, Hero. How are you? How has your week been?

Hi! So sorry for the late reply. My week has been great, thank you. I just moved to a new neighbourhood and have met lots of interesting and magical people.

For those new to your music; can you introduce yourself, please?

Well. My name is Hero Fisher. I am a singer-songwriter and I’ve just released my second album, Glue Moon. I was born in London to Australian parents and grew up in a small village just outside Paris, France. My father is an artist and illustrator; my mother a potter and writer and my sister is a weaver. All being artists, neither of us actually know how to make money. 

Life Through Closed Eyes is your new single. What is the story behind it?

I think this song speaks to and old friend/lover, calling on shared memories. To me, it feels like an intimate moment of forgiveness, but from a distance. It should give relief, lift a weight off. The song is like a repeated chant, summoning lighter feelings. It should feel nostalgic, forgiving and peaceful.

What was it like putting the video together? Do you like making videos?

The video was shot by my friend and frequent collaborator Julian Broad, who consistently not only understands my visions but also brings them to another level that I could not have possibly imagined. He's a true artist.

We shot the video in the same location as we did the album artwork, by the giant reservoir Caban Coch in the Elan Valley in Wales. The valley used to hold a village before they flooded it in 1893, completing the dam in 1904. The idea of a submerged ghost-town lent perfectly with the general themes of the album.

Glue Moon is your album. Are there particular themes and times from your life that inspired the music?

A lot of the songs on the album are written with a specific place in mind, which I refer to as 'Glue Moon'; now the name of the album. It takes place in the wee hours, in the woods; by a lake, under a big, pale duck egg blue/green moon. While writing it, I was drawn to images of decay and nature taking over manmade structure; ghost-towns and solitary/transient characters.

Did you grow up in a musical family? Which artists did you discover at a young age?

Yes. Music was played all day every day in my home. Regulars were Bob Dylan, Van Morrison; Leonard Cohen and then I fell in love with Billie Holiday as a teenager.

What do you hope to achieve by the end of 2018?

I hope people buy the album so that I am able to make more music!

Do you already have plans for 2019?

Yes. I hope to be able to tour Glue Moon. I’m already working on a new album and am keen to do more collaborations with other artists.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I love the festivals. I always feel like a new person after them. I also sang a song with Craig Armstrong and the London Contemporary Orchestra at the Union Chapel in London recently which I loved beyond words.

 PHOTO CREDIT: Brett Walker

Which three albums mean the most to you would you say (and why)?

Bob Dylan’s Blood on the Tracks - because it reminds me of when I was first driven to write music.

PJ Harvey’s White Chalk - because I love everything she does.

Nick Cave and the Bad Seeds’ Skeleton Tree - because it is so delicate, feathery and moving. I’ve never heard anything like it.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support Cat Power, PJ Harvey; War on Drugs, Chelsea Wolfe and Nick Cave. I’d probably ask for whiskey and a bowl of pasta… 

What advice would you give to new artists coming through?

Get a diploma if you can so that you don’t have to work shi*ty part-time pub jobs forever.

Do you have tour dates coming up? Where can we catch you play?

I’ll be playing some shows in the New Year.

 IN THIS PHOTO: Anna von Hausswolff/PHOTO CREDIT: Gianluca Grasselli

Are there any new artists you recommend we check out?

Anna von Hausswolff. She’s powerful!

Do you get much time to chill away from music? How do you unwind?

Music is a constant back-thought; I’m always ready for a new inspiration, so it’s not easy to switch it off. In down time, I read and cook a lot.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Cat Power’s Maybe Not. One of my all-time favourites!

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Follow Hero Fisher

Official:

http://www.herofisher.com/

Instagram:

https://www.instagram.com/therealherofisher/

Facebook:

https://www.facebook.com/herofisher

Twitter:

https://twitter.com/herofisher

Spotify:

https://open.spotify.com/artist/2UTLIPgfUhvKa3m0poQrC0?si=ElFcp0JARMO_I9U5fAFKlg

YouTube:

https://www.youtube.com/channel/UCtmmEsNkh7gKC77QkH8jpMA

INTERVIEW: J Lndn

INTERVIEW:

J Lndn

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I have been speaking with J Lndn...

about his single, Like Me, and what its story is. I was eager to know what sort of music inspired him and how he got into the business; which albums mean the most and what he has planned coming up.

J Lndn talks about his plans and tells me how he unwinds away from music; if there are any tour dates coming up and if he has a favourite memory from his time in music – J Lndn reveals whether he has anything to achieve by the end of the year.

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Hi, J Lndn. How are you? How has your week been?

Hey. The week’s been pretty stressful, not gonna lie; have a lot of stuff to deal with my university, been cooped up in the studio like every night just working on my new releases; making new ideas and trynna innovate my sound.

For those new to your music; can you introduce yourself, please?

I am nineteen-years-old. I was born in Cali; never lived in the U.S. my whole life till this year. I grew up in three different cities: Moscow, Dubai and London. So, just a year ago I moved out of the U.K. to Boston to pursue my music career here. So, unlike a typical rapper - which reps only one city - I tend to represent all three. I’m currently a student in college and I’m also a boxer. Other hobbies are I enjoy reading about other people’s cultures, history.

 

Like Me is your debut single. What is the story behind the song?

I wouldn’t say there was actually a story behind that song. I was more addressing a statement to the public and others in the Rap game. I felt that my first single should have been a little more self-centered. This song was to establish myself in the industry and portray the message of ‘to look out for someone like’. This was mainly directed to the people who didn’t believe in me or my passion for music and thought that I had nothing in the bag - that soon those who doubted me are the same people that are going to be praising me for my art.

In this song, I’m laying out my ambition, my dedication and I’m shutting down and addressing those who had no hope in my career. This is one of a few songs I would consider ‘selfish’ since it’s all about me. However, most of my music doesn’t evolve around that subject. I wanted my debut to be about self-empowerment. 

Can you give me a sense of the artists you grew up around? When did music come into your life?

As a little kid, I grew up listening to a lot of Jazz, R&B; Funk and Blues as those genres would always be played in my house or the car. I started listening to Rap/Hip-Hop at the age of eleven. It was mainly Jay-Z and Eminem who put me onto this genre. At the age fifteen, I would be freestyling after school with my friends however I never took it seriously; it was more of a joke.

At seventeen, my best friend bought me an e-drum kit and I just started making beats from there. Surprisingly, music production is where my passion for my career roots in. I would always consider myself a producer first and then a rapper. After efforts of experience, I established myself as a producer for other artists but the more I made beats the more I felt the need to flow and rap on them. Hence, why I’m here now in my Rap career.

My biggest influencers are Biggie Smalls, Nirvana; Kanye West, Nina Simone; J. Cole, Eminem; Jay-Z and Kendrick Lamar.

You were born in California but spent time in London. How important was your time here?

Actually, I have never lived in Cali I was born and then six months later my family moved to Moscow where I spent my childhood there. Then I moved to Dubai (this is where I developed an interest for Rap); then I moved to London, which was one of the most important locations I would say for my music as this is where I really got inspired to start my sh*t.

What do you hope to achieve by the end of 2018?

By the end of 2018, I want to establish myself in venues in my local area. I want to slowly start spreading the word to the public about me.

Do you already have plans for 2019?

Yes, I do. I’m planning to expand my venue capacity release. Two more singles and perhaps release an E.P. or an album. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

One of my favorite memories was when I was making music in Dubai on my vacation. I started linking up with a lot of local artists there and they have inspired me a lot to make my music. At the time, I was going through a rough phase in my life. Although it was rough, it benefited my music a lot (I made hella dark songs at the time).

Which three albums mean the most to you would you say (and why)?

Yeezus - Kanye West

At first, when I heard this album I HATED it. Like zero interest, man. But, something kept telling me to listen to it again and again and again. Until I started loving this sh*t. This album, by far, resonated with me most. It was an experiential album from Ye as he never made that type of music before. And the courage to experiment really attracted me to this artwork. I’m also very picky with my sound and music so, when I hate something, it’s very rare that I come back and listen to it. This wasn’t the case for this album.

Blonde - Frank Ocean

When this album came out, I was in a dark place of my life and this album helped me out. I went through a phase of about three months where I would only listen to Frank Ocean. Sh*t was crazy. Nevertheless; every time I listen to a song off this album I feel like it takes you into another world and makes me reminisce on some memories that I had and some memories which I never had before. This album is crazy man.

Good Kid, M.A.A.D City. This was just Kendrick’s (Kendrick Lamar) classic album. By far his best piece. Talked about the struggle, ambition and how gang violence doesn’t make you a real person. This album inspired my Rap style and music to this day.

As Christmas is coming up; if you had to ask for one present what would it be?

I don’t really celebrate Christmas due my culture but, for the sake of the question, if I had to choose a present it would be a new pair of boxing gloves. I need to replace mine A.S.A.P.

If you could support any musician alive today, and choose your own rider, what would that entail?

I feel like, in order to be successful with regards to this, this would require a clear vision for that musician, confidence in yourself and that musician and trusting the work input.

What advice would you give to new artists coming through?

Trust the process. Do not rush anything.

Do you have tour dates coming up? Where can we catch you play?

Unfortunately, not yet. I’m planning to release much more music (like, two more songs) then my team and I will start planning to get up on some venues or perhaps to open up for a big name. We’ll get there don’t worry (winks).

Are there any new artists you recommend we check out?

 Yes. I would suggest you check out El Léon. We got a lot of collab work coming up. And, to be honest, if any upcoming artist has some sh*t on me that’s 100% him. His bars are dope and the delivery is even better. Go check him. 

Do you get much time to chill away from music? How do you unwind?

Yes, I do. For me, in order to shut off from this process I either box, chill with my boys or go out for a dinner (maybe a club here and there; I don’t want this lifestyle to distract me). I also use reading books as a way to detach. It kind of helps my brain to relax and, at the same time, get inspiration for new ideas. I fu*k with museums too.

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Follow J Lndn

Instagram:

https://www.instagram.com/nishanov.j/

Spotify:

https://open.spotify.com/artist/1A89Eoi2z1SaJamujRxSyq?si=LJtIQdRUQVWPaKVl-9kJ8Q

SoundCloud:

https://soundcloud.com/zxddy

INTERVIEW: Lydia Evangeline

INTERVIEW:

Lydia Evangeline

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MY first interview of the day...

is with Lydia Evangeline as she tells me about her new single, Down, and its story; whether she is already looking ahead to next year and more material; the influence of her dad regarding music and which rising artist we need to get behind.

The songwriter chooses a few albums that mean a lot to her and whether there is anything to achieve by the end of the year; who she’d support in tour given the chance and how she relaxes away from music – she selects a great song to end the interview with.

__________

Hi, Lydia. How are you? How has your week been?

Hey there! I’m great thank you! My week’s been good. I’ve just got back from Leeds where I was part of a Sofar Sounds gig. 

For those new to your music; can you introduce yourself, please?

I’m Lydia Evangeline; twenty-four, based in Brighton. Started writing music at about thirteen/fourteen when I entered a very dreary poem into my school poetry competition and then decided to put it to some even drearier chords and write my first song...and the rest is history. Haha. 

I’ve only recently started releasing music as a solo artist (I’ve put out five singles in 2018) and before that I was in bands. I also play for artist Jake Isaac as his keys/guitar/percussion/backing vocalist (which is SO fun) and has taken me to many countries on many tours, which I’m so grateful for.  

I’m heavily inspired by women in music; I love 'em. At the moment, I’m drawing lots of inspiration from the likes of Jade Bird, Fenne Lily; Dodie, Maggie Rogers; Sigrid and MUNA - oh my gosh, the list is endless. Girls rock! 

Down is your new single. What is the story behind the song?

I started the lyrics for Down about three years ago actually - it’s been on a long old journey. I’d finally pulled myself away from a relationship that looking back just wasn’t great, but I wasn’t strong enough in myself to stay away. I kept being sucked back in and that’s primarily what the songs about. I liken the feeling of loss of control over your willpower to that of drowning and feeling like you’re struggling to resurface from the relationship that’s suffocating you and take a deep breath.

Did you experience a lot of music as a child? Can you recall which artists were in your collection growing up?

I know this is the classic answer, but my dad is my musical hero. He brought all of us up listening to Billy Joel, The Police; Mott the Hoople, The Carpenters etc. He almost daily sends me song recommendations via Spotify and has his own playlist of over two-hundred songs (so tech-savvy!). 

My mum is also from a family of Classical musicians, so that was very much present in our household, which I appreciate so much. I love that I can now just about identify pieces of Classical music when I hear them without being able to Google the lyrics. Haha. 

Will there be more material next year?

 Oh, heck yeah! Try and stop me! 

 What do you hope to achieve by the end of 2018?

To be honest, I feel like I’ve achieved what I set out to do this year. It’s been a year of development and discovering who I am as a solo artist and, five singles later, I finally think I’ve got there...things will sound and look a little different next year and I’m so excited to show everyone my new material! Also, just a practical aim this year was to have five music videos to go along with each single which we managed to achieve so I’m pleased with that! 

Do you already have plans for 2019?

Yes! An E.P. coming earlier in the year (I’ve enjoyed doing singles but I’m craving putting out a proper body of work that people can get their teeth into). And a couple of little tour and support tour ideas that are in the pipeline. Watch this space. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Oh, gosh. I hope this doesn’t come across too braggy..but I mentioned earlier that I play for another artist, Jake Isaac, and last year we went on tour supporting Sir Elton John. Paha! Absolutely bonkers. 

Which three albums mean the most to you would you say (and why)?

Love this question. Basically, any of the Paramore albums but, if I had to pick, I’d go with the original, All We Know Is Falling. Paramore were my absolute teenage goals and I don’t think I’d be doing music today if it weren’t for my mild (major) obsession with Hayley Williams growing up. 

Shallow Bed by Dry the River is probably my favourite album of all time (BOLD statement). 

Then, finally...Sgt. Pepper’s Lonely Hearts Club Band by The Beatles. Great album and reminds me of my dad. 

As Christmas is coming up; if you had to ask for one present what would it be?

I feel like this is the moment when I’m meant to say world peace? But, aside from world peace, I’m genuinely not really into ‘stuff’. I like gift experiences, you know what I mean? Like, take me ice skating at Hyde Park’s Winter Wonderland and you’re golden. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d LOVE to support Mumford & Sons. The dream. And puppies for my rider. Not to eat, to play with. They’re so calming. Yes; a green room full of puppies please.  

What advice would you give to new artists coming through?

Well. I’m a new artist myself so don’t have bucket loads of wisdom to impart. But, something I’m quite passionate about is people feeling they can be authentically themselves as an artist. Everyone on this earth is unique, so bringing your uniqueness into your music is so much more exciting than being a carbon copy of someone else.

 PHOTO CREDIT: Hollie Fernando Photography

Are there any new artists you recommend we check out? 

Fenne Lily. She’s a divine creature. 

Do you get much time to chill away from music? How do you unwind?

I love a good Netflix binge, National Trusts; reading in coffee shops, hanging out with my family and walking along Brighton seafront listening to a good podcast. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Love that. Pop on Just Us by Cat Burns. It’s my JAAAM at the moment. She’s only sixteen. Mind-blowing

__________

Follow Lydia Evangeline

Official:

https://www.lydiaevangeline.com/

Facebook:

https://www.facebook.com/LydiaEvangelineMusic/

Twitter:

https://twitter.com/lydiaevangeline

Instagram:

https://www.instagram.com/lydiaevangeline/

Spotify:

https://open.spotify.com/artist/0QMNhrj5d6CkY4JJVL0eqU?si=3231jTEcRzy7jHbU61G3Bg

YouTube:

https://www.youtube.com/user/LydiaEvangeline

INTERVIEW: Missyou

INTERVIEW:

Missyou

___________

I am ending the day...

by speaking with Missyou and what the story is behind their new single, Timid & Timbuktu. The E.P., YourBody, is out soon so I ask what themes inspired that; how they all found one another and the sort of music that influences them.

The guys pick albums that mean a lot to them and recommend some rising artists; how they spend time away from music and what they want to achieve next year – they each pick a song to end the interview on.

__________

Hi, guys. How are you? How has your week been?

Long, but alive. Hope yours was productive.

For those new to your music; can you introduce yourselves, please?

We are Missyou: Blaise – vocals, Pete – bass; Vin – drums and Omer – guitar.

Timid & Timbuktu is your new single. Can you reveal the story behind it?

The title was inspired by Kurt Vonnegut’s short story of a similar name. It’s about time and all the torments it can create.

It is from the upcoming E.P., YourBody. What sort of themes inspired the E.P.?

Life, death; love, sex; intimacy and betrayal. And obsession. 

How did Missyou get together? When did you start playing together?

We all knew each other from other projects. We came together three years ago and started this with the intent of common ideas. 

Do you share similar tastes? Who are you inspired by?

Yes, very much so. The 1975, The NBHD; Lund, LANY; Nin, Elliott Smith and Brand New.

Is New York an inspiring and vibrant place to record music in? Do you draw a lot of guidance from the sounds and scents of the streets?

Not really.

What do you hope to achieve by the end of 2018?

To put out the E.P. Prep another E.P. Make more videos.

 Do you already have plans for 2019?

Coming together.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hopefully, still to come.

Which one album means the most to each of you would you say (and why)?

I’m Wide Awake, It’s Morning by Bright Eyes

Because the lyrics made me want to write.

Synchronicity by The Police

Because it changed everything for me.

Purple by Stone Temple Pilots

Because that song made me want to play.

The Devil and God by Brand New

Because it created atmosphere I had not heard before.

If you could support any musician alive today, and choose your own rider, what would that entail?

Too hard.

What advice would you give to new artists coming through?

Be yourself; be true.

Do you have tour dates coming up? Where can we catch you play?

Not as of yet.

Are there any new artists you recommend we check out?

6LACK, Chase Atlantic; Milky Chance and Barns Courtney.

 IN THIS PHOTO: Chase Atlantic

Do you get much time to chill away from music? How do you unwind?

Edit, make films; create, cook.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Love It If We Made It – The 1975

Free – 6LACK

Glitter & Gold – Barns Courtney

Sleeping on the Blacktop – Colter Wall

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Follow Missyou

Facebook:

https://www.facebook.com/missyoumusic/

Twitter:

https://twitter.com/missyou_music

Instagram:

https://www.instagram.com/missyou_music/

Spotify:

https://open.spotify.com/artist/4yOXdm7tRLOGo58R8VxyPn?si=DOz0RUYCSju-Nxe329As3A

INTERVIEW: Jana & The Lanterns

INTERVIEW:

Jana & The Lanterns

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THANKS to Jana of Jana & The Lanterns...

for telling me the story behind the debut single, Birdhouse, and what its story is. I was keen to know if there is more material coming and which artists Jana got involved with at a young age – she tells me what she wants to achieve going forward.

The songwriter selects some albums important to her and reveals whether there are gigs coming; which rising artists we need to get behind and whether she gets time to unwind away from music – Jana selects a great track to end the interview with.

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Hi, Jana. How are you? How has your week been?

Hi, Sam. I’m ok, thanks. This week has been busy, but good.

For those new to your music; can you introduce yourself, please?

Sure. My name is Jana. I live in London and I’m a musician and singer-songwriter. I started playing with my band about two years ago and named the project ‘Jana & The Lanterns’. It’s essentially Folk-Rock with hints of Pop, Country; maybe a hint of Jazz. I’m having a hard time putting it in the box, actually (smiles).

What is the story behind your new single, Birdhouse?

It started as a poem. I was just lying on a sunbed, writing a poem about birds. There was a birdhouse in the tree nearby and I realised that they only stay there for a while before flying away. It was like a temporary home. Hence, the lyric “Even a wanderer needs a piece of home every now and then…”.

Do you think there will be more material coming next year?

Definitely. We recorded five songs for an E.P. which will be released in 2019.

Which artists did you discover young and become involved with?

Sting was probably my first big influence when it comes to ‘popular’ music.  

Do you listen to a lot of modern music or do you find you gravitate towards classic artists?

I love listening to time-proven classics but from the newer people I prefer Father John Misty, Chris Stapleton; Lianne La Havas, Florence & the Machine...there is good music around.

What do you hope to achieve by the end of 2018?

I’d love to spread our band’s name around; introduce our music to as many people as possible. Releasing of the second single is planned too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Well…there are a few. Playing at a Progressive Rock festival in Miami and meeting Mike Portnoy and Jon Anderson was pretty spectacular.

Which three albums mean the most to you would you say (and why)?

Mercury Falling by Sting

I found it in my dad’s C.D. collection and was amazed by the impeccable musicianship of the band, imaginative songwriting and arrangements. Never heard anything like it before. You know there’s a direct link between hearing that album and me coming to England (smiles).

Nat King Cole (compilation)

My interest in Jazz started with this.

Blue by Joni Mitchell

It showed me how much of an impact you can make with just a voice and a guitar/piano and that it’s possible to get abstract in expression while remaining very direct to the listener. I suspect it’s only possible with Joni.

If you could support any musician alive today, and choose your own rider, what would that entail?

Oh; I don’t know. There are so many great people around. It would be cool to support Father John Misty cause he’s one of a few singer songwriters that is REALLY honest and doesn’t make compromises. Good music is obviously the first priority for him.

What advice would you give to new artists coming through?                   

Well. I am a new artist myself. That doesn’t mean I haven’t been making music before - I was fortunate to have a lot of amazing Classical music teachers that taught me discipline, dedication and refining musical taste. So, passing on their advice; listen to a wide spectrum of genres and practice, practice, practice.

Do you have tour dates coming up? Where can we catch you play?

At the moment, I am playing some solo/duo gigs with my guitarist. A proper tour will follow after the E.P. release. There’s an amazing Folk club in London called The Lantern Society that I play at quite often. Wonderful people and the performers are always great.

 IN THIS PHOTO: Aksel Undset/PHOTO CREDIT: Annika Derksen

Are there any new artists you recommend we check out?

I’ve seen this Norwegian guy recently, Aksel Undset. Beautiful landscape-like harmonies and melodies; incredible guitar playing too.

Do you get much time to chill away from music? How do you unwind?

Haha. I never really chill away from music: it’s just in me. I’m always writing or just humming or thinking about swapping the melody of the new chorus for the old one as it was better in the end…otherwise I just watch a movie or go out for a walk (smiles).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Joni Mitchell – Help Me

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Follow Jana & the Lanterns

Official:

https://lanterns.band/

Facebook:

https://www.facebook.com/lanternz/

Instagram:

https://www.instagram.com/lanternsmusic/

Spotify:

https://open.spotify.com/artist/1ctoLjeMAYy8ICTwnnBC23?si=sV1go8XCSbi8FWD7Hzx5NQ

SoundCloud:

https://soundcloud.com/janaandthelanterns

YouTube:

https://www.youtube.com/channel/UCIuydgE2KkAIPgHj3UqkA3g