INTERVIEW: Shookrah

INTERVIEW:

Shookrah

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I have been speaking with Shookrah...

about their latest track, Flex, and what its story is. The guys reveal what the music scene is like in Ireland and how they got together; what is coming up for them and some of the rising artists we need to have a look at and follow.

I ask whether there are tour dates approaching and whether they get time to relax away from music; the advice they’d give to musicians coming through and the music they are all drawn to – they select an interesting track to end the interview with.

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Hi, guys. How are you? How has your week been?

Emmet: Good, thanks! We’re just about to release the music video for our latest single, Flex. It was filmed on the stage of a venue here in Cork called Dali (formerly The Pavilion) and we had some super-talented Cork dancers and dance teachers involved, along with a really talented lighting engineer/visual artist, David Mathúna. It’s quite colourful, brash and sexy (just like me) which suits the song really well.

Also this week, we’ve been putting some finishing touches on the album which we’ll be bringing out next year around summertime. Just little nips and tucks; sprinkling some of that enchanted production dust on the songs.

For those new to your music; can you introduce yourselves, please?

Emmet: Ok. So we’ve got Senita up front singing her heart out till the break of dawn; Dan on guitar, Diarmait on a multitude of keyboards and synths; Brian on the bass and myself on drums.

How did Shookrah get together? How did you all meet?

Diarmait: It’s the bog-standard band genesis story, really. Most of us were friends from college; one of us got a gig etc. etc. etc. Brian’s the only person who was hired in on merit (read: outsider) as he’s such a stone-cold killer on the bass.

What can you reveal about the new track, Flex? What is its story?

Senita: Flex is the antidote anthem to any insecurities felt on a night out, as well as anyone killin’ your vibe. I wanted to write a song that was the equivalent to Kings of Convenience’s I’d Rather Dance with You (song) except more obnoxious and sassy. There are just some songs that do that to me. I just can’t mess with anyone trying to chat with me while Formation is playing for instance. I wanted to convey that in a song and invite people to feel the same about this particular song.

In terms of music; which artists are you drawn to?

Diarmait: Exceptionally funky ones, mainly. Also, anyone who keeps it real in fairness. A small sample list: Roy Ayers, Anderson .Paak; Erykah Badu, Milo; White Boiz and N.W.A.

You are based out of Ireland. What is the scene like where you are?

Diarmait: Oh, it’s very Irish. I suppose it’s reasonably small and it’s cosy - and most people know each other, which is nice. Hip-Hop/R&B-type music seems to be coming into its own a bit here too which is cool in fairness.

As Christmas is coming; what one present would you each like if you could have anything?

Dan: I’m gonna answer for everyone based on their hairstyles...

Senita: A selection of outrageous trousers and pungent teas; Emmet: Limited Edition Home Alone version of Hungry Hungry Hippos; Dunlea: Volvo cufflinks; Diarmait: haircut; Dan: Neighbour’s WiFi code

Do you already have plans for 2019?

Diarmait: The release of our first album! Also, some touring.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Diarmait: We were playing a 3 A.M. festival gig before where the power went out halfway through. Major L.O.L.s as you can imagine!

Which one album means the most to each of you would you say (and why)?

Diarmait: I would have to say Bob Marley - The Gold Collection: 40 Classic Performances as I’ve had it for the last fifteen years since I was twelve.

Senita: I hate having to pick...BUT IF I MUST, I would say that Janelle Monáe’s The ArchAndroid was a big moment for me in my musical journey. I would listen to it walking country roads in South Kerry and was completely blown out of my mind as to the fact that such a strong concept album could still hold strong in that day and age. I was so struck by the Wondaland Collective’s ethos, artistic integrity and intellect.

The fact that it could be backed by Big Boi and P Diddy and take you on such a crazy, seemingly non-commercial journey opened my mind to the possibility of really performing and playing around with it and giving people more than a hook...but a genuine story and experience to latch on to.

If you could support any musician alive today, and choose your own rider, what would that entail?

Emmet: Maybe D’Angelo...and that’s just the rider! Haha. Just kidding.

What advice would you give to new artists coming through?

Diarmait: In the words of James Brown: “Make it funky, make it funky”.

Do you have tour dates coming up? Where can we catch you play?

Diarmait: I’m afraid I can’t reveal any sensitive information at this juncture but, suffice to say, we have plans for Ireland and the U.K. next year that hopefully won’t be affected by Brexit! (Seriously).

 IN THIS PHOTO: Black Pope

Are there any new artists you recommend we check out?

Diarmait: Junior Brother - Ireland’s next big thing. Real talk.

Senita: Black Pope, Fehdah; Charlotte Dos Santos, Kari Faux; JyellowL and NUXSENSE.

 IN THIS PHOTO: Charlotte Dos Santos

Do you get much time to chill away from music? How do you unwind?

Diarmait: We’re also a quite successful five-a-side football team, if I say so myself. So, whenever things get a bit too stressful, we’ll usually run a few passing drills or even just take it easy with a good old game of Nods and Volleys.

Senita: I think my chill time gets eaten up with other projects that I’d like to get involved in. I perform with producers; do a bit of D.J.ing myself and do things like dance classes and going to the theatre. I’m starting a podcast called Points of Intersection in the New Year about Ireland and intersectionality, which will broadcast on Dublin Digital Radio. I’m listening to a lot of podcasts and doing some prep for that as a chill thing.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Diarmait: Johnny “Guitar” Watson - Telephone Bill

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Follow Shookrah

Official:

http://www.shookrah.com/

Facebook:

https://www.facebook.com/shookrahcork

Instagram:

https://www.instagram.com/shookrah/

Twitter:

https://twitter.com/Shookrah

Spotify:

https://open.spotify.com/artist/33GPY5nQPgsS2MUIBAFsic

YouTube:

https://www.youtube.com/channel/UCLvUHw3EcEdYfP2H8LBCvqA

SoundCloud:

https://soundcloud.com/shookrah

INTERVIEW: Jacko Hooper

INTERVIEW:

Jacko Hooper

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THE brilliant Jacko Hooper...

has been telling me about his new single, Trust in Me Always, and what its history is. I ask whether there is more coming along and which albums are important to him – Hooper suggests some rising artists that are worth a bit of time and energy.

The songwriter talks about his E.P., Together We’re Lost, and why he took a slight break from music; which artist he’d support on tour if he could and whether there are gigs approaching – Hooper selects a great new track to end the interview with.

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Hi, Jacko. How are you? How has your week been?

All good, thank you. It's a strange time after releasing a record where, all of a sudden, you have a bit more free space in your brain after all the hard work is over. But, yes, good.

For those new to your music; can you introduce yourself, please?

My name is Jacko Hooper. I write and perform songs with guitar, keys and vocals. I draw influence from the things around me. I find it hard to write songs that aren't about personal experience.

Trust in Me Always is your new single. Is there a story behind the track?

The song is a conversation between your automatic thinking and your logical thinking. It's the voice in your head when it's trying to convince you that you are right to be fearful of the irrational and it keeping you 'under its spell'.

It is from the E.P., Together We’re Lost. I believe it was bedroom-recorded after a slight break from music. What was the reason behind the gap and returning with this E.P.?!

I needed to take a little break and get back in the right mindset in how to release music. I wanted to put something out that I was proud of and felt represented me at this time - and I knew the only way I was going to achieve that is if I focused more on writing and less on performing. Demoing songs and finding the right balance of production and intimacy was important and I wanted to feel like I found that sound correctly with this record.

Who are the artists that inspired you growing up? Did you grow up around a lot of different music?

Funnily enough, I didn't grow up around much music at all. I don't come from a musical background. I always used to listen to the radio when I was really young and used to write poems. I discovered an album in Asda called The Album and it had loads of bands on it that I never knew existed, i.e. the ones that weren't on the local commercial radio station. I heard distortion for the first time with bands like The Vines and Muse and the dramatic and emotive nature of the music led me to wanting to put these words I’d scribbled down to melody.

As I grew up, I fell in love with artists such as Jeff Buckley, Bowie; Glen Hansard and Damien Rice and I think that's when I started to venture towards a more acoustic sound.

Do you already have plans for 2019?

I have some collaborative projects that I’m really looking forward to release; working with some really inspiring musical friends of mine on some different releases, including Folklore Vol.2, which is a label I set up. Tour plans are in the works too. I think things will start becoming public knowledge more in the spring time.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I was invited to support James Blunt at the Brighton Centre (which is my hometown) a few years ago. There were a few venues growing up as a kid that I knew I always wanted to try and play and the Brighton Centre didn't even come into my mind. To walk out in front of 5,000 people, including friends and family, was one of the most surreal and accomplished feelings I’ve ever had in my life. The songs I was singing I were songs I wasn't sure anyone would ever hear, let alone that many at one time.

What does music mean to you? How important is it in your life?

Music is all I really do with my life. I put on shows; I release records, my own and other peoples. I go to gigs; I write music. I struggle to find time for anything else in honesty. I'm a workaholic, so I like it that way. It's my friends and family that have to hear me talking about it all the time - so probably more work for them than me.

Which three albums mean the most to you would you say (and why)?

So hard to pick...

The album that made me want to pick up a guitar would probably be Showbiz by Muse. It was the first proper album I had really digested and I remember not being able to understand how he was creating the guitar sounds...so that's what my gut goes with.

After that, it'd probably be Trouble by Ray LaMontagne. To me, it's just a flawless record; a songwriter at the peak of his powers. Every song is so inspiring. It takes me somewhere else as a listener and makes me want to write songs as an artist.

I'll pick a more recent album for my third choice. I love Post Tropical by James Vincent McMorrow. I think the production on this record coupled by his painfully accurate falsetto creates an atmosphere totally unique. It feels like the old album style of listening from start to finish has died out somewhat in recent years. Yet, with this record, it flows like a story and needs to be enjoyed as a whole piece. I admire that hugely.

As Christmas is coming up; if you had to ask for one present what would it be?

At this point, just some rest. I want nothing for Christmas. Literally, just nothing.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think it'd have to be Glen Hansard. I remember watching a live version of him performing Say It to Me Now and it was a life-changing moment. It gave me genuine chills; to see one person emit such emotion in a performance with so little accompaniment...something clicked and I knew that was how I wanted to get my story across. It felt so honest. No bulls*it; just a guy with a guitar who wasn't holding back on a single word or melody. He lives every bit of it.

The rider would have to be a crate of Jameson's really, wouldn't it? Given the company...

Do you have tour dates coming up? Where can we catch you play?

Not yet. As I say, I think it'll be spring when things are getting back into shape.

What advice would you give to new artists coming through?

Love what you do. Be honest with your writing. We all take huge inspiration and influence from people, but your favourite artist already exists: the world doesn't need another one. Be you. It's so much more interesting.

 IN THIS PHOTO: Bess Atwell/PHOTO CREDIT: @d.haughian

Are there any new artists you recommend we check out?

I’m lucky to have a lot of very talented friends making some of my favourite music. I would highly recommend Bess Atwell, The Hungry Mothers; Paper Hawk - and today I found a singer called Chloe Foy who I’m thoroughly enjoying, My friend George Ogilvie recently brought out an E.P. too and that's been playing fairly consistently I must admit.

IN THIS PHOTO: Chloe Foy

Do you get much time to chill away from music? How do you unwind?

No.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooo. In that case. I'd recommend Grace by Bess Atwell. Stunning melodies and lyrics in particular in this one.

Thank you!

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Follow Jacko Hooper

Facebook:

https://www.facebook.com/jackohoopermusic/

Instagram:

https://www.instagram.com/jacko_hooper/

Twitter:

https://twitter.com/jacko_hooper

Spotify:

https://open.spotify.com/artist/1c85BzXhKJKakIz4UCDxDS?si=lhdYIVR7SruhMTn5tL7vHA

YouTube:

https://www.youtube.com/channel/UCRtxtYbldTjEnCAGlM9OtYw

INTERVIEW: Luca Schreiner

INTERVIEW:

Luca Schreiner

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I have been chatting with Luca Schreiner...

about his latest track, Over You, and what its story is. I ask the Electronic artist/producers what comes next and what it has been like working with some of music’s biggest names – he reveals how he got into music and what advice approaching musicians should take to heart.

Schreiner reveals an approaching musician to watch and tells me whether there are gigs coming next year; what Christmas present he wants this year and whether he gets time to chill away from music – he selects a great song to end the interview with.

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Hi, Luca. How are you? How has your week been?

Hey, guys. I’m super-well! I’ve had an amazing week. I played my first ever show in Bahrain and just got back home. 

For those new to your music; can you introduce yourself, please?

Sure. I’m Luca Schreiner; a twenty-four-year old D.J. and producer from Germany. I’m signed with Ultra Music and released official remixes for artists such as James Arthur, Alessia Cara; Clean Bandit and many more.

 

Over You is your new track. Is there an inspiration behind it?

I’ve written Over You together with some amazing guys, including Neil Ormandy, who is one of the best songwriters of right now. I think the track perfectly shows my current style, which is a crossover between Dance and Pop elements.  

Do you think there might be more material coming next year?

Definitely! I’m constantly working on new original music as well as new remixes for some huge artists which hopefully get released soon!

When did you get into music? Were there particular artists you looked up to?

I got into music when I was sixteen-years-old. I remember watching videos of Tiesto performing in front of thousands of people! That was really inspiring me to start working on my own music and explore the whole electronic music industry!

You have remixed for some big artists. Which has been your favourite collaboration?

I loved working with James Arthur and his team. They were all super-nice and his voice is just outstanding! My remix of his track Say You Wont Let Go is still my most successful remix that I worked on.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing at Marquee in New York was definitely one of my favorite memories! I opened for 4B that night, who is playing pretty different compared to what I’m playing; but the people were really into it and just enjoyed every track that I played.  

What does music mean to you? How important is it in your life?

Music is super-important to me! I grew up in a family were music always played a big role. My dad owns a music distribution that also introduced me to the particular genre of Electronic music.

As Christmas is coming up; if you had to ask for one present what would it be?

If I could ask for a non-material present/gift, I think I would choose health for me and my family. No matter how talented you are in music, if you don’t feel good in your body or have health issues then you can enjoy life.

What advice would you give to new artists coming through?

If you’ve just got started, don’t stress yourself. Start exploring and see what genre and what style fits the best for you. I always experimented at the beginning of my career and still try to be as creative with trying different styles in the studio every now and then to just get inspired.

I think, as soon as you have found the right style, you just have to go for it and have fun producing new music. Labels will automatically reach out to you once your sound is right so don’t worry.  

Do you have tour dates coming up? Where can we catch you play?

Yes. I’ve already got some shows confirmed for next year, which I’ll announce soon!

 IN THIS PHOTO: James Carter

Are there any new artists you recommend we check out?

I just really love what James Carter (from the U.K.) does! He’s still kind of underrated for all the amazing stuff he’s releasing! So, definitely check him out!

Do you get much time to chill away from music? How do you unwind?

Yes. I always try to take time to chill and get inspired again! I think surrounding yourself with people that understand what you do and help you get inspired and chilled is super-important to be able to work on new music again.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I love the new Chainsmokers song, Beach House. So, I would choose this one. Absolutely love the melody of the main part and their songwriting in this one

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Follow Luca Schreiner

Official:

http://lucaschreiner.com/

Facebook:

https://www.facebook.com/luca.schreiner/

Instagram:

https://www.instagram.com/luca.schreiner/

Twitter:

https://twitter.com/luca_schreiner

Spotify:

https://open.spotify.com/artist/5fiYAV2DWASxAUKDq7Gbe9?si=HUiviATZT2CFZI3Rxaq24w

YouTube:

https://www.youtube.com/channel/UCGgpZsH2dvwjT9gyxqn_bsQ

SoundCloud:

https://soundcloud.com/luca-schreiner

INTERVIEW: Katey Brooks

INTERVIEW:

Katey Brooks

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THE awesome Katey Brooks...

has been telling me about her latest single, In Your Arms, and what its story is. I ask what she has planned next year and whether we will see more from her; which albums are most important and some rising artists we should follow and investigate.

Brooks tells me about a bittersweet musical memory and where we can catch her play; who she would support on tour if she had the chance and what advice she would offer artists emerging – she selects a great track to end the interview with.

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Hi, Katey. How are you? How has your week been?

Hi! I'm good, thanks. How are you? My week has been really wonderful thanks...and busy!

For those new to your music; can you introduce yourself, please?

I'm a singer-songwriter/producer originally from Bristol (U.K.) living in London. I've been writing, releasing and touring music for over a decade now and have been fortunate enough to see many parts of the world because of it. My back catalogue spans a variety of genres but my current vibe is Indie/Folk-Pop with hints of Gospel and Soul. Is that enough of an intro? I'm a bit awkward; can you tell? (Smiles).

In Your Arms is your new single. What is the story behind it?

I went through a very painful breakup over the summer. I parted with the woman I loved very dearly and one day I just picked up my guitar and decided to tell her how I felt, in song. I had always felt like she never quite believed me when I told her I loved her and this was my way of really saying it. I'm happy it came out this way because I think, or at least hope, there's something in the lyrics we can all relate to - that pure, sweet, unconditional love for someone.

Will there be more material coming along? How far along are you looking?

There absolutely will. I'm just finishing the production on the second single - which will be out in late-January - followed by third and then the album in the spring! In between my original music, I'm also going to be sharing some covers of my favourite songs so watch this space (smiles).

In terms of artists; who do you count as idols?

Neil Young, Joni Mitchell; Annie Lennox, Tracy Chapman; Otis Redding, Jeff Buckley and John Martyn...god, the list is endless!

Do you already have plans for 2019?

Yes. Gentle ones. I was on the road relentlessly for a few years until this time last year and, as amazing as that was, that's not how I want to do things these days. I've discovered I'm actually more of a home-bird than I ever wanted to admit. So, I'll be releasing a lot of music (including my album Hearing Voices in the spring) and playing some special concerts in venues I love. Past that, we shall see!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Ooh, there are a few. Singing at the Bethlehem Live festival in Palestine and London 2012 are up there, but I'm going to say all the way back in 2007 at the Bordeaux Fête le Fleuve. I was a youngster on the main stage both opening and closing this beautiful festival. It was both a very exciting and extremely painful moment for me. My mum had literally passed away two days before but I had promised her I would go and play the festival. 

As hard as it was, I wanted to keep that promise. I thought about her and mentally dedicated it to her as I sung my song You Will Be Free. It was a very powerful moment and, to be honest, I felt her presence. I'll never forget that.

What does music mean to you? How important is it in your life? 

As both the receiver and the creator, it's everything. It's literally saved my life at certain times. It gives meaning when there is none; it makes sense when there is none and it gives joy without ever wanting anything in return. Music is just beyond words amazing, isn't it?!

Which three albums mean the most to you would you say (and why)? 

Rumours by Fleetwood Mac

Just because it's perfection.

Tracy Chapman – Tracy Chapman

That record inspired me to write and sing.

Blue by Joni Mitchell

My friend Patrick Duff mentored me a little when I was younger and he recommended I listen for my development. Exquisite album which definitely influenced the way I sang at the time.

As Christmas is coming up; if you had to ask for one present what would it be? 

Oh, that would be telling...it's quite soppy. Can I keep you posted? (Winks).

If you could support any musician alive today, and choose your own rider, what would that entail?

It would be someone like Matt Corby because then I could really enjoy his set afterwards. I adore his voice/music and his presence on stage. 

My rider is always pretty simple: just a nice bottle of Malbec, decent veggie food and somewhere private, quiet and comfy to chill out before and after I play. Anything more than that is a bonus but to be honest wouldn't be on my mind before I play.

What advice would you give to new artists coming through?

Just make music you love, work hard and be gracious. Look after and respect yourself. The rest is up to the gods.  

Do you have tour dates coming up? Where can we catch you play?

There are shows to be announced but, in the meantime, I have two special shows coming up in these lovely venues:

Friday, 1st Feb at Landmark Arts Centre - London

Saturday, 2nd Feb at Arnos Vale – Bristol

Tickets are available from my website.

 IN THIS PHOTO: Ash Radford

Are there any new artists you recommend we check out?

Ash Radford. Beautiful music, beautiful man. I think he's going to do big things in 2019. Fraser Anderson for all the same reasons. His voice is gold.

 IN THIS PHOTO: Fraser Anderson

Do you get much time to chill away from music? How do you unwind?

My answer to that question used to always be ‘no’. Haha.  But, nowadays, I'm trying to keep the balance. I like to just hang out with friends and family eating nice food and having the odd glass of wine or two. I love movies and have been known to indulge in many Netflix binge sessions. I'm trying to get back into sports too as I know how much my mental-health thrives from it. Climbing is at the forefront of my mind at the moment. I just need to find the time!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oh, thanks! Let's go with Fraser Anderson - Only a Boy. It's my favourite of his and features the beautiful bass playing of Danny Thompson (John Martyn, Nick Drake)

Nice chatting to you (Smiles).

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Follow Katey Brooks

Official:

http://kateybrooks.com/

Facebook:

https://www.facebook.com/kateybrooksmusic/

Instagram:

https://www.instagram.com/kateybrooks/

Twitter:

https://twitter.com/KateyBrooksOFCL

Spotify:

https://open.spotify.com/artist/0OobWT1O24A3SpQcKYjgYP?si=NtnrT8ZySYqTnO-n9jv1ug

 PHOTOS:

John Morgan and Samuel Henger

INTERVIEW: Big Wild

INTERVIEW:

Big Wild

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AMERICAN producer Big Wild...

has been telling me about his new single, Heaven, and its story. I was eager to know about the upcoming album, Superdream, and what sort of themes inspired it; the kind of music he grew up around the albums he loves the most.

Big Wild talks about his plans and who he’d like to support on the road; a rising artist we should all look out for and whether there are any tour dates in the diary – he ends the interview by selecting a great song.

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Hi, Big Wild. How are you? How has your week been?

I’m doing well! This week has been busy. Just finished two co-headline shows at Bill Graham in San Francisco and WaMu Theater in Seattle. Now, I can finally decompress a little bit.

For those new to your music; can you introduce yourself, please?

My music is fairly diverse but often falls into Electronic, Indie and Dance genres. I produce, sing and write it myself so my songs are very much a representation of me.

Heaven is your latest track. Is there a story behind it?

Heaven was inspired by a photograph I found online of rain in the ocean with a man floating in the centre with the biggest grin. It seemed as if this person was in total bliss. I wanted to write a song capturing that feeling; of witnessing something so special, euphoric or breathtaking that it feels like ‘Heaven’.

Your album, Superdream, is out in February. What sort of themes inspired the songs?

Superdream covers a variety of topics that are all rooted in my own personal experiences. Existentialism, falling in love and moving across country are some of the things I sing about. The album is largely a reflection of moments in my life.

You have received support from the Electronic duo ODESZA. How important is that support and faith?

Their support early on was really helpful in getting exposure, understanding the music industry better and putting together a live show. Their role in my career was invaluable.

Are there particular artists that inspired you to get into music?

I first got into music by producing hip hop instrumentals. Artists like Dr. Dre, Pharrel, and Timbaland were my favourites and inspired me to have my own unique sound. Since then, my inspirations have evolved a lot but Hip-Hop producers formed my foundation for understanding and producing music.

Do you already have plans for 2019?

Lots of plans. Superdream drops February 1st; I embark on a headline tour in March and then there are lots of shows planned throughout the summer and the rest of the year. I’m also working on some live sessions and stripped back versions of my new songs so people can hear them in a different light and understand my voice a little better.

2019 is going to be a busy year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Co-headlining Red Rocks. Such a beautiful venue and a perfect night. Definitely a life highlight.

Which three albums mean the most to you would you say (and why)?

Dr. Dre - 2001

Tame Impala - Currents

Gorillaz - Demon Days

All three are super unique especially in terms of production. Finding your own production and songwriting style is such an amazing form of self-expression and I feel these albums embody that.

As Christmas is coming up; if you had to ask for one present what would it be?

A Neumann U 67 microphone. That’s what I used on this record and I love the way it captured my voice. It isn’t cheap though. Haha.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would want to go on tour with Paul McCartney. Give me a fridge full of kombucha and I’m all set.

What advice would you give to new artists coming through?

Before anything else, focus on having a unique style and sound that is true to who you are. The more my career progresses, the more I realize how the ultimate artistic goal is to create art that is a perfect representation of yourself, vulnerabilities and everything. Establish this as your goal and then build your business and success around it.

Do you have tour dates coming up? Where can we catch you play?

I’ll be at Decadence in Denver on N.Y.E. and then Holy Ship! in January. After that, I’ll be working on the set for Superdream and then starting the Superdream tour for pretty much all March. I’m hoping to begin playing the new set overseas in 2019 as well...

Are there any new artists you recommend we check out?

I’ve recently found this artist named Louis Cole. His YouTube videos are hyper-creative and his music is really good too.

Do you get much time to chill away from music? How do you unwind?

Music is both my main source of stress and relaxation, ironically. When I’m truly unwinding though I like to hike and explore nature a bit.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Only You - Theophilus London (ft. Tame Impala)

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Follow Big Wild

Official:

http://superdream.bigwildmusic.com/

Facebook:

https://www.facebook.com/bigwildmusic/

Instagram:

https://www.instagram.com/bigwildmusic/

Twitter:

https://twitter.com/bigwildmusic

Spotify:

https://open.spotify.com/artist/0PxzGnCYBpSuaI49OR94cA?si=3q4n9JnTRmG1tbexfIvAKg

INTERVIEW: Johanna Glaza

INTERVIEW:

PHOTO CREDIT: Willie Nash

Johanna Glaza

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THANKS to Johanna Glaza...

PHOTO CREDIT: Willie Nash

for talking about her epic new single, Albion, and the E.P. of the same name (out tomorrow); what is coming up next year and how the Lithuanian-born, London-based artist mixes those two rather different lands – Glaza highlights a rising musician that we should have a look at.

I ask whether there are tour dates coming and whether she has a favourite music memory; the albums that are most important in her life and who she’d support on tour given the chance – she ends the interview with a great track selection.

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Hi, Johanna. How are you? How has your week been?

I’m good, thanks. I’ve been trying to spend more time off line this week and it feels wonderful.

For those new to your music; can you introduce yourself, please?

I’m an independent, London-based artist, writing long Baroque-Folk songs with an Avant-Garde twist.

Albion is your latest track. Can you reveal the inspiration behind the song?

I intended to compose a song using William Blake’s words just for fun for a friend of mine but ended up writing an eight-minute piece which took me months to complete. The dramatic events of the poem perfectly mirrored my own heart at the time. 

It is from the E.P. of the same name. What sort of themes and ideas influenced the music?

The desire to live and to be alive. I was coming out of grieving for my both parents whom I lost one after the other.

You are from Lithuania but based in London. Is it easy to balance the two worlds?

They merged naturally into one strange world for me. I need both the energy of metropolis and the complete solitude in the wild. The only difficulty is trying to figure out where am I in the first seconds after waking up.

 PHOTO CREDIT: Willie Nash

In terms of artists; who do you count as idols?

They die in me from time to time. At this moment, I’m still looking for the new one. 

Do you already have plans for 2019?

I fear the word ‘plan’ more than anything. I just hope to keep doing what I’m doing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The shooting of the video for Albion felt like being in a different world. I’d love to relive it.

PHOTO CREDIT: Rachel Poulton

What does music mean to you? How important is it in your life?

Good question: I never thought about it. Music has always been there in my life. Like oxygen - I didn’t question it. It's my own world I can escape to any time.

Which three albums mean the most to you would you say (and why)?

Björk – Debut

For breaking all the boundaries I knew at the time.

Joni Mitchell – Blue

For being so naked.

Roy Harper – Stormcock

For teaching me that a song is not just a verse-chorus thing.

As Christmas is coming up; if you had to ask for one present what would it be?

One way ticket to India? Don’t ask me why (smiles).

PHOTO CREDIT: Rachel Poulton

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support Julianna Barwick for the show in Iceland and would ask them to build us a church made of ice. It would melt as we sung. 

What advice would you give to new artists coming through?

Stay away from perfection.

Do you have tour dates coming up? Where can we catch you play?

Come and say ‘hi’ to The Finsbury, London on Jan 21. More dates to be announced on my social media soon.

 IN THIS PHOTO: Vesper Wood

Are there any new artists you recommend we check out?

Vesper Wood is wonderful. 

Do you get much time to chill away from music? How do you unwind?

Fetching the water from a well with a bucket for my countryside hut keeps me grounded. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please play Linda Perhacs – Parallelograms

Thank you for your lovely questions and your support. Have a great week.

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Follow Johanna Glaza

PHOTO CREDIT: Rachel Poulton

Facebook:

https://www.facebook.com/JohannaGlaza

Bandcamp:

https://johannaglaza.bandcamp.com/

Twitter:

https://twitter.com/JohannaGlaza

Spotify:

https://open.spotify.com/artist/5s51hGg9fi4fFceIASRaLH?si=S_y4jqMSQNefq_whmCo6tQ

SoundCloud:

https://soundcloud.com/johannaglaza

YouTube:

https://www.youtube.com/channel/UC6EGEdktdHPICBMiXKO9dAQ

INTERVIEW: Jim Junior

INTERVIEW:

Jim Junior

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THE excellent Jim Junior...

has been telling me about his latest single, Is It the Right Time, and its background. I ask him what is coming next and what music means to him – he selects a few albums that means a lot and recommends some rising artists worth checking out.

Jim Junior discusses his musical background and looks ahead to 2019; gaining a solid reputation in his hometown and what advice he would give to artists coming through – he selects a great song to end the interview with.

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Hi, Jim. How are you? How has your week been?

Creatively fulfilling and exciting as I have discovered a new tonic wine that stimulates my faculties in the studio and makes me feel great.

For those new to your music; can you introduce yourself, please?

I go by Jim Junior. I am a singer-songwriter and producer and multi-instrumentalist from Toronto, Canada. I have a background that includes House music, Jazz; Country and Hip-Hop. I mostly produce and write my material and people tell me they like it.

 

Is It the Right Time is your new track. Can you reveal the story behind it?

Yes, I can. I wrote it about two years ago in Toronto. I was riding the Subway (your tube) home from my then-day job and had this chord progression spinning around in my head. At some point, the lyric hit me and I arrived home at around 2 A.M. I fired up my computer and started putting it together.

The lyrics just happened. I was feeling intoxicated and excited but also nervous about romantic aspects of my life, not knowing where to turn but also feeling a deep sense of inevitability. I think it’s just that feeling of limbo I was trying to capture in the song.

You are signed to LAB Records. What was the reason behind that move? What is life like under the label?

They offered me the best deal. It’s like having a cool uncle with money who also knows people at Spotify.

Will there be more material coming next year?

Yes, there will. We are potentially seeing some remix type stuff in the short-term; some collaborations in the spring and likely another body of tunes from juste moi. Expect things to get wilder musically...

Can you remember when you knew music was the path for you? Did something trigger that?

Not really; it was so early in my life that I just always wanted to be playing and singing. I think around thirteen was when I consciously conceived of it as a job - but it was always like water for me.

Is it true you are known in your Canadian hometown for illegal parties?! Did that, alongside your D.J. skills, help spur you to where you are now?

Well. I am known for a lot of things in my hometown. My circle of friends got to putting on events in D.I.Y. spaces starting around 2010 where we sold drinks and provided music. My project kind of blossomed out of that as I got into writing this brand of R&B that I though could sit alongside the House and Hip-Hop that was getting spun. I was usually just the warm up D.J. and mostly played older Disco and Funk records but, when sh*t got going, other guys would spin and I would toast (emcee) on top of the House records, improvising lyrics and even writing whole tunes on the spot sometimes.

So, I learned how to work a club crowd, got more into Dance music - to which I was somewhat new - and my sound changed. I started using more drum machines and synths, changing how I approached my melodies etc. It was a blast.

Do you already have plans for 2019?

Doing some dates in Canada in the winter. Hoping to put together a full batch of songs for the spring and travelling as much as I can.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

No, to be honest. Haha. It’s all been a joyous whirlwind.

What does music mean to you? How important is it in your life?

I don't really exist comfortably without it. It's the centre of my being and the medium in which I am my most natural self.

Which three albums mean the most to you would you say (and why)?

A Love Supreme - John Coltrane

When I was about twelve-years-old, I would put it on every night before bed and find the spot where I had fallen asleep and start from there in the morning. I did this for about three months I think. It was such a pure and brilliant compromise between raw improvisation and composition that it captivated me over and over.

This Year's Model - Elvis Costello and the Attractions

Learned to play bass from this guy.

Lifestylez ov da Poor & Dangerous - Big L

The Hip-Hop record that completely took me in and turned my head out.

As Christmas is coming up; if you had to ask for one present what would it be?

Probably for Canada to recognize its continued abuse and neglect of its native population and deal with it in more than a cursory way.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support any artist with a fan base with whom my stuff would resonate. I don’t know who that is but my rider would include rum, ginger beer and chicken.

What advice would you give to new artists coming through?

In terms of the music itself, figure out what makes you shine as an individual and develop that. There are a lot of talented people doing what someone else does, just not quite as well. Don’t fall into that trap. As far as the industry is concerned, I am still figuring it out - ask somebody with real success.

Do you have tour dates coming up? Where can we catch you play?

I am planning a few dates in Canada in the winter but it’s pending. I expect to be playing in impromptu circumstances and only if the money is right. Otherwise, I am at Handlebar in Toronto in January. Check IG.

How important is it getting onto the stage and delivering music to the people?

It’s the only way musicians can really make a living now, so that’s the main thing. I hope we start to see more flow from streaming as we figure out how the whole Internet thing will continue to work; but for now we gotta hit the stage. I have a performance background and I love it the same as I love writing and recording...so it’s a big part of my thing. I think a lot of artists today are lacking in live chops and, considering the circumstances I’ve described, that seems kind of backwards.

 IN THIS PHOTO: Birthday Boy/PHOTO CREDIT: @mayafuhr

Are there any new artists you recommend we check out?

Birthday Boy and Harrison out of Toronto make some of the cooler Hybrid music with a real back-beat out there. Also from Toronto are Casey MQ and Myst Milano. I love NAO from the U.K.

 IN THIS PHOTO: Casey MQ/PHOTO CREDIT: Haley V. Parker

Do you get much time to chill away from music? How do you unwind?

I force myself to hang out without a recording setup sometimes, yeah. I love to cook and did it for many years as a day job, so I’m pretty decent. Otherwise, I love watching sports and talking politics, history and philosophy.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s put on SAINT off of Birthday Boy’s latest E.P. - cause he probably won’t ask anyone to play it…

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Follow Jim Junior

Facebook:

https://www.facebook.com/jimjuniormusic/

Instagram:

https://www.instagram.com/jim_junior_/

Twitter:

https://twitter.com/jimjuniormusic

Spotify:

https://open.spotify.com/artist/31Xf3cuuJ63CRNoxbW3rdu?si=b1H40rjiRSSsTSVDLqK_7w

SoundCloud:

https://soundcloud.com/jimjuniormusic

INTERVIEW: The Mojo Cams

INTERVIEW:

The Mojo Cams

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IT has been interesting speaking with Steve Bull...

about his musical moniker, The Mojo Cams, and how that came to be. He talks about his David Bowie-inspired project, Nebula Tuesday, and the latest song from it, These Are the Days – he reveals a few albums that are especially important to him.

I ask Bull about combining literature and music together and whether there is a natural connection; what he has planned coming up and what his favourite musical memory is – he ends the interview by selecting a great Kate Bush song.

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Hi, Steve. How are you? How has your week been?

I’m doing okay, thanks. How are you? I’ve been getting out and about and enjoying the early autumn mornings the last week or so. The amazing colours of the trees and the falling leaves seem to make me want to reminisce.. I’m hoping it will inspire me to write something.

It’s been such a very busy time with non-music stuff recently so it’s really nice to take time out and have a chat with your good self about creative matters!

For those new to your music; can you introduce yourself, please?

I am a songwriter and composer with a keen interest in digital art. I love to get artists together to develop new songs and recordings. I like to produce music via collaborations and conceptual ideas. The Mojo Cams is my vehicle for delivering this music.

Can you talk about Nebula Tuesday and what it is about? When did the idea come to you?

The idea came to me shortly after David Bowie died. Nebular Tuesday is essentially about how we treat the ‘others’ in life: how we view strangers and outsiders who don’t see the world the same. It is also about injustice and truth.

In the initial stages, I was developing an idea for a concept album. I was also looking to reflect the changes in the cultural and political climate. It started off and remains, thematically dark. I wanted to speak about the blighted concept of ‘fact’; the rise of the populist right and xenophobia. Nebular has grown its own arms and legs now. It’s a fully-scripted musical story and I’m not exactly sure how that happened.

I’ve put some tunes in there, though. It’s not all heavy…

The first track, These Are the Days, sets the story. Were you inspired by particular films or books regarding the story arc?!

Absolutely. I was thinking about The Wicker Man and all its weirdness and spooky isolation. The setting and the feel were a definite colouring of my vision for Nebular. I also had Straw Dogs (the original) in mind - to express the terror of the outsider in the story.

Might we see another project like Nebula Tuesday in the coming months/years?

I’m in talks to produce a musical dramatic work concerning the Scottish bard Robert Burns just now. I’m also working on the songs of a new musical that I hope to unveil early next year. Don’t want to say too much in case I jinx it....

Do you feel there is a natural link between music and literature - and should more musicians create form a literary viewpoint?

Well. There is a link, in the fact that songs are essentially literal due to the words and concepts of lyrics. Great lyrics often set dramatic scenes, tells stories and explore themes in a very concise and clever way. Writing Nebular; I found that matching a lyric to a dramatic scene and storyline can be somewhat limiting and, conversely, a focus for ideas.

I had never really tried writing songs in this way before. The lyrics had to be described through the eyes of the characters in the story and confined by their motivation and situations. This forced me into a new way of developing words.

Should more musicians explore this? Well, I quickly realised that it was definitely something I should have been doing all along. It was creatively liberating in the sense that I could say things through a character that I could never say personally. Artists who write for other people must experience something similar.

Overall though, I feel that music is most relevant when it explores an empathic and emotional narrative. When the listener is captured, immersed and taken on an internal journey then I suppose they are experiencing music in its purest form. Whatever device a songwriter or composer uses to accomplish this is absolutely fine by me. It is not an easy thing to do. In songs, stories and themes will always play a part.

Do you already have plans for 2019?

I am looking at taking Nebular towards a full stage/screen production. I also have other projects on the go that promise to take up all of my time.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’ve met loads of famous people. Muse, U2. Very cool experiences. I’ve had a write up in The Big Issue. Geri Halliwell was on the next page. A big highlight was supporting The Levellers and having Eddie Reader’s son ask for an autograph!

Which three albums mean the most to you would you say (and why)?

Guns N’ Roses – Appetite for Destruction

For the sound of the guitars - and it sounds like they recorded it all last week.

Portishead – Dummy

For the spookiness the Mellotron, the vocal and the otherworldliness of it. It’s a seminal album that’s for sure.

Kate Bush – Hounds of Love

Because it’s Her Majesty Kate and that is enough. Right?

As Christmas is coming up; if you had to ask for one present what would it be?

I would absolutely LOVE a two-in-one Neumann 24x4 analogue summing mixer by Vintage Maker. Sorry...you’re none the wiser? Gearhead geek alert! Do you think they will send me one now that I have mentioned them in your interview? In time for Christmas?

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Noel Gallagher. The rider would be beers and a copy of The Beatles Anthology.

What advice would you give to new artists coming through?

If everyone is running into the six yard box, head for the wing. Someone might pass you the ball.

Do you have tour dates coming up? Where can we catch you play?

There may be some conventional gigs in 2019 but, right now, I’m organising a rehearsed reading of Nebular Tuesday in February.

 IN THIS PHOTO: SIAN

Are there any new artists you recommend we check out?

I love the vocal group SIAN

Niteworks (ft. Sian) - Air Fàir an Là:

‘Air fàir an là’ means ‘At dawn of day’. It’s a traditional Gaelic ‘waulking song’ and the melody is utterly gorgeous. One of the Sian singers, Ceitlin LR Smith, sings in English on Nebular.

Do you get much time to chill away from music? How do you unwind?

Digital painting keeps me off the streets. Sometimes.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Please play Experiment IV by Kate Bush. Nigel Kennedy’s in it you know and I can play violin...so there...

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Follow The Mojo Cams

Official:

https://themojocams.co.uk/

Facebook:

https://www.facebook.com/TheMojoCams

Instagram:

https://www.instagram.com/themojocams/

Twitter:

https://twitter.com/themojocams

Spotify:

https://open.spotify.com/artist/4EwX5ZisRfcRFcXrym8Kh0?si=lnOypwxWT9GU32wtsGuNJQ

YouTube:

https://www.youtube.com/user/themojocams

INTERVIEW: Pale Green Things

INTERVIEW:

Pale Green Things

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I have been chatting with Pale Green Things...

about the new single, Fairy Lights in Albert Square, and what its tale is. He (Jack) tells me about upcoming plans and the importance of music in his life; which artists and records are inspiring him and what advice approaching artists should take to heart.

I ask whether there is any Christmas present he wants and has not asked for; if he gets time to unwind away from music and what the scene is like in Manchester right now – he selects an awesome song to end the interview with.

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Hi, Jack. How are you? How has your week been?

Hi. I’m good, thanks. It’s been busy with releasing Fairy Lights in Albert Square on Friday.

For those new to your music; can you introduce yourself, please?

My name’s Jack, but I go by the name ‘Pale Green Things’. I play Alt-Indie with a slight Folk influence. I’ve been recording music since I was a kid so I write and play everything myself.

Fairy Lights in Albert Square is your latest track. Is there a story behind it?

Like a lot of places, we get the Christmas markets taking over the city centre in December, here in Manchester. The song is about feeling low, whilst being in the centre of the forced Christmas-ness. In winter, you get the weird feeling when it’s dark, cold and being surrounded by all the fairytale-style stalls and lights; I wanted the song to be dark and ambient to capture that.

How did Pale Green Things start? Is there a reason behind the moniker?

The reason is to copy my heroes and influences; The Mountain Goats, Bright Eyes; Iron and Wine, The Eels. Pale Green Things is a song by The Mountain Goats. I love the song and I just thought it was a good name that people could create their own imagery for.

Is there going to be more material next year?

Yep. Going to be a busy year coming up. I have an E.P. out early next year, plus I’m always releasing fan club-only E.P.s.

Are there particular artists that inspired you to get into music?

The first band I got obsessed by when I was a kid was the Manic Street Preachers. The Holy Bible is still one of my all-time favourite albums. After that, it was Belle and Sebastian, Conor Oberst; The Mountain Goats and The National. The list could go on but those are the ones that really influenced my writing.

What is the scene like in Manchester like right now?

Really good, actually. There’s loads of great venues here of all sizes. It feels like more bands are starting to get noticed here also, but Manchester will always have a bit of an underground feel to it which I love!

Do you already have plans for 2019?

I’ve got the E.P. to release and an album to work on. I’ll create more plans to play live once the E.P. is ready to go. I’m looking forward to playing the new songs live!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’ve had lots but, recently, it was pretty cool when Francis from Teenage Fan Club turned up to the studio to play piano on a track from my old E.P. I love playing my Alt-Indie songs live as that’s where my heart is musically, but nothing quite beats when you first start gigging as a teenager and just go and tear the place apart. Haha!

Which three albums mean the most to you would you say (and why)?

Way too hard! But, top-three right at this moment I’ll say…

The Mountain Goats – Tallahassee; Belle and Sebastian - If You’re Feeling Sinister and Conor Oberst and The Mystic Valley Band - One of My Kind. I’m always searching for music that paints a picture of life as I see and feel it and those albums capture something.

As Christmas is coming up; if you had to ask for one present what would it be?

Haha. The only thing I’ve asked for is a new capo which is a bit depressing. It always feels weird asking for things when you just wanna record and play music!

If you could support any musician alive today, and choose your own rider, what would that entail?

Can’t do it. Haha. It’s Conor Oberst or John Darnielle (The Mountain Goats). So, I guess my rider would be a game of Connect 4 and the winner gets to headline the show - and I can chill back stage with the other.

What advice would you give to new artists coming through?

Just make the music you wanna make because, at the end, that’s what you’re left with.

Do you have tour dates coming up? Where can we catch you play?

I need to sort out my live shows for 2019 but there will be plenty of U.K. shows.

Are there any new artists you recommend we check out?

There’s a guy called John Dahli from the North West that’s making some awesome music. Defo recommend his new E.P., Perfect Heart.

Do you get much time to chill away from music? How do you unwind?

Nope. Not really! I work as a guitar teacher, and then play music the rest of the time. I live near Old Trafford so I get to the football when I can. When I need a break, I watch an episode of People Just Do Nothing. I am loving that show at the minute.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of My Kind - Conor Oberst and the Mystic Valley Band

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Follow Pale Green Things

Facebook:

https://www.facebook.com/palegreenthingsband/

Twitter:

https://twitter.com/PaleGreenBand

Bandcamp:

https://palegreenthings.bandcamp.com/

Spotify:

https://open.spotify.com/artist/3TgYRGj1qGqJZmSuklKnpZ?si=Zo_l0slwTX-bYBnJJVqETw

INTERVIEW: Runrummer

INTERVIEW:

Runrummer

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THE terrific Runrummer has been telling me about...

her awesome new E.P., Soul Wrinkles, and its inspirations; whether she has a favourite cut from the collection and what comes next for her – she selects a few albums that are very important and explains the reasons why.

I ask what sort of music she grew up around and who she’d support on the road if she could; which approach musician we need to check out and what advice she would offer to artists coming through – Runrummer picks a great song to end things on.

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Hi, Runrummer. How are you? How has your week been?

Hey, Sam! My week is going very well thank you. Busy but good. Just played a headline show at the Amersham Arms and gearing up for a performance at Stockwell Studios with students from the University of Greenwich on 12th December. I’m also back in the studio working on new tunes and remixes - exciting times!

For those new to your music; can you introduce yourself, please?

My real name name is Livi Morris. I’m twenty-four-years-old and I’m an emerging Alt-Pop singer, songwriter and producer. Currently based in East London, although I grew up in a town called Bromsgrove just on the outskirts of Birmingham. Prior to embarking on my first solo adventure as an independent artist, I cut my teeth writing lyrics for EDM heavyweights like Showtek and The Chainsmokers.

Soul Wrinkles is your new E.P. What sort of themes and stories inspired the music?

The music is all very personal to me. A lot of it confronts struggles I’ve had with sexuality, gender identity; mental-health and other juicy emotional stuff. Eyes, for example, tries to tap into the feeling of being trapped by your own gender. This is something I really struggled with when I was younger. The isolation you feel and the road you have to travel down in order to find acceptance within yourself vs. others expectations.

Do you have a favourite cut from the pack? Is there a personal highlighted?

Penny Drop definitely is my personal favourite at the moment. I just really love the feeling of it. It follows the story of two lovers who realise their relationship is over - but at different points and in their own separate ways - that ‘penny drop moment’ where suddenly everything makes sense and become more clear. The coffee shop narrative is also an interesting one.

Everyone has their own place of escapism and the coffee shop tries to be symbolic of that. A place to run away and find calm on a dark, rainy evening when you feel like all hope is lost. The concept I had in my mind was very much inspired by Edward Hopper’s 1942 painting Nighthawks.

What sort of music did you grow up around? How important were your parents’ tastes regarding your music?

I grew up in a very musical household. Neither my mum or dad could play an instrument but they were always blasting the good stuff - mainly '70s and '80s. The biggest inspiration from my dad has to be David Bowie. Whenever my mum was out, we would listen to all his Bowie records back-to-back then watch some cut-throat Tarantino movie like Kill Bill (also great music on those soundtracks). I’m really inspired by anything from the '70s and '80s and, in fact, my name ‘Runrummer’ actually comes from the famous Rum Runner nightclub which helped launch classic '80s bands like Duran Duran and Dexys Midnight Runners back in the day.

I grew up with my dad talking about that place like it was a shining beacon of light on the Brummie music scene; so the name Runrummer is sort of a nod to my dad and to Birmingham as a whole and particularly the music that influenced me growing up.

You moved from Bromsgrove to London. How important was it to move to the capital? Has it opened up doors and opportunities?

London is definitely the best place to be if you’re an emerging artist in the U.K. The people I’ve met and the opportunities I’ve encountered since moving here have been quite incredible. For example, I recorded the E.P. at Cafe Music Studio which is the H.Q. of Jon Hopkins. I can tell you it’s quite surreal making a cup of tea with Jon in the kitchen, overhearing the sonic sounds emanating from his room and witnessing and development of Singularity (his latest studio album). London is also just a great place to be inspired. It’s so full of life and colour.

Two of the tracks on the E.P. I actually wrote while I was travelling on the Tube. And I also find one of the best ways to work on a new song is to listen to it on-repeat while travelling on the front seat at the top of a double-decker. An American recently told me that my music sounds very London, so the city must be rubbing off on me!

Do you already have plans for 2019?

2019 is full of exciting things indeed. I’ve just joined The Rattle which is an awesome collective of artists and start-ups working together in East London. I’ll be releasing new music, creating new videos; gigging every month and throwing myself thoroughly into the festival scene. I’m also on the lookout to collaborate as much as possible with other artists...so watch this space!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Getting flown out to the Netherlands to record with Showtek at their studio in Eindhoven has to be a highlight. This was back in 2012. I’d just turned eighteen, just got my braces off and just left school. I couldn’t believe my luck! It was the first time I felt like my music was worth something and that’s the best feeling in the world when you’re just starting out. Recognition and validation.

What does music mean to you? How important is it in your life? 

Music means the world. Happy or sad, it’s the soundtrack to your life and I love how it can help you feel like you’re not alone. Whenever I’ve been down and out, it’s music that’s helped to pull me through. It can act as a form of escapism but it can also show you ‘Hey, other people are going through sh*t too and you can get through it together’. I’d say that’s pretty important. Can you imagine a world without music? No way!

Which three albums mean the most to you would you say (and why)?

Demon Days – Gorillaz

This is the first C.D. I ever owned. I had it on-repeat on my Sony Walkman for a good twelve months. I used to turn on MTV and wait for the music video for Feel Good Inc. to come on. I was proper-obsessed. It was unlike anything else at the time and all their stuff has definitely had a strong influence on my music and writing. I actually wrote a new song called Urban Jungle recently with Damon Albarn in mind. Would love to work with him one day.

The Whole Story - Kate Bush

I know this is a compilation album, which might seem like a controversial choice, but this is the record my mum had on vinyl when I was growing up. Kate Bush has to be one of my biggest idols of all time. She definitely influenced the E.P. and probably every song I’ve ever written. I love listening to The Whole Story. Cloudbusting is my favourite. I’m waiting for someone to make a killer remix of that one. Maybe I should just make one myself…

Aladdin Sane - David Bowie

I was tempted to say The Rise and Fall of Ziggy Stardust... but I think Aladdin Sane is actually the Bowie album which has had the biggest and longest lasting impact on me. Lady Grinning Soul hits me hard and the whole album makes me feel things. Bowie is God.

As Christmas is coming up; if you had to ask for one present what would it be?

A music studio…wishful thinking!

 If you could support any musician alive today, and choose your own rider, what would that entail?

Christine and the Queens, hands down. Héloïse Letissier is an absolute master. Have you seen her recent shows? I tried to get tickets for Victoria Apollo but they all sold out. And I’ve just seen she’s been announced to headline All Points East but I’m gutted I’ll be in Northern Ireland that weekend. Her performances on stage are incredible and I’d like to get to know her as an actual human being. What better way to know someone than to go on tour with them?

For the rider - I’ve got coeliac disease but venues never ever have any gluten-free beer, so I’d like a decent supply of that please!

What advice would you give to new artists coming through?

1. Don’t put yourself under any unnecessary pressure, especially when it comes to timescales. Yes, you have a goal and you’re champing at the bit but take your time. Only release stuff when it’s ready and make sure it’s the best it can be. You want your debut to be flawless.

2. Get a publisher - someone like Sentric who understands independent artists and tries to give you a fair deal in a language which doesn’t sound foreign. This also takes a lot of stress off you trying to get your head around the world of publishing. It can be a real headache act the start!

3. Be nice to people. Don’t stick your nose where it doesn’t belong and don’t try to talk about things you have no idea about. It will definitely come back to bite you.

Do you have tour dates coming up? Where can we catch you play?

We’ve got a very exciting gig planned for January but I’m afraid I can’t spill the beans about that one just yet. However, I can tell you we’ll be supporting our good friends Zkeletonz at the Victoria in Dalston on 22nd Feb. Plus, we’ve got a headline show in Worcester planned for March. New dates are being added all the time so follow me on the all my socials to stay in the loop (smiles).

 IN THIS PHOTO: Merryn Jeann

Are there any new artists you recommend we check out?

Yes! Go check out Merryn Jeann! She’s definitely not new but still relatively unknown and deserves way more recognition I think her voice is incredible and her lyrics are flawless. The song she did with Møme called Aloha was a huge inspiration behind the making of my debut single Good for Nothing. I can’t wait to hear more from her as she grows. Definitely one to keep an eye on for sure!

Do you get much time to chill away from music? How do you unwind?

Haha. Well, music is my way of chilling! I currently work full-time as a Transport Planner at TfL. It pays the bills and I get to ride on the Tube for free. Cheeky.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Solange - Losing You. What a banger!

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Follow Runrummer

Official:

https://www.runrummer.com/

Facebook:

https://www.facebook.com/Runrummermusic/

Twitter:

https://twitter.com/Runrummermusic

Instagram:

https://www.instagram.com/runrummermusic/

Spotify:

https://open.spotify.com/artist/2VqvNXdQzKDywenScflYoX?si=3Xw2yuoXTluG9JuUfuxNUA

INTERVIEW: Crimson Calamity

INTERVIEW:

Crimson Calamity

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IT has been great speaking with Crimson Calamity...

about their new single, First Snow, and why they decided to write something wintry. I discover how Crimson Calamity got together and whether there will be more material next year; what sort of music they are driven by and which rising artists we need to get behind.

Lauren and Mallory share favourite memories from their career and tell me what tour dates are coming up; the artists they’d support on the road if they had the chance – they select some cracking tracks to end things with.

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Hi, guys. How are you? How has your week been?

Hey there! We are well. Thanks for asking. Just super-excited for the release of this single and the Holiday season!

For those new to your music; can you introduce yourselves, please?

Absolutely! We are Lauren and Mallory, a Roots-Rock/Americana duo called Crimson Calamity, living in Nashville.

First Snow is your new single. Was there a particular moment that inspired it - or did you want to create something with a winter/Christmas vibe?

We had wanted to write a Christmas song for some time and, when we finally sat down to do it, this idea of a loved one waiting for a soldier to come home developed. We wanted to make it somewhat timeless and not from one particular person’s perspective because love comes in many forms and so many people can relate. The Holidays can be such a wonderful happy time, but they can also leave people with a yearning or melancholy and we wanted to write something for the ones who wait.

Do you think there will be more material next year?

Absolutely! We are currently writing for our next E.P. and we will be back in the studio March 2019.

How did Crimson Calamity start? What brought you together?

We met in college and did a lot of collaborating over the years. We decided to form our band in 2014 when we were participating in a monthly songwriting challenge that led to us writing two songs inspired by Calamity Jane. They would give us different themes to write about. One particular month’s theme was to write about a historical event or person. The songs sparked the idea for the band so we decided to use her as our namesake in tribute.

In terms of music; which artists are you drawn to?

We are both drawn to artists in many different genres but as an influence on our band we are drawn to old-school stuff: Fleetwood Mac, Dolly Parton and Johnny Cash. However, there are also artists in our generation that we love: Brandi Carlile, The Civil Wars; The Lone Bellow, Jamestown Revival; Grace Potter, Jason Isbell and Cam - artists who are telling stories and creating unapologetic, organic and timeless music.

As Christmas is coming; what one present would you each like if you could have anything?

Lauren: If I could have anything?! I think I would ask for a new car...probably a Tesla SUV. Is that selfish? Should I have asked for world peace?

Mallory: Teslas ARE really nice! I think, for me, a gift card to Trader Joe’s or Whole Foods - large enough for me to buy healthy food from for a few months. I’ve been naughty lately. Too much sugar.

Do you already have plans for 2019?

We do! We have a show at The Hotel Cafe in Los Angeles on 1/22 at 7 P.M. and then we are headed to the Sundance Film Festival. We are going to be touring, writing and recording the new record in March.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Recording our last record was a pretty special memory. We had original band members out from the West Coast and we recorded for the first time at The Sound Emporium here in Nashville. Everything came together in such a special way and we were just pinching ourselves because we felt so lucky.

Which one album means the most to each of you would you say (and why)?

Lauren: I feel like I have had different albums mean the most to me at different times in my life but one that sticks out would have to be Mumford & Sons’ first record, Sigh No More. The lyrics on that record just hit me like a ton of bricks and really resonated with me. That time in my life wasn’t the easiest and it helped me through. One of my favorite lyrics of all time is “There will come a time you’ll see, with no more tears/and love will not break your heart, but dismiss your fears/Get over the hill and see what you find there with grace in your heart and flowers in your hair”.

Mallory: This is such a hard question! There are so many albums I love top to bottom. I’m not sure I can pick just one...I think it might be a tie between Aerosmith’s Nine Lives because it’s a symphony of Rock and Roll and I love Steven Tyler…and I still think Sheryl Crow’s self-titled album is a masterpiece. Every single song is absolutely killer. Redhead by Bleu and the ’90s Romeo + Juliet soundtrack are honorable mentions.

If you could support any musician alive today, and choose your own rider, what would that entail?

It’d be so fun to open for an artist like Harry Styles or Chris Stapleton. They’re both amazing writers and vocalists. We also are huge into supporting the ladies so someone like Cam, Kacey Musgraves or Grace Potter would also be amazing. As far as a rider goes, please have whiskey, wine or both. Neat and red respectively.

What advice would you give to new artists coming through?

Calamity Jane has a quote: “If a girl wants to be a legend, she should just go ahead and be one”. That really resonates with us because being a woman in the entertainment business isn’t always a walk in the park and we oftentimes have to fight twice as hard to even get heard. It’s so important to hone your craft and know your business. Don’t let anyone try to tone down your voice and don’t be afraid to take up space in this industry.

Do you have tour dates coming up? Where can we catch you play?

We do! We will be at Knoxville’s Blue Plate Special WDVX on Dec 15th. We are also playing a show in Franklin, TN that night at The Pond. At Truck & Tap in Alpharetta, GA on Jan 13th and, again, you can catch us at The Hotel Cafe in L.A. on 1/22 plus more to come! The best way to keep up with our shows is to follow us on Facebook and Instagram (@crimsoncmusic).

 IN THIS PHOTO: Lennon Stella

Are there any new artists you recommend we check out?

Lauren: I am loving Lennon Stella’s new music. She is so talented and I can’t wait to see where she goes.

Mallory: Totally agree. Lennon Stella’s new record is fantastic. Also, local Nashville band The Foxies. They totally rock. Look out for them.

 IN THIS PHOTO: The Foxies

Do you get much time to chill away from music? How do you unwind?

Fortunately, we are both obsessed with music so we don’t need much chill time away, but I’d say we both like to hang with our significant others and our dogs. We love to go see shows and go out for dinner and drinks too. Taking time for self-care is something we are both trying to be better at. We’re definitely guilty of energizer bunny mode.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lauren: Mockingbird by Ruston Kelly

 

Mallory: Horns by Bryce Fox

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Follow Crimson Calamity

Official:

https://www.crimsoncalamitymusic.com/

Facebook:

https://www.facebook.com/Crimsoncalamitymusic/

Twitter:

https://twitter.com/crimsoncmusic

Instagram:

https://www.instagram.com/crimsoncmusic/

Spotify:

https://open.spotify.com/artist/29HGeJEcYHBJlyt4xIcLBw?si=6ZCknSbIQ8ih3Ve4pDiFIw

INTERVIEW: The Fame

INTERVIEW:

PHOTO CREDIT: Avalon Mohns 

The Fame

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I have been speaking with The Fame...

about their debut single, Wide Awake, and what its story is. They tell me how the band formed and what we can expect from their approaching E.P. – the guys reveal albums important to them and rising artists that are worth a shout.

I was keen to discover which artists influence them and whether there are upcoming tour dates; what they would like for Christmas and which artists they’d support given the chance – they select some cool tracks to end the interview with.

____________

Hi, guys. How are you? How has your week been?

Really busy. We just released our debut single - and we’ve been swamped with lots of things that need to get done. But, other than that, it’s been good.

For those new to your music; can you introduce yourselves, please?

Yes. We are a four-piece Indie-Rock band from Toronto, Canada. We have been around for about two years, and we all come from different backgrounds and walks of life.

Wide Awake is your debut single. Is there a story behind it?

Not really. It’s just a song about how people perceive themselves and the world around them. The happenings of everyday life; walking around in your own shoes...especially during hard times or the periods in your life when you feel like you have nothing good or redeeming to grasp onto.

I know an E.P. is coming next year. Can you reveal any themes or ideas behind the songs?

The songs are just about real things. Real emotions, real feelings and real thoughts; stuff everybody goes through. Besides that, there isn’t really a theme behind the E.P.

What was it like working with Brian Moncarz on the E.P.?

It was a great experience. Brian saved us as a band. We had tried recording about seven or eight times before working with him and it was going nowhere until we sent him our demo tapes - and he loved them. He gave us a new perspective and did an amazing job with this E.P. He’s experienced, and knows what he’s doing. Can’t say enough good things about him.

When did The Fame get together? How did you find one another?

We were four best friends in high-school who grew up on the same street together and decided to form a ba…nah. Our story is far from that. I, Brandon answered an ad on Craigslist looking for a rhythm guitarist for a new band and, in that band, I met Yu, who was the lead guitarist. We became friends and, when that band was falling apart we decided to leave and start our own band. We put ads up online looking for a bassist and, through one of the people who answered the ad, we met Andrew who joined the band full-time after subbing in on bass for our first show.

After trying out a succession of drummers, we met Rodrigo who had just moved from Chile to Canada and became roommates with Yu in the same house. He was a music educator in Chile. Our current drummer at the time quit and the rest, as they say, is history…

In terms of music; which artists are you drawn to?

We all have our own preferences and influences but, as a band, we’re most drawn to artists like: The Beatles, Velvet Underground; Neil Young, Nirvana; Oasis, White Stripes; Strokes, Arctic Monkeys; Smashing Pumpkins and Red Hot Chili Peppers.

As Christmas is coming; what one present would you each like if you could have anything?

I think we would all like some new amps and some Long & McQuade gift cards. Haha.

Do you already have plans for 2019?

Yeah. We’ve got two more singles to drop in the New Year and then the full E.P. which we are expecting to release around March/April. We’re also starting to line up a bunch of shows for the New Year as well.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Touring is always the most fun but also anytime we’ve got to play at the Horseshoe in Toronto is great. Especially the time it was nearly sold out; that was incredible.

Which one album means the most to each of you would you say (and why)?

There are SO many albums we could name but, for the sake of this interview, four albums that are important to each of us are: The Beatles - The Beatles (White Album); Oasis - Definitely Maybe; Nirvana - In Utero and Red Hot Chili Peppers - Blood Sugar Sex Magik.

Each of these albums has its own distinctive identity - and that’s part of the reason why they are so important to us. Each has inspired us as composers and as musicians. There are so many more we wish we could mention like The Strokes, Velvet Underground; Arctic Monkeys, Smashing Pumpkins; Sonic Youth, White Stripes etc., but we’ll save those for the next interview sometime down the road.

If you could support any musician alive today, and choose your own rider, what would that entail?

Paul McCartney or Neil Young, for sure. Who knows how much longer they will be touring, so we couldn’t pass up an opportunity to open up for one of them. They are both huge inspirations for us. Oh...and definitely NO brown M&M’s.

What advice would you give to new artists coming through?

Write lots of songs and play as many shows as you can.

Do you have tour dates coming up? Where can we catch you play?

Nothing we can announce yet, but lots of dates in the works. We are just coming off a sold-out show at the Cameron House in Toronto.

Are there any new artists you recommend we check out?

We’ve been listening to The Beaches, Dirty Nil; MIGHTY, DIIV; Ready the Prince and Crown Lands recently. All very good.

 IN THIS PHOTO: Crown Lands/PHOTO CREDIT: Kurt Cuffy

Do you get much time to chill away from music? How do you unwind?

We each have our own ways of unwinding. But, mostly, just hanging with friends or family. Going to shows or concerts; taking in the art/film scene in Toronto. Music is an important part of each of us, so we never really get away from it.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sounds good! Here’s what were all feeling today:

The Strokes - Automatic Stop

Red Hot Chili Peppers - My Lovely Man

The Beatles - I Want You (She’s So Heavy)

Black Sabbath - Hole in the Sky

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Follow The Fame

Official:

https://www.thefameband.com/

Facebook:

https://www.facebook.com/thefameto

Twitter:

https://twitter.com/thefameto

Instagram:

https://www.instagram.com/thefameto/

Spotify:

https://open.spotify.com/artist/6SFIeL1DTqaaO5zKg9999K?si=YXQTLGaoR96zfNFj-R7_4A

INTERVIEW: The Yacht Club

INTERVIEW:

The Yacht Club

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THE guys of The Yacht Club...

have been revealing how they found one another and what we can expect from their upcoming album, The Last Words That You Said to Me Have Kept Me Here and Safe. They discuss the emotional and personal story behind their single, Heigham Park, and what it was like putting together its video.

The chaps highlighttheir favourite albums and the music that matters most; which rising artists we need to get behind and whether there are any gigs approaching – they each pick a great song to end the interview with.

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Hi, guys. How are you? How has your week been?

Jack: Stressful but good! Some friends of ours opened a new recording studio on Saturday (@thebookhousestudio on Instagram) and I spent a lot of last week helping them get the space sorted for the opening day.

Marcus: Very busy, very tiring! I had a lovely chat to the Such Great Heights podcast about all things musical which should be out in a couple of weeks. I’ve also been rehearsing with another band I play in (Employed to Serve) for our upcoming tour.

Alex: Good, thanks! Been getting some artwork ready for the band’s Japanese release.

For those new to your music; can you introduce yourselves, please?

Jack: I’m Jack and I play guitar and sing.

Marcus: I’m Marcus and I also play guitar and sing!

Alex: Hey, I’m Alex - I play drums live and also do keys on our recordings.

How did The Yacht Club form? What attracted you to one another?

Jack: I actually only joined the band two years ago, but I went to school with Alex and know the rest of the guys through him. I covered bass duties whilst Alex was away on another tour, so when our old guitarists left, I guess I was an obvious choice for the others.

Marcus: T.Y.C. was a way of writing songs for myself and not for anyone else. I had spent a few years doing the session musician thing in London and had really been neglecting my own artistic expression. I just wanted to make music like all my favourite bands and I think my own words to Tom (who has recorded all of our music to date) were “I wanna be just like Pennines!” I met Ali (Alex who plays drums) on a music course we were doing and played in a band together briefly, so when T.Y.C. came around it was a perfect fit.

Whilst I say it was a solo project, Ali has been there for every recording; played drums and keys on it all and been there since pretty much the very start.  I lived with Alex (bass) when I was at uni and met Jack through him! Whilst the line-up has had people come and go, this one feels very natural.

Alex: Myself and Marcus met at ICMP in 2011 for a Live Event Management project. We’ve been writing music together ever since! Marcus got me on-board for drums on ‘A’ in late 2012 (initially a solo project). Also, Marcus looks more like my brother than my actual brother. P.M. us for proof.

Heigham Park is out. What is the story behind it? What was it like putting the video together?

Marcus: Heigham Park was written about dealing with losing one of my closest friends, Blythe, to suicide. The park itself is somewhere we would go after school and during the summer. There are a lot of special memories associated with that place and now there’s a bench there in his memory. It’s one of the most honest and upfront songs I think I have ever written, let alone one that appears on the record. The idea and demo for the song has existed for about three years in its most basic form. It went through a few stylistic changes before arriving at its current form! I’ve had the second half of the chorus and the first verse since the start though.

The video was fun to do! The live shots were taken in this really cool space we hired out off of Brick Lane. However, the drums were far too loud so we could only get two takes! The woodland area was the same day as another video shoot our director (Andy Curd - Kamaji Studios) was involved with the same day! It was a tight squeeze to fit it in with our schedules but I’m really happy with how it has turned out.

PHOTO CREDIT: Alfredo Guzman

The Last Words That You Said to Me Have Kept Me Here and Safe is out in January. What sort of themes and ideas inspired the record?

Marcus: The whole album was written over a period of immense grief and sadness following Blythe’s death. He was the only one of my friends who I could talk so openly about mental-health and the problems we shared and, when he went, it was like that lifeline was severed. Towards the end of the writing process, I also lost my father very suddenly too and this made its way into a few last-minute lyrics and musical ideas. Not only do you start questioning your own mortality when losing someone so suddenly, but it brings every life choice you have made so far into question.

So, naturally, my writing reflects this. It’s an album of recovery and realising you do have people there for you, even if the ones you thought would stand by you didn’t - and making your way through to the other side.

In terms of music; which artists are you drawn to?

Jack: I grew up listening to a lot of Metal and Hardcore, which is something I’m still very much into, but I guess my main interests musically are Punk/Emo bands and singer-songwriters. Death Cab for Cutie are a massive influence on all of us and I really love bands like Joyce Manor and Charly Bliss. In terms of singer songwriters, boygenius and each of the members’ solo projects are huge sources of inspiration for me.

Marcus: I will always and forever go back to City and Colour. Dallas Green really shaped my songwriting and singing from a young age. I like a lot of bands that can instil emotion and have clever production such as Death Cab For Cutie, Jimmy Eat World and a lot of Owen records. But, then again, I’m a big fan of that noodly guitar playing! Into It Over It do this so well whilst maintaining excellent choruses and not being over the top with it.

Alex: For me, Jimmy Eat World was the first band that I got obsessed with. The first song I heard was Sweetness when I was twelve. I used to be into far more ‘technical-for-the-sake-of-it’ music; now, I’m more drawn to creatively-simple artists. A teacher once said “The simplicity on the other side of complexity”.

 PHOTO CREDIT: Simon Treasure

As Christmas is coming; what one present would you each like if you could have anything?

Jack: If money (and space) weren’t a problem I’d have a Fender Quad Reverb.

Marcus: I’m a boring adult; so really valuing good kitchen equipment these days...

Alex: I really want to get back into drawing, so a new drawing pad and a set of pencils. That or a cast iron pan.

Do you already have plans for 2019?

Jack: We absolutely do! We’re looking to play a load more shows once the album is out and are all really desperate to get on the festival circuit!

Marcus: Touring and playing a whole lot more. I just want to get this record out to as many people as I can! Already a few demos deep into the next release, so I’m excited to get that started.

Alex: We’ve been working on some piano versions of the tracks, so potentially a cheeky acoustic release could be in the works in between albums.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Jack: Recording gang vocals for the last track on the album. We did a lot of overnight sessions with our friend, Tom Hill, and the (sometimes-stressful) late nights made things quite difficult, as well as the distance between us whilst we were recording. It was the first time we’d all been together in such a long time and there was such a sense that everything had come together and had clicked.

Marcus: Sounds cliché and obvious but listening back to the first bounces we received from the album. Recording this album was such a landmark moment not only for the band, but for ourselves as well. With an unsteady line-up, we had not really been a band on the outside world for the best part of a year. I had recently moved to Norwich after my father passed whilst everyone else was back in London so recording and writing was plagued with delays due to distance and me touring heavily with a band called Ducking Punches. But we did it. I’m super-proud of everyone for making this the best thing we’ve ever done.

Alex: Tracking drums for this album at Holy Mountain Studios in Hoxton last August. Four days of drum production geekery and storming off saying “I hate this track”; forgetting I was on my own in public wearing my favourite Chuckle Brothers T-shirt.

 PHOTO CREDIT: Alfredo Guzman

Which one album means the most to each of you would you say (and why)?

Jack: For me, probably Casually Dressed & Deep in Conversation by Funeral for a Friend. That was the first album that I was ever super-into and it got me into a load of music that I still really love today. Their farewell shows in London were the same weekend as my birthday and being at those shows with my brother are really special memories to me.

Marcus: Bring Me Your Love by City and Colour. This was the album that really pushed me into writing and singing and really shaped my musical tastes. It was the album that taught me it’s ok to not be ok and I am so thankful for that.

Alex: Always a tough one. Easy answer would be Clarity by Jimmy Eat World because I was at the right point in my life to be listening to that album. De-Loused at the Comatorium by The Mars Volta opened my mind as to what was possible with drumming and also music.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jack: Julien Baker. Both her albums are incredible and she puts on an amazing show. I’d also love to know what her live setup is!

Marcus: Jimmy Eat World, for sure. They’ve had such an impact on all of us and it’d be a truly bucket-list moment. For the rider, I’d have a crate of Vego bars and Temple of Seitan burgers.

Alex: Been loving what Lianne La Havas does for a while - pure talent; otherworldly.

 PHOTO CREDIT: Alfredo Guzman

What advice would you give to new artists coming through?

Marcus: Have fun, be positive and keep an open mind through the whole process. You might start making music in one genre and decide another one is more to your liking! Listen to as much music as you can, and be respectful to everyone.

Alex: Cliché, but have fun! That’s why we all started loving music, keep it that way. Keep curious and actually listen to music, not just background noise.

Jack: Say ‘yes’ to as much as you can - you never know where an opportunity will take you; be willing to compromise with other musicians you work with and have fun!

Do you have tour dates coming up? Where can we catch you play?

Marcus: We have a couple of launch shows for the album coming up! 26th January at the Sebright Arms in London and 2nd February at The Steam Packet in Norwich. We’ve also got an intimate acoustic show on the 14th January which you’ll hear about soon.

 IN THIS PHOTO: Dryjacket/PHOTO CREDIT: @walk.into.the.light

Are there any new artists you recommend we check out?

Jack: No Stranger, Dryjacket and Don’t Worry.

Alex: Christof van der Ven.

Marcus: Spanish Love Songs, Marigolds and Shadowboxer.

 IN THIS PHOTO: Marigolds/PHOTO CREDIT: Tom Seago

Do you get much time to chill away from music? How do you unwind?

Marus: Music is my full-time job, so it really does take over all parts of my life! If I have some time to unplug, nothing beats lasting an afternoon playing Skyrim with multiple cups of tea.

Alex: Loads! I unwind with a casual run around parks in N.W. London. That or lose myself in a book at a new café I’ve discovered on a random walk.

Jack: I don’t really do much else, honestly. I left my job last year to go back to university and study music and also to give me more time to focus on making music. Unwinding for me is usually putting something relaxing on and hanging out with my dog - City and Colour’s most-recent live album is a current favourite for this

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that)

Jack: Great Grey Towers by No Stranger

Marcus: Friends in Theory by Tommy Boys

Alex: London by Third Eye Blind

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Follow The Yacht Club

PHOTO CREDIT: Alfredo Guzman

Official:

http://jointheyachtclub.com/

Facebook:

https://www.facebook.com/TheYachtClubUk/

Twitter:

https://twitter.com/theyachtclubtyc

Instagram:

https://www.instagram.com/theyachtclubtyc/

Spotify:

https://open.spotify.com/artist/6Q7jW8Eafh27pBaelSW0Jf?si=jiCPD55ASP2kr5azzMlakw

Bandcamp:

https://theyachtclub.bandcamp.com/

INTERVIEW: RØMANS

INTERVIEW:

RØMANS

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I have been chatting with RØMANS...

about his current single, Oxygen, and how it started life. He shares a precious music memory and tells me what he has in store for next year; a few approaching acts we need to look out for and the albums that have inspired him.

RØMANS tells me how he spends time away from music and how he feels he has developed since the start of his career; what advice he would give to new musicians coming through and the artist he would like to support on tour – he ends the interview by selecting a great track.

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Hi, RØMANS. How are you? How has your week been?

Hi, there. It’s been a great week so far (1:45 P.M. on a Monday).

For those new to your music; can you introduce yourself, please?

Sure. I’m Romans; a songwriter, producer and singer. I’m from London but spend most of my time in L.A. writing and producing for other people. I can’t really put a label on the music I make for myself: it’s just an output for my personal taste; I don’t really have a specific genre that I make. I just love music and try to do whatever I’m feeling like at the time. 

Oxygen is your latest single. It is a slightly softer sound. What is the inspiration behind it?

To add some light to dark. I try and avoid repeating sounds so the piano ballad is always a good option to mix things up a bit. I wanted to play around with old sounds, hence the Mellotron. I was listening to I Don’t Believe in Miracles by Colin Blunstone that day.

Will there be an album or E.P. next year?

The music I’m putting out at the moment is an album; I’m just putting it out separately. I feel like no one has the time for a body of work anymore. I’m working on a new album that will come out in some format next year too.

How do you think your work has developed and evolved since the start of your career?

I think I’ve just owned being androgynous with my sound. I was always concerned with being considered a confused artist and then I remembered I literally don’t give a f*ck.

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

Absolutely. There are so many. From Rachmaninov and Chopin to The Beatles and Dylan to Stevie and Donny Hathaway; to Kanye and Childish Gambino. There’s not really a great deal of music I don’t like and get inspired by. 

Do you already have plans for 2019?

I do indeed. It consists of writing for some great artists, developing some newer ones and finishing my next album. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Sitting at the piano with Elton John and writing a song will probably never be topped. 

Which three albums mean the most to you would you say (and why)?

The Beatles – The Beatles (‘The White Album’)

This was probably my awakening as an ‘artist’. It’s the first time I ever looked at songs as more than just melodies I liked. 

Stevie Wonder - Songs in the Key of Life

Offensively-brilliant album. Every song is a work of art. One of the greatest artists in history in his absolute prime.

Kanye West - The College Dropout

Played it until the C.D. warped. Mind-blowing album. Possibly the greatest debut album ever.

As Christmas is coming up; if you had to ask for one present what would it be?

Great question. I want the Back to the Future sneakers. The original ones.

IN THIS PHOTO: RØMANS alongside Lewis Capaldi (left) and Ghosted (centre)/PHOTO CREDIT: @RØMANS

If you could support any musician alive today, and choose your own rider, what would that entail?

I want to support Susan Boyle. My rider is as follows: three cans of Appletiser - cans not bottles. Hummus (avec crudités). A PlayStation V.R. headset (I will provide the PlayStation). A golden retriever puppy. An ornamental bullfighting statue. Four blunts. A Funfax organiser. A Chicken Salad sandwich from M&S.

What advice would you give to new artists coming through?

Do whatever you want. Only listen to your gut and pray to God that you have good taste.

Do you have tour dates coming up? Where can we catch you play?

Not currently...

IN THIS PHOTO: Aj Mitchell

Are there any new artists you recommend we check out?

Aj Mitchell, Maisie Peters; L Devine and Eyelar. 

IN THIS PHOTO: Maisie Peters  

Do you get much time to chill away from music? How do you unwind?

Not a lot of time - because it’s my job and hobby. I do eventually get burnt-out and take a forced holiday which I always end up enjoying. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you! I choose Dunes by Alabama Shakes

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Follow RØMANS

Facebook:

https://www.facebook.com/ThisIsROMANS/

Twitter:

https://twitter.com/ThisIsROMANS

Instagram:

https://www.instagram.com/ThisIsROMANS/

Spotify:

https://open.spotify.com/artist/4b8dLpJgJpNQYzu4AtXLt3?si=Q-8sXj94SI-fmu3-91dbZA

YouTube:

https://www.youtube.com/user/THISISROMANS

INTERVIEW: Alex Parvenu

INTERVIEW:

Alex Parvenu

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THE excellent Alex Parvenu...

has been telling me about his new single, It Wasn’t Me, and what its story is. I ask which artists and albums have made an impact on him; which rising musicians we need to watch out for – he reveals plans and ambitions for 2019.

Parvenu talks about his approaching E.P., Blue Summer, and tells me which artist he’d support on tour given the chance; the advice he would give to artists emerging and how he relaxes away from music – he ends the interview by selecting a great song.  

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Hi, Alex. How are you? How has your week been?

Hey. I’m good, not too bad thanks. My week has been alright; I mean, I’m trying to live my life like it’s golden but, right now, it’s sort of bronze, so you know...but I’m alive; that’s the most important part.

For those new to your music; can you introduce yourself, please?

Sure thing! I’m Alex, the parvenu; also known as ‘Alex Parvenu’; also known as ‘Mr. Contemporary Soul’, A.K.A. ‘MC Aleco’; A.K.A. ‘Roots, Rock, Reggae’; ‘Mr. in Slow Motion’; also known as the ‘Black Bohemian’ and sometimes referred to as ‘Mr. It Wasn’t Me’.

It Wasn’t Me is your latest track. I assume it wasn’t inspired by the Shaggy track?! What is the tale behind your song?

I love the Shaggy and Rikrok record but, no, my ‘It Wasn’t Me’ tells a completely different tale. Musically, it was inspired by Motown classics - most notably My Girl by The Temptations. Lyrically, it’s about falling in love with somebody, but their family; their parents, particularly their father, doesn’t approve of you or your perceived influence on their kin.

Blue Summer is out next year. What might we expect from the E.P.?

Yes it is - and I’m excited to finally put out a body of work. You can expect some contemporary Soul; some Roots-Reggae; a little Hip-Hop and a young, black man from London wearing his heart on his sleeve. And, while I’m definitely excited about putting out Blue Summer, I’m even more excited about the body of work that’s coming out after that and new collaborators I’m working with.

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

I grew up listening to whatever my dad was playing...so, Paul Simon, Fela Kuti; Bob Marley, Aretha Franklin; Peter Tosh, James Brown – all great artist, playing with live bands. Being a kid in the '90s, meant that I was exposed to the biggest records and artist of the day: TLC, Spice Girls; Fugees, Lauryn Hill; Tupac, Big; Michael Jackson and OutKast. I’ll say their work is all interwoven somewhere in my musical D.N.A. In my late-teens, I was listening to Amy Winehouse, Kanye; Mos Def; Talib Kweli and John Legend.

I guess I also revisited more vintage records made by The Temptations, Curtis Mayfield; Donny Hathaway, Chaka Khan etc. Contemporary artist I’m excited about are Solange, CeeLo Green; André 3000, Raphael Saadiq; Leon Bridges and Jah9. If I had to narrow the list of musical influences down, I would probably go with Lauryn Hill, the Fugees; Paul Simon, Bob Marley and the Temptations.

Did your family encourage your musical talents? When did you get into music?

Unfortunately, I can’t say they did...although my love for music was definitely inspired by dad’s taste in music and the fact he was an aspiring pianist. Both my mum and dad pushed academia; they did this with love, so I’m not mad at them. I can’t help but wonder sometimes, if I had their support behind my musical endeavours, how much of a difference this would have made. This is something that can’t be changed, so I’m not holding a grudge but it will be important for me when I have my own kids to ensure I encourage the things they are passionate about.

Obviously, one must exercise tact and discretion here, but if you’re able to support your children’s dreams, goals and aspirations, they grow up with a confidence and a self-absurdness that is unparalleled. I’ve been into music and around music for as long as I can remember. My parents tease me all the time about how obsessed I was with Paul Simon’s Graceland album, which I guess my dad was playing a lot when I was a kid.

Do you already have plans for 2019?

It Wasn’t Me has two more versions which we’re putting out…

Essentially, they’re remixes but, because they’ve been produced by solid producers I like to call them Part II and Part III. Chevi JReid produced Part II. He’s best known for producing Chun-Li and Barbie Tingz for Nicki Minaj and Rory Stone Love, from legendary Jamaican sound system Stone Love, produced Part III. I’m going to be doing more work with these guys in 2019 so I’m hyped about that.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Oh, so many but, right now, the first thing that comes to mind is the first time I connected with Tom Elmhirst. This was before he moved to N.Y., so he was working out of Metropolis Studios in London. He had heard one of my demo records and invited me down to Metropolis and asked me to bring more of my music. I remember being in awe as he took a break from mixing a Florence and the Machine record to listen to my stuff; seeing him rock back and forth to my music playing through the studio monitors was a magical moment for me.

Which three albums mean the most to you would you say (and why)?

Paul Simon’s Graceland

Because this is the first music I remember hearing; I don’t remember life without this album. My parents say, as a baby, I wouldn’t get in the car unless they had the tape playing.

Secondly would have to be Lauryn Hill’s The Miseducation of Lauryn Hill

Because this was a defining moment for me as a kid. All my friends were listening to Craig David or Another Level...or whatever else we young kids were listening to at the time. But I, for whatever reason, took a liking to Lauryn Hill and used my pocket money to buy The Miseducation of Lauryn Hill. It was the first record I ever bought. And it became the soundtrack to my growing up. I never understood the lyrics then as I do now, as an adult, but that record is a true celebration and amalgamation of genres I love: Soul, Hip-Hop; Reggae...all fused together with stellar musicianship and great lyricism.

As for number-three; I can’t choose a third as there are too many other albums to choose from that I love - but Graceland and The Miseducation of Lauryn Hill definitely left their unparalleled mark on me.

As Christmas is coming up; if you had to ask for one present what would it be?

I think now, as an adult, if I wanted something (a gift), I’d just go and buy it myself. The best part about receiving presents is definitely the spontaneity of it all and the thought that goes behind a gift. However, if I had to make one Christmas wish, I would wish I could feel how I felt last Christmas: being in love during Christmas is magic to the nth-degree.

If you could support any musician alive today, and choose your own rider, what would that entail?

Well. Lauryn Hill is always touring. I think it would be dope to support her and the Jay-Z and Beyoncé tour, OTR II, looks incredible.

As for my rider; I’m pretty easy-going. Loads of fresh fruit and veg, healthy snacks and a kettle and a teapot. I’d try and keep all other tempting beverages and stuff away as ‘moderation’ isn’t a word in my dictionary.

Do you have tour dates coming up? Where can we catch you play?

Keep an eye on my website and my social media (@alexparvenu). 2019 dates will be published on there.

What advice would you give to new artists coming through?

Focus on making incredible music. expect nothing and appreciate everything.

 IN THIS PHOTO: Tara Harrison

Are there any new artists you recommend we check out?

Yea. Check out Tara Harrison. I’m loving her vibe.

Do you get much time to chill away from music? How do you unwind?

Absolutely. Music is just one facet of my creativity; I’m writing a children’s book and a memoir, so those pieces are keeping pretty busy. I also enjoy long walks; sometimes I do up to ten miles a day – walking definitely helps to clear my mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks, okay. So, I’m going to select Bob Marley & The Wailers – (Baby We’ve Got a Date) Rock It Baby, because it has special meaning to me and reminds me of somebody who was special to me

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Follow Alex Parvenu

Official:

https://alexparvenu.com/

Facebook:

https://www.facebook.com/OfficialAlexParvenu

Twitter:

https://twitter.com/alexparvenu

Instagram:

https://www.instagram.com/alexparvenu/

Spotify:

https://open.spotify.com/artist/3iFRt5R1o4ydkdwfvseyr2?si=ns_gsEDQTpm1PiYPsjrYzQ

YouTube:

https://www.youtube.com/channel/UCnGcvs-NvtbgRqodwclHzIA

INTERVIEW: Mauwe

INTERVIEW:

Mauwe

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IT has been cool speaking with Portia and Jay of Mauwe...

about their new single, Balcony Dreams, and what its story is. They tell me how Mauwe came to be and what sort of music they are influenced by; the rising artists we need to follow and whether they have anything lined up for 2019.

The guys select albums important to them and tell me about how they chill away from music; what advice they would give to any musicians coming through and what they would each like for Christmas.

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Hi, guys. How are you? How has your week been?

Portia: Great, thank you! Just recovering after a couple of shows this week and looking forward to continuing with writing in a few days. 

For those new to your music; can you introduce yourselves, please?

Jay: Sure. We're Jay and Portia, A.K.A. 'Mauwe', and we make something between Electronica and Indie-pop. We released our first E.P. earlier this year and just released our newest single, Balcony Dreams, in November. 

How did Mauwe get together? When did you start making music?

Portia: Haha. Well, we'd known of each other for years - having both grown up in the same town in the Midlands. We played a couple of the same shows with separate projects, worked at the same restaurant for a little while and I think maybe even did the same course at college but never really talked about music or writing.

Then, we ended up in Bristol separately about two years ago and decided to just jam together for the first time. We recorded a cover of Elvis' Can't Help Falling In Love for fun that first day and decided we should see what we could come up with. I think we wrote our first song, Smoked a Pack, about two weeks later. 

Balcony Dreams sounds like a positive song! What inspired it and does it relate to personal experience?

Jay: Yeah, definitely. We naturally tend to write mostly from experience, like, things we're going through at the time. This one's about chasing that dream, whatever it might be, and having the strength to defy anyone who says you should 'get a safe job' because it might not work out. I based the production around that recording of the London Underground and we kind of grew the lyrics around that. 

Do you think there will be more material next year?

Portia: 100%. We've got a few new tracks that we can't wait to share as well as some that we're currently working on. Definitely feeling pretty inspired at the moment.

In terms of music; which artists are you drawn to?

Portia: It's quite eclectic; especially combining both our tastes. But we love Jon Bellion, Vallis Alps and Louis the Child to name a few. Definitely going through a massive Nao phase - I never caught on when she first burst on the scene.

How important is Bristol and a base and its music scene?

Jay: Love it here. It's always got something going on but there's also space to chill and be yourself/clear your head, which I think is pretty important for creativity. So many great artists come through here too and it's got its history of introducing really good music to the world. Generally, a really inspiring place. 

As Christmas is coming; what one present would you each like if you could have anything?

Jay: Haha, I don't know. Is a tour bus too much?

Portia: I keep getting bullied by various friends saying I'm a musician who doesn't have a Hi-Fi in their room, so I'm planning on changing this once and for all!

Do you already have plans for 2019?

Jay: Yes! As we mentioned, we've got some new music on the way, as well as a couple of music videos. We're also in the midst of expanding our live set-up, which we can't wait to show off in the New Year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Portia: I think our show at Sixty Million Postcards in Bournemouth was pretty spectacular. Some people had travelled for several hours to get there and it was the first time we really saw how the music had actually connected with real people. It's one thing to see plays on Spotify and YouTube or whatever, but it's obviously amazing seeing real people singing our songs back at us.

Which one album means the most to each of you would you say (and why)? 

Portia: That is such a hard question. I'd say probably either the first or second 1975 album. When I first learnt to drive and I was going through a break up, I would only listen to those two albums on-repeat and I feel like they saw me through exciting times (peaceful times) and also gut-wrenchingly sad times. They were both the soundtrack to freedom for me in so many senses. 

Jay: This is impossible to answer, but if I have to choose it's probably Jack Garratt's Phase. It's got such a good balance of energy and great song writing, and most importantly I'm still yet to get bored of it. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Portia: Oooh. Jon Bellion? And rider would include hummus at the very least. Probably some honey J.D.; a couple of meal deals and definitely some chocolate. Maybe some pain au chocolate for the morning? (Jay's obsessed).

What advice would you give to new artists coming through?

Jay: Don't sit around and wait for inspiration to hit you. Those moments do come and they're magical but so many great things have happened when we've just sat down and started creating or writing. Sometimes, nothing comes of it but at the very least it keeps your head in that space and keeps you practicing your craft. 

Portia: Believe, believe, believe in yourself and focus on your own journey.

Do you have tour dates coming up? Where can we catch you play?

Jay: Until we've finished creating our new set-up, everything live is on-pause, but we've got some great plans for the New Year!

 IN THIS PHOTO: Another Sky

Are there any new artists you recommend we check out?

Jay: Another Sky are making waves at the moment; their songwriting and production is great. FARR also have some smooth tunes that deserve a lot more attention. 

Portia: Pinegrove. They're not particularly new but I don't think enough people know about them. 

IN THIS PHOTO: Pinegrove

Do you get much time to chill away from music? How do you unwind?

Jay: I kind of feel like music IS unwinding. There's a whole lot that is connected to it that requires what could be considered 'work', but crafting, creating and writing...that's all stuff that I feel most relaxed and at home doing. 

Portia: We both love books and films too. There's a lot of inspiration to be found in escapism as well as real life. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Portia: Haha, thanks - and thanks for having us! California by The Lagoons

Jay: Stephen - Fly Down

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Follow Mauwe

Facebook:

https://www.facebook.com/mauwemusic/

Twitter:

https://twitter.com/MauweMusic

Spotify:

https://open.spotify.com/artist/2A6ICTUl1UuEUt5sLnWTcR?si=KDJ6CmHFR8mqtrmNT5L9Jw

SoundCloud:

https://soundcloud.com/mauwemusic

PHOTOS:

Fraser Taylor

INTERVIEW: Chloe Foy

INTERVIEW:

Chloe Foy

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BECAUSE we are inching closer to Christmas...

it is a good time to speak with Chloe Foy about her cover of In the Bleak Midwinter. I was eager to know why she chose that song to cover and whether she is influenced by carols; which artists and albums are important to her and whether there are some great rising artists to look out for.

Foy tells me what gigs are coming up and whether she has a favourite musical memory; if she gets time to chill away from music and what plans are in place for 2019 – Foy picks a great song to end things with.

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Hi, Chloe. How are you? How has your week been?

Hi! I’m okay, thank you. My week has been good - I’m trying to fight the desire to hibernate as it gets darker and damper in Manchester.

For those new to your music; can you introduce yourself, please?

I’m Chloe Foy; a singer-songwriter from Gloucestershire, based in Manchester. I write songs with my guitar and have a weakness for strings and lots of beautiful vocal harmonies.

You have released a cover of In the Bleak Midwinter. Was there a reason behind covering that song?

It’s one of my favourite Christmas songs. I’m not religious but there’s a certain nostalgia that comes with Christmas carols and some of them carry beautiful tunes. It’s a setting of a Christina Rossetti poem - and some of the imagery used is very beautiful.

I am surprised more artists are not inspired by Christmas carols when writing their music – in terms of tone and sound. Do you find songs like that inspire you?

Yes. I have a classical background and often sang in choirs as a kid and I think I can’t help but be influenced in my writing by the melodic and harmonic inflections contained within choral music. I think it’s probably why I’m such a sucker for vocal harmonies.

Might we see material next year? What are you working on?

I’m currently working on lots of new material to be released next year and I’m excited to get in the studio and record it. Watch this space… 

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

This has been said a lot but I love both Laura Marling and Sharon Van Etten and think my sound lies somewhere between the two. I’m constantly inspired by female artists who are out there writing beautiful music and making a living from it, for example Jesca Hoop; Maggie Rogers, This Is the Kit. I grew up listening to The Beatles, Dylan and Neil Young so there’s definitely some influence there too. Mainly I just listen out for a good melody.

Do you already have plans for 2019?

Yep. The aforementioned release of new music, plus touring the U.K. and hopefully some gigs further afield.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’ve had a great year this year what with going to SXSW and supporting Jesca Hoop, so it’s hard to pick. But, recently, on a little tour of the U.K., I took a full band to London to play Paper Dress Vintage in Hackney and I think it’s one of the best shows I’ve ever played. Everything just came together and the crowd had a really good vibe too. There was something quite magical about it.

Which three albums mean the most to you would you say (and why)?

Revolver by The Beatles. Because it was played so much when I was small. It evokes a lot of happy memories.

Laura Marling’s Once I Was an Eagle. Because it taught me what an album could really be.

Fleetwood Mac - Rumours…just because.

As Christmas is coming up; if you had to ask for one present what would it be?

No Brexit please.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d support Paul McCartney…because how else am I going to meet him? And being used to a few beers on a rider, it’s hard to imagine what I could ask for…three-course meal? Champagne? Guitar tech? Full orchestra? That’s a good start.

Do you have tour dates coming up? Where can we catch you play?

I have a show in Manchester on 9th December at the Kings Arms in Salford and another in Sheffield on 21st December. They’re my last for the year but I’ll be back on the road in the spring.

What advice would you give to new artists coming through?

The usual. Don’t give up, don’t forget what’s at the heart of what you’re doing and don’t compare yourself to others.

 IN THIS PHOTO: Katie Mac

Are there any new artists you recommend we check out?

Katie Mac is a new artist from Liverpool with an incredible voice and Caoilfhionn Rose is based here in Manchester and has just released her debut album. They’re both pretty special.

 IN THIS PHOTO: Caoilfhionn Rose

Do you get much time to chill away from music? How do you unwind?

Usually, I unwind by playing guitar and writing a song - it is my therapy. But, I also like a bit of yoga now and again and long walks. And, to contrast with this wholesome picture, I also enjoy terrible T.V. - like, really terrible.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Raven’s Song by Aaron Embry

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Follow Chloe Foy

Official:

http://chloefoy.com/

Facebook:

https://www.facebook.com/chloefoymusic/

Twitter:

https://twitter.com/chloefoymusic

YouTube:

https://www.youtube.com/user/chloefoymusic

Spotify:

https://open.spotify.com/artist/3KSEcvpvbR40uwA4eiSJUa?si=JAOW8Hb3TsixRC-jKCh9rg

SoundCloud:

https://soundcloud.com/chloefoymusic

INTERVIEW: Fí

INTERVIEW:

Fí

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THE superb Fí...

has been telling me about her new track, Feel Better, and how it differs from her previous song, Éalú; whether there is more coming along in 2019 and which artists/albums have made an impression on her – she selects a great song to end the interview with.

The Irish songwriter recommends some artists we need to check out and tells me what it was like working in L.A.; if she gets time to unwind away from music and whether there are any gigs booked in the diary – Fí gives some advice to musicians coming through the ranks.

____________

Hi, Fí. How are you? How has your week been?

Hi, Sam. I’m great, thank you - and yourself? My week has been manic, stressful; loaded and exciting. Happy to take a breather after assignments and my single just released.

For those new to your music; can you introduce yourself, please?

Yes, of course. It’s Electro-Pop, commercial but tinged with dark, Alternative and atmospheric elements. It’s important though that, stripped back on piano or guitar, the song is strong without all the production. I love a good, anthemic chorus built on a story or personal experience.

Can you tell me about your new single, Feel Better? What is the story behind it?

It’s basically about deflecting all that’s fake and embracing the real truth. It’s  a dark and self-deprecating song being true to yourself, not getting too caught up in the façade of who we think we are meant to be and (the humdrums) of what it means to lead an extraordinary life instead of just being who we are. Chase the unknown; we chase to find the spark that may ignite that fire of desire or ambition within us. Whether that be music, alcohol…whatever we need to distract ourselves to make us feel ‘ a little better’.

There’s highs and there’s lows; ups and downs, and not every day is significant or extraordinary. But, it’s how we perceive the little things that happen which help make us appreciate our individual  journeys that little bit more.

How does it differ to your previous track, Éalú?

I feel like they’re very different, sonically. I wanted to test myself, vocally, as I usually sing in my upper range so it was a change for sure. There was about five hours worth of harmonies on the track too so it’s definitely more built up and stacked in that sense. Both have Dance elements but I guess it’s more pop than Éalú which probably leans towards the electronic side. But, Feel Better still embraces the dark production elements.

I believe you have been recording in L.A. What was it like working over there? Tempted to move over there one day?

I was. I booked a mad, spontaneous trip to L.A. one night back in March.  I definitely regretted it after but, thankfully, it all worked out and ended up being a really amazing experience. Everyone loves Pop and everyone is so, so talented. It’s a bit surreal but also easy to get wrapped into it. I felt like that was my real life when I was over there but it’s also consuming; like everyone is trying to be somebody. I think every session I was in they were a bit like, ‘Who is this Irish girl?’; but every experience was enjoyable and I definitely learned a lot over there.

The atmosphere is so collaborative and fun and sometimes pressurizing to get the song completed in the given time. (There’s a vibe off of bouncing ideas and finishing a song when it comes together in the room). Sharing your experiences and thoughts with songwriters you have just met is, in theory, kind of unusual but it can be cathartic and it was a really refreshing change from writing on my own. I think, if my circumstances were different, I possibly would but I also like the idea of going there for short writing trips. It feels like a transitory place; idyllic and exciting, but I was happy to come home to reality and non-industry world after six weeks.

I love London, though. I had plans to move there but it’s still in my sights.

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

My influences have really changed over the years, so I guess it’s a combination of all of them. My first influences was ’90s Pop. I had a major obsession with Britney Spears and loved Spice Girls and Samantha Mumba. When I first started out, naturally, I started in the real Singer-Songwriter/Folk sound. Alanis Morissette and Gabrielle Aplin were definitely on replay. I love a wide range of music but I guess you’re drawn to listen to the music you create.

I’d say Halsey was a major influence for my change in sound. I used to follow blogs on a daily and I heard her first single years ago and instantly loved her music, which was well before her hit with The Chainsmokers. I love how poetic she is and the way she tells a story: it’s clear she has something to say. Other artists like Dua Lipa, Dagny; Verite, Allie X and Tove Stryke are absolute Pop queens who are doing their own thing in their own right but all still different within the pop genre.

Do you already have plans for 2019?                                 

I have a lot of songs to release in the coming months - I’m aiming for January for my next release. Hope to write more, gig more and perform more and just keep building and gaining more traction with my music. Hopefully, I’ll start writing more with other artists and do more songwriting too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I feel like releasing Éalú was a highlight - just as I put it off for so long and I didn’t know if anyone would like it. I did everything myself so it’s a scary thing just putting yourself on the line after putting in so much work into it. You hope people will love it. Hearing it on your favourite radio shows is just such an amazing feeling and, when people hear it spontaneously in the car or shop, that is like mind-blowing.

Which three albums mean the most to you would you say (and why)?

Alanis Morissette - Jagged Little Pill

I was working in a school and I had just started putting up demos of original songs a few years ago. One of the staff members told me I needed to listen to Alanis Morissette. My style of music was very different back then and the next day he burned me a C.D. of Jagged Little Pill and I really loved it. Her songwriting is so true and her voice is amazing.

Gabrielle Aplin - English Rain

I was watching so many YouTubers a few years ago; how they played and wrote music and I wanted to do that. I found Gabrielle online and loved her music. She was self-taught too so it inspired me to buy a guitar and teach myself to write and play.

Halsey – Badlands

I was writing really poetic, folky songs but also had written a lot of Pop songs. I wasn’t sure what style of music I wanted to record but, when I heard Halsey, I was drawn to her kind of style of Dark Pop. I love her stories, her lyricism and how she just did her own thing. She was not getting radio plays until Closer and she was building fans online long before her radio hit.

As Christmas is coming up; if you had to ask for one present what would it be?

Ohhh, this is tricky. I used to ask Santa for karaoke machines for as long as I remember. I’d get any and every type of karaoke machine. I’ve probably developed a bit since then! A new iPhone would be lovely (hint hint). I’ve had the worst year for phones and technology. I think I’m on my fourth.

If you could support any musician alive today, and choose your own rider, what would that entail?

I think Britney Spears. I idolised her when I was like when I was, like, six and I think it’s that case of mad dreams coming through life full circle. Dua Lipa, though; like I’ve been obsessed since her demos years ago. It’s crazy to see her blow up. Supporting her would be pretty magic. 

What advice would you give to new artists coming through?

Patience, persistence and perseverance...

Don’t compare yourself to others: just keep on going in your own lane and somehow, somewhere along the way the pieces start to fit together. Write every day. You’ll write awful songs but really great ones too. The more you write, the better you become. Surround yourself with people who encourage you and support you. It eases the load and pressure. It’s important to not compare yourself because every journey is so different; people break out and get discovered in different ways.

What you don’t see is the team of songwriters, pluggers; managers and producers behind one ‘hit’. Someone can have instant success but a short-lived career whereas someone could take years to gain traction and then have a lifetime of success. I guess success is also measured by how you perceive it and what you want to achieve. There’s no such thing as an overnight success. Where doors close, others will open so stay with it. Stay positive and keep on going.

Do you have tour dates coming up? Where can we catch you play?

I have a headline show in Whelan’s on 13th December as part of Midnight Hour. I’ve only recently started performing again so I’m finding my feet with how it’s all done and the best way to perform the songs. I’ll definitely have more to come in the next few months. Keep an eye out.

Are there any new artists you recommend we check out?

Yes. Loads and loads of great new artists. Xo Mo are from my hometown and are killing it - also the nicest guys in the World. FLYNN is from my hometown too and he’s just blown up recently. I love this new artist called GRAACE. I have her music on-repeat. Also loving ORKID and Charlotte Lawrence at the moment.

 IN THIS PHOTO: GRAACE

Do you get much time to chill away from music? How do you unwind?

Ironically, music is my chill time. I started studying a Masters recently, so I haven’t had much chill time. Though, I’m looking forward to a Christmas break where they will be plenty of chill! I’ll probably spend that time writing and I love a good book. I go out with friends and I also love the gym. Apart from music, I find it’s important to take time to yourself to do something completely different to take your mind away from it.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Yes. I’ve had this on-repeat lately…

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Follow Fí

Facebook:

https://www.facebook.com/FiMusicOfficial

Instagram:

https://www.instagram.com/fimusicofficial/

Twitter:

https://twitter.com/fimusicofficial

YouTube:

https://www.youtube.com/channel/UCxjYauQr67EOVW9gDUs83ew

Spotify:

https://open.spotify.com/artist/2ThgJwM2JJ5Vja2C4rt8WE?si=hnJ0gUIVQ7-WyP7B-TBhvQ

SoundCloud:

https://soundcloud.com/fimusicofficial

INTERVIEW: ECKOES

INTERVIEW:

ECKOES

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HUGE thanks to ECKOES...

for telling me about her latest track, Without Prejudice, and how it came to be. I ask her whether there are plans for more material and whether we can see her on the road – she highlights a rising name to watch and a few albums that are very important to her.

I ask which artists inspired her growing up and whether she has a favourite musical memory; what she would like for Christmas and the advice she’d give to any artist coming through – ECKOES selects a great song to end the interview on.

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Hi, ECKOES. How are you? How has your week been?

Fabulous to both.

For those new to your music; can you introduce yourself, please?

Clash Magazine just described me as “A multi-dimensional artistic entity” and I don’t think I can ever top that sentence. So, I’ll just leave that there...

Your new single, Without Prejudice, is out. Can you reveal how it started life and its story?

I’d love to say ‘the song just wrote itself’ but I’d be lying. I sat on those piano chords for about half a year before I could find a top-line that did them justice. My producer, David Ezra, almost stopped listening to my ideas: he was so sick of the hearing them. Then, one day I knew I had something; sent it across and we were like - this is it.

I’ll never forget the feeling that day in the studio when we both knew something magical was happening and you have to work quickly because that vortex to wherever inspiration comes from doesn’t stay open for long. Our responsibility is to let it flow through us and not get in the way. Two-three hours later, we sat back to listen and I’m pretty sure I cried I was so proud of it.

Might we see an album or E.P. next year do you think?

Absolutely. There’ll be an E.P. next spring.

Can you give me an idea of the artists, older and new, who inspire you and compel your own sound?

Artists like James Blake and SOHN give me life because they create experimental Electronic music that still manages to be beautiful yet unpredictable. I listen to Björk when I’m slipping back to my comfort zone; a Dutch Iranian artist, Sevdaliza, for her brave use of instrumental space. I have an old-school R&B core so you can often hear a deep Missy Elliott drum.

Do you already have plans for 2019?

Yes! I was selected for as an INES 2019 artist (Innovation Network of European Showcases) so I’ll be performing at a bunch of festivals abroad. I also just signed a deal to take my music to China, so the first trip to Beijing will be in January. I’ve never been before and it’ll be a massive adventure in general. And I’ll be playing a Spotlight 2019 Session for Ticketmaster on 14th Jan - a few days before I leave for China -, so it’s already looking like a great year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Getting play-listed on Apple Music’s ‘Best of the Week’ two weeks ago was an outer-body experience, because I scrolled down and it was Meghan Trainor, Sean Paul; ECKOES, Muse; Bastille, Coldplay…and it’s not that I’m striving for Pop success (or Without Prejudice wouldn’t have been 5:30 minutes long); it’s more that they have the machines and teams to get them there, to get them heard, and I have just me and my song. I was so proud.

What does music mean to you? How important is it in your life?

Ha. Well it’s the reason I think I’m alive, so I guess pretty important yeah. I feel super-lucky that I’m someone who music/art comes down through. I get to create things that connect people; that connects me to people. However hard work it is. I’ll always be so grateful. 

Which three albums mean the most to you would you say (and why)?

JUST THREE?!

Paul Simon (and Ladysmith Black Mambazo) - Graceland

Pretty much raised me. My dad played the video of their Zimbabwe concert (that couldn’t be in South Africa because of Apartheid) on-repeat. The harmonies, the songs; the context - just everything about this album is beauty.

Whitney Houston’s (double album) Greatest Hits

It was a lesson to us all on piercing people’s hearts with your voice.

Alanis Morissette - Jagged Little Pill

It was so, so raw. It was magical.

As Christmas is coming up; if you had to ask for one present what would it be?

A few more hours in every day?

If you could support any musician, and choose your own rider, what would that entail?

Oooooo. I’d open for Michael Jackson FOR SURE, just to be in his presence. And anything I ask for will look basic and normal compared to his rider, so I’d go all-in.

My band, Max and Luigi, would love random things like bumper cars and a carousel. I’d get mountains of lightly salted Kettle Chips to wade in. (Post-show of course; I’m not mad).

What advice would you give to new artists coming through?

Make sure you love the process. The making the music itself, the performing and the practicing. Because, if you do, you’ve already won, every day. But, if you don’t, then this industry will break you.

Do you have tour dates coming up? Where can we catch you play?

I’m playing a Spotlight Session 2019 for Ticketmaster on 14th Jan at Camden Assembly (formerly Barfly). Tickets are free on their website.

How important is it getting onto the stage and delivering music to the people?

It’s massive. Live is Queen - and everything else just serves her. It’s where we all get to experience this one moment in time all together. It allows me to bring my recorded music to life; share the visual aspect and connect with people in a magical way. I absolutely love it.

 IN THIS PHOTO: THABO

Are there any new artists you recommend we check out?

Not so new, but I just discovered THABO. His voice gives me chills. It’s so divine.

Do you get much time to chill away from music? How do you unwind?

I don’t get much time to be honest, but when I need to reboot I go and see my little niece and nephew - who I am obsessed with. Little people are so all-consuming and joyful. I have to get out of my head and just enjoy the present  because, to them, nothing else exists.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

A friend of mine and inspiration, Terri Walker, has just re-blessed the music industry with her presence. Her new track, Breakout, is a must-listen

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Follow ECKOES

Facebook:

https://www.facebook.com/iameckoes/

Instagram:

https://www.instagram.com/iameckoes/

Twitter:

https://twitter.com/iamECKOES

YouTube:

https://www.youtube.com/user/MissDlys/feed?gl=LU&hl=fr

Spotify:

https://open.spotify.com/artist/5OdYe38kK1xXcyhk7sEJcG?si=2bLeOCL9RNSbA6eKghwmOA

INTERVIEW: Catherine Marks

INTERVIEW:

Catherine Marks

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THE wonderful Catherine Marks...

has been talking with me about her work as a producer and offering some useful insight and advice to those thinking about following her footsteps. As someone who has produced for the likes of The Amazons (she produced and mixed their debut album - it included the hit, Little Something), Palace (she produced and recorded their album, Heaven Up There); Big Moon and Sunset Sons; I was keen to learn how she came to producing and, given gender imbalance in the industry, whether she is seeing improvements.

Marks selects a few albums that are important to her; whether she has plans for 2019 already and whether there are rising producers and artists that we need to check out and follow – she ends the interview by selecting one of 2019’s best tracks.

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For those new to you; can you introduce yourself, please?

Hi! My name is Catherine Marks and I’m a record producer/mixer and engineer.

What are you working on at the moment? Might we see a Catherine Marks-produced album very soon?

I have worked on several albums this year and they are all coming out in early-2019. I’m currently in Wales at an amazing residential studio working on The Amazons’ second album! It’s sounding monumental at the moment and we’re only halfway through!

How did you get into the production side of things? Was it something you always wanted to do?

I didn’t initially know that production was what I wanted to do but I always knew I wanted to work in music. Especially early on, I had no idea what production meant and also didn’t understand you couldn’t just walk into a studio and say “I’m a producer”! But, in the early days, I had a lot of doors open to me and I just made the most of those opportunities. 

I’d originally studied architecture and came to London when I finished my degree. Like a lot of interns/assistants, I started working for a producer rather than studying. It was tough but I enjoyed it and so kept going. This eventually led to engineering and then producing. It’s been many years of building up experience and then it was a natural step to production.

There are more female producers coming through, but the industry still is filled with male producers. Do you think it is harder for women to be accepted - and does more need to be done to turn the tide?!

I think we are in the process of the tide changing. There is, of course, always more that can be done. Having these kinds of conversations helps. The Music Producers Guild have also done a lot to give recognition to the women who are doing well in their field and hopefully that will inspire more women to be involved. I’m looking forward to the day when this isn’t a question that needs to be asked and it’s not about being male or female - just about being awesome at your job. 

But, it’s important that we keep having these conversations to raise awareness but also to highlight those who are kicking ass and doing well to encourage and inspire. It’s a tough job irrespective of gender but can be incredibly rewarding.

IN THIS PHOTO: Laura Marling/PHOTO CREDIT: Tom Oxley/NME

Which fellow female producers would you recommend to us to check out? 

Olga FitzRoy, Marta Salogni; Heba Kadry, Steph Marziano; Anna Laverty, Laura Marling; Sylvia Massy, Linda Perry;  Rhiannon Mair, Lauren Deakin Davies and Alex Hope just to name a few...

Do you feel D.I.Y. artists and those producing their own work encourages them to work in studios, or do you feel a lot of newer artists are going down the self-produced route?!

It varies. I like the artists who are using the D.I.Y. approach to develop who they are without the time restrictions and pressure that booking an expensive studio can often bring. But also when an artist knows it’s time to bring on another point of view, and perhaps another environment, is also important.

Your job involves a lot of different aspects and roles. What is the most rewarding part of working on an album and seeing it come to life?

The most rewarding aspect is the relationships you build in this really unique context and usually in a really concentrated period of time. Watching an artist grow confidence or seeing what they had in their head all along fully realised. 

It’s usually when the plan that I’ve had in my head comes together. Just making music that everyone involved loves!

Would you have any advice to anyone looking to become a producer? How does one get started?

There are many ways, but one suggestion is getting in touch with producers who you like and ask them if they’ll let you come and make them tea...learning on the job is how I started.

Also, don’t be discouraged if your first experience working for a studio or producer is a disaster. It’s all part of the learning process. It’s a very unusual working environment. People working in close proximity where emotions are much more magnified and heightened. Be prepared for your first situation to be horrible and trust me when I say the next person you work for will be infinitely better.

Do you already have plans for 2019 - and albums you are producing?

Yes, I have plans...I have three or four albums already in the diary...and a long holiday to Australia. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There are so many.... 

But one moment in particular (because it was the first of many to come) was when I was in ICP with Wolf Alice making an E.P. and we listened back to Moaning Lisa Smile after having recorded it for the second time (it was the first track we’d recorded and we definitely did not hit a hole in one) and we all laughed and jumped around and danced because we were so happy that it sounded so amazing. 

I think there was an Oscar lying around and we pretended it was a Grammy. It was the sense of relief and elation; the anxiety and tension completely dissipated. It was one of the best feelings I’ve ever experienced.

I’ve had similar since but that was the first.

Which three albums (from other albums or ones you have produced) mean the most to you would you say (and why)? 

This is such a hard question as I could answer this differently another day of the week - but today...

Talk Talk - Spirit of Eden

I found the C.D. in one of the first studios I was working at as I was packing down a session. It was a late Saturday afternoon and there was no one else in the building. It was still very early in my career and I’d kind of switched off from listening to music for enjoyment and, as I was starting to learn how the magic was made, the magic had gone from my listening experience.

This changed that. I put it on and it made me stop. There was a little stream of sunshine coming through the window and I lay on the floor where the sun landed, closed my eyes, and listened to it all the way through. It changed everything.

The Stone Roses - The Stone Roses 

This album represents a series coincidences and serendipitous moments for me. I didn’t discover this album until 2002. This was a few years before I decided to move to London. It reminds me of the band I played with in Melbourne who introduced me to music other than what was on commercial radio. 

And I have ended up doing most of the albums at the studio where it was recorded.

Paul Simon - Graceland

Mum and Dad had it vinyl. I still have it on vinyl. I still love it!

As Christmas is coming up; if you had to ask for one present what would it be? 

Guitar lessons.

 IN THIS PHOTO: Jade Bird

Are there any new artists you recommend we check out?

She might not be new but I’ve only just come across her: Jade Bird! I also like Jerry Williams. Roman Lewis is incredible! YAK are pretty bloody awesome too.

 IN THIS PHOTO: YAK

Do you get much time to chill away from producing? How do you unwind?

The past eighteen months have not left much time for ‘chilling’ but mostly lots of naps...and then after I’ve sufficiently napped. I catch up with friends...engage with the world outside the studio.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Comeback Kid - Sharon Von Etten 

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Follow Catherine Marks

Official:

http://www.catherinejmarks.com/

Instagram:

https://www.instagram.com/cjmarks/

Twitter:

https://twitter.com/cjmarks