FEATURE: Spotlight: City Girls — Music Musings & Such

FEATURE:

Spotlight

PHOTO CREDIT: Joshua Kissi for Pop Sugar

City Girls

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AN established…

PHOTO CREDIT: Marcelo Cantu

duo that some might have heard of, I don’t think that City Girls are known to everyone. Maybe less acknowledged and played in the U.K., they are an American Hip-Hop duo consisting of Yung Miami and JT. Hailing from Miami, Florida, they came to prominence following an uncredited guest appearance on In My Feelings, Drake’s 2018 chart-topping single. Signed to Quality Control Music prior to their current album, they released one mixtape, 2018's Period, and two studio albums: 2018's Girl Code; 2020's City on Lock. Their latest album, October’s RAW, is one of their best work. Their most accomplished and diverse album so far, I hope that it brings them to the attention of more people around the world. With a huge U.S. following, I would like to hope that City Girls translates more in the U.K. With their sound quite intense and bold for many commercial radio stations, maybe that limits their playability. I want to wind back to 2020 and an interview with Rolling Stone. In spite of the fact one half of City Girls was incarcerated for a lot of 2019, this was a rebirth and fresh start:

“ALL THROUGH 2019, Jatavia “JT” Johnson tracked the rise of her duo, City Girls, by watching the size of the jewelry worn by her musical partner, Caresha “Yung Miami” Brownlee, in their frequent video calls. “Things were getting bigger,” she says with a giggle.

JT spent most of last year in a Tallahassee, Florida prison, serving out a sentence for credit-card fraud that began the day after City Girls’ feature spot on Drake’s smash “In My Feelings” introduced them to the world, in 2018. Hearing from Yung Miami, who handled all of the duo’s performances and promotional work on her own during JT’s time behind bars, was a lifeline.

The challenges didn’t end with JT’s release from prison in October. First she moved into an Atlanta halfway house, where she remained under travel restrictions until her sentence reached its final end earlier this month. She jumped back into her paused career at the soonest opportunity, recording and dropping the freestyle “JT’s First Day Out” and getting to work on City Girls’ second album. Yung Miami, meanwhile, had just given birth to her second child, so she spent most of her time back in their shared hometown of Miami, flying frequently to Atlanta to record with her best friend.

While their lifelong bond was the same as ever — “All we do is laugh, joke, play,” Yung Miami says — their recording process changed significantly since they made their two full-length 2018 projects (Period, a mixtape, and Girl Code, an album).

Back then, JT recalls, everything “was really stressful for me because I was indicted.” The pair had made their debut in late 2017 with the single “Fuck Dat Nigga,” which sampled Khia’s playful, sexual “My Neck, My Back”; JT was arrested a week later on charges of using stolen credit card numbers to buy clothes and shoes. Their lives were further flipped upside down when the track caught the attention of Kevin “Coach K” Lee and Pierre “P” Thomas, the founders of Atlanta’s influential Quality Control, who signed City Girls to join Migos and Lil Baby on the label’s roster that November.

Quality Control helped arrange a postponed start date for JT’s sentence, but that mean the pair of rookie rappers had to move swiftly to take advantage of their limited time. They recorded their first two projects in a hurry during what was technically 60 days, though JT says that their lack of seriousness meant it was more like 30.

“I was battling other stuff in my mind,” she says. “I’m not saying people didn’t have sympathy, but there was no sympathy. It was do or die, for real.”

JT was able to witness some of their work paying off with the release of Period in May 2018. “In My Feelings” arrived that summer with Drake’s Scorpion, and the simultaneous start of JT’s sentence spurred a movement. The song became a breakout hit, topping the charts as Yung Miami appeared solo in the video. Later the same year, Girl Code spawned the Cardi B-assisted “Twerk” and the surprise meme hit “Act Up.”

PHOTO CREDIT: Diwang Valdez for Rolling Stone

All the while, Yung Miami held down the business, touring and promoting City Girls’ budding career and keeping them a part of the conversation even while they were down one half of the duo.“It feels like a job now. It feels normal,” she says.

The first time the duo’s fame really hit her was on a Jamaican vacation, where she found that DJs recognized her and played their music. “The City Girls is really international!” Yung Miami says. “I didn’t expect people in Jamaica to know who I am.”

The pair have lot to live up to, and it doesn’t help that they feel like their sound has been bitten and over-saturated by other artists before they could reunite. “I’ve been sitting back and looking for our sound,” JT says. They’ve recorded a number of tracks they’re excited to release, all on theme with the rest of their discography.

“It’s still women empowerment,” Yung Miami says. “City Girls don’t take no ish from a man”.

By 2022, City Girls’ JT (Jatavia Johnson) and Yung Miami (Caresha Brownlee) were back in the spotlight. Harper’s Bazaar spoke with the fierce Miami Rap duo. They, as Harper’s Bazaar wrote, have worked for everything they've ever wanted. Now, they're out for what they deserve. Two years after the release of City on Lock, the phenomenal duo were taking on new projects and reaching new heights:

“The City Girls push back against limited notions of who is deserving of luxury and stand as bosses in their own right. They are recognizable to women groomed in inner cities, who are inclined to speak with bravado to ensure survival. The pair's connection to Miami's rich hip-hop history runs deep. Their debut music video, "Fuck Dat Ni**a," features cameos from hometown heroes DJ Khaled and Trina (who is Yung Miami's godmother), and the song samples vocals from "My Neck, My Back (Lick It)" by another Florida emcee, Khia. Last year's breakthrough bop, "Twerkulator" (a callback to the 1992 house hit "The Percolator"), was even sanctified by another legendary East Coast emcee, Missy Elliott, who directed the video. A mega-popular mixtape, two albums, and prominent collaborations propelled City Girls to the Coachella Festival stage earlier this year. "We showed people we could work an audience," JT says matter-of-factly.

It was a triumphant return to performing for JT, who was arrested in 2017 while shoe-shopping at Nordstrom and charged with buying clothes and gift cards using stolen credit card numbers. She was ultimately convicted of aggravated identity theft and credit card fraud, and served 24 months in a federal correctional institution. (Her incarceration inspired the song "Intro (#FreeJT)" and an accompanying social media movement).

Fans rallied around her while she was in custody, and she and Yung Miami stayed focused on the next steps of their career. "When Caresha was on tour with [her] baby, she would send pictures of her costumes and with her dancers. I was always saying, 'Dang! I can't wait for us to go on tour together,'" JT explains. "This show with Jack Harlow will be my first time going on tour with her."

In addition to the Come Home the Kids Miss You Tour, City Girls have an album on the horizon. Their latest single, "Good Love," features Usher and interpolates "I Wanna Rock (Doo Doo Brown)" by Miami legends Luke and 2 Live Crew's track. "I'm excited," Yung Miami says of the era ahead. "Fans can expect a whole lot of City Girls shit and a lot of ass shaking. It's going to be the whole City Girls experience." Adds JT, "City Girls shit—fun, elevation, and bars!"

Each of their previous records is a master class in finessing. The City Girls get what they are supposed to acquire, and they are not shy about their expectations. That consistent "Nothing comes for free" doctrine rouses City Girls' core fan base, even if it might offend the listeners incapable of financing their lovers.

On "Top Notch," JT raps, "Say you gotta pay for this … I just got my hair did, then shit on hoes like it's a hobby … I ain't goin' there, that's an opp party / I'm a bad bitch, I'm a Black Barbie." When asked to elaborate, she says, "I really feel like everybody should know their worth. If you want somebody to pay for it, make them pay for it. If you are cool with whatever agreement y'all got going on, be cool with that too. But for me, I stand for getting what I deserve. I require a lot, because I give a lot. I feel like there are women out here that give so much of themselves and don't get much in return”.

RAW is the most authentic album from City Girls. More in control and released with fewer obstacles and issues, it seems like a new era. They are going to go on to be included in the pantheon of Hip-Hop queens. AP News discussed one of this year’s most potent albums. One that is among the very best Hip-Hop releases of 2023. Such a remarkable work from an astonishing duo:

“LOS ANGELES (AP) — You’d be hard pressed to find a rap duo doing it like City Girls. They’ve been bringing life-affirming, pretty-girl scam rap to the masses since they were featured on Drake ’s “In My Feelings” and launched into superstardom with their 2018 debut “Girl Code” and its hit single “Act Up.”

A lot has changed since then. Three years ago, the Miami-based duo of JT and Yung Miami released their sophomore album, “City on Lock” shortly after it was leaked. They’ve worked to make sure things move as smoothly as possible with their third full-length album, “RAW.” It’s City Girls, as fun as ever — with marked growth.

“‘RAW’ is just being authentic and being ourselves,” says JT, who did most of the speaking in their interview with The Associated Press.

Of course, that doesn’t mean the album — true to their spirited party records and moments of real vulnerability — came easy. Across the last three years, the duo hasn’t felt immune to the pressures that accompany fame and influence creativity.

“I feel like, when creating music, it relates so much to your life, and as your life change, your music change. So, it’s a lot of pressure from different sides, like people saying, ‘Oh, you don’t sound like your old self. Or people just basically saying, ‘I want to hear growth in the music,’” she continues. “It’s a line of division as an artist, when you’re creating.”

Of course, there’s a lot to celebrate here, from the NSFW club banger “Piñata” and “Tonight,” which samples Lil Kim, to the JT freestyle “No Bars,” her first solo single since 2019’s “JT First Day Out,” which led to the launch of a No Bars Reform initiative, created to provide resources to other formerly incarcerated women and help them rehabilitate into society.

There’s also an all-star list of collaborations on “RAW,” from the dizzying trap of “Static” featuring Lil Durk to the Dr. Luke pop record “Flashy,” with Kim Petras. “Kim Petras is beautiful. I love her songs. I love her music,” says JT. “(When) she sent the demo back in, she sounded amazing.”

Then there’s their track with future Super Bowl halftime performer Usher. “Originally Chris Brown was supposed to get on ‘Good Love,’ but I don’t know what happened with that,” says Yung Miami. “So, I personally reached out to Usher, I sent the record, he sent it back, and that’s how ‘Good Love’ came about.”

And a collaboration with fellow Floridian Muni Long on the sexy R&B tune “Emotions.” “I just hear her voice on it,” JT says. “She writes great music so we felt like she would be perfect for that song.”

That track follows the sing-along rap record, “Show Me the Money,” emphasizing the no-skip, smooth transitions of “RAW,” what JT refers to as “turn down, turn up, turn down, turn up” sequencing.

The math is working. When asked about their place in hip-hop — on its 50th anniversary, no less — JT is acutely aware of City Girls’ position. “Every time I think about, like, us being rappers, I always feel blessed. Like, damn, we are really rappers. We are really a part of hip-hop,” she says, expressing particular gratitude for being “the only female rap group right now. “And I think we were the first female rappers to go platinum since Salt-N-Pepa, and to chart over than Salt-N-Pepa... It’s a great feeling. I feel like we doing our thing and we will continue.”

As for their listeners: “I want them to feel good, you know, liberated,” she says. “I want our album to kind of be an escape from this world because it is always so serious and it’s always so stressful”.

I am going to finish with an interview from Variety. A lot of eyes were on City Girls this year. With a fierce and accomplished album out in the world, it is clear that there is nobody out there like them! I am fairly new to their work, so that is a reason why I was keen to spotlight them here:

“RAW” is precisely what its title suggests: a record comprised of classic City Girls, from the X-rated lyrics down to the familiar samples (like Snoop Dogg’s “Drop It Like It’s Hot” and Willie Hutch’s “I Choose You”). They also take new swings, swerving into the pop lane on the glitter-bombed “Flashy” featuring Kim Petras. “We never really did a pop record,” says JT, who explains she heard a few different people on the hook before deciding Petras was the best fit. “It’s an experiment for the both of us. You just never know, and I feel like it’s just us trying something new.”

The Miami natives, who got their mainstream start in 2018 after an uncredited feature on Drake’s “In My Feelings” raised their profile, have reached a point in their career where music may be the focus but their every move is scrutinized. The internet is constantly chattering about their relationships — Miami with Diddy, JT with Lil Uzi Vert — and they’re no strangers to a TMZ headline. But “RAW” is an attempt to recenter the narrative that they’re artists first — not social media talking points.

“Right now, it feels like there’s a lot of people doubting us,” says JT. “It’s just a bitter time for a lot of people coming out of the lockdown and people feel so entitled and opinionated and it’s just popular to be hateful right now. I won’t say that people are just hating on us, I just see a lot of hate in the world. I hope that this album puts fun back into music from our direction. I hope it makes them fall back in love with us.”

To that, JT and Miami are locked in on City Girls, and how to keep up the momentum. They’re planning their first headlining solo tour, complete with backup dancers, and hope to close the gap between this album and the next. Miami is feeling the love for her side hustle as host of the podcast “Caresha Please,” which has spawned countless viral moments since its launch in June 2022. She lets JT do most of the talking here but opens up about recently winning best hip-hop platform for the second year in a row at the BET Hip-Hop Awards.

“It feels good to do something outside of [music] and to be able to win an award so early and soon and to express something outside of my box,” she says. “I never saw myself doing a podcast, but now that I’m doing it, I’m starting to love it and I feel like that’s my lane.”

With “RAW,” City Girls remind listeners what they’re all about. They’re frank, and unapologetic, and hope that comes across in their latest body of work. JT says it plainly: “Shut the fuck up and enjoy the music and consume the music and love the music. That’s what I hope they take away from this — just the music”.

RAW is one of the most remarkable albums of the year. City Girls are going from strength to strength. Among the most importance voices in Hip-Hop, you need to follow this mighty duo. It is going to be interesting to see where they go now. I hope they do tour in the U.K. at some point. There are going to be plenty of people who would love to see them in the flesh. I will wrap it up here. If you are new to City Girls, go and play RAW and see why they are being heralded as…