FEATURE:
In These Shoes?
PHOTO CREDIT: KPA/United (via The New York Times)
Remembering Kirsty MaCcoll at Sixty-Five
_________
ON 10th October…
we will mark what would have been Kirsty MacColl’s sixty-fifth birthday. We sadly lost her at the age of forty-one in 2000. It was such a tragedy and shock. A truly distinct and wonderful voice in music, I wanted to celebrate her amazing work ahead of that birthday. Before getting to a playlist of songs from throughout her career, I want to bring in some detailed biography from AllMusic:
“A talented and eclectic British singer/songwriter, Kirsty MacColl's genius was apparent, though woefully unrecognized, during her lifetime. Despite a dazzling catalog of original work, her two best-known performances were written by others. Most recognizably, she is Shane MacGowan's feisty duet partner on the Pogues' perennial classic "Fairytale of New York," while her most successful solo release is a shimmering cover of Billy Bragg's "A New England." She could have followed in the footsteps of her father, U.K. folk legend Ewan MacColl, but instead devoted her life to pop music of every conceivable stripe. Her first single, 1979's "They Don't Know," fused classic girl group themes with jangly power pop, and over the following two decades she explored country, jazz, synth pop, alt rock, and even Latin. MacColl's innate curiosity and willful attitude often precluded her from settling into any single role, which is possibly why audiences found her hard to pin down. She was a trailblazing multi-hyphenate who could write, produce, and arrange while collaborating with acts ranging from Tracey Ullman to the Smiths. Her own albums, particularly 1989's Kite and 2000's Tropical Brainstorm, were exciting stylistic fusions that combined unpredictable melodies, sharp wit, and detailed storytelling. Following her death in 2000 at age 41, subsequent generations have begun to discover her work, though her legacy outside of England remains remarkably overlooked. Various compilations have sought to draw attention to MacColl's music, the most thorough of which is 2023's career-spanning box set See That Girl 1979-2000.
Born October 10, 1959, to British folk singer Ewan MacColl and dancer Jean Newlove, Kirsty Anna MacColl grew up in Croydon with her mother. Whereas her father was a noted folk purist, Kirsty was voracious in her musical tastes, embracing pop, rock, punk, country, and everything in between. Her entry into the local music scene came as the vocalist (under the pseudonym Mandy Doubt) for punk outfit the Drug Addix. The band went nowhere, but Stiff Records heard potential in their 18-year-old singer and signed MacColl to a solo deal. Her debut single, 1979's "They Don't Know" introduced the smart melodic sense and lush vocal layering that would become one of her hallmarks. While it wasn't a hit for MacColl, a version by Tracey Ullman reached number two in the U.K. four years later. Over the coming years she wrote several more songs for Ullman including "You Broke My Heart in 17 Places." MacColl's own chart debut came in 1981 with "There's a Guy Works Down the Chip Shop Swears He's Elvis," a jangly country-indebted novelty song that served as the lead single to her debut album, Desperate Character. It was her only release for Polydor, which dropped her just as she was wrapping up sessions for Real, the synth-heavy album intended to be her follow-up. The album was ultimately shelved for the remainder of MacColl's career and wouldn't see the light of day until 2023. She moved back to Stiff and resumed recording pop singles like "He's On the Beach" and "Terry" before landing her first hit with a reworked version of Billy Bragg's "A New England."
Released in 1985 and produced by MacColl's then-husband Steve Lillywhite, the song peaked at number seven on the U.K. Singles chart and remains her best-selling song. Bragg wrote a special verse for MacColl's version and the two remained close friends and collaborators for the remainder of her career. Despite its success, she avoided an immediate follow-up, choosing instead to focus on raising her two children with Lillywhite. She was far from inactive, though, and took regular session work as a singer, arranger, and all-around creative foil. During the mid- to late '80s, MacColl sang on records by the Smiths, Robert Plant, the Rolling Stones, Alison Moyet, Simple Minds, Big Country, and many others. She even sequenced U2's landmark album The Joshua Tree, which Lillywhite was mixing at the time. She returned to the pop charts later that year duetting with Shane MacGowan on the Pogues' holiday single "Fairytale of New York,'' another Lillywhite production.
In April 1989, a full decade into her career, MacColl finally released her second album. Now signed to Virgin Records, the smartly written Kite was easily her most accomplished work to date, earning critical acclaim and a respectable placement at 34 on the U.K. charts. It also ushered in her most prolific and creatively successful period. The vibrant and diverse Electric Landlady followed in 1991, yielding the U.S. college radio hit "Walking Down Madison," a dance track co-written with frequent collaborator Johnny Marr. Despite it being her biggest American release, Virgin opted not to renew her contract and she switched to Trevor Horn's ZTT Records for 1993's Titanic Days. Written and recorded during her divorce from Lillywhite, it was made with a significantly smaller budget, though no less ambition.
MacColl's lyrics skewed more toward introspective, though the music and arrangements were as eclectic as ever and it again received positive reviews, if middling sales. In 1995 Virgin compiled the greatest-hits collection Galore which featured two new recordings, the power pop highlight "Caroline" and a cover of Lou Reed's "Perfect Day" with Evan Dando. Galore became MacColl's only album to reach the U.K. Top Ten. Another compilation, 1998's What Do Pretty Girls Do?, collated her various BBC 1 live sessions, mostly from the front half of the '90s. During this period, MacColl had become increasingly enamored of Latin and Tropicalia music. She learned to speak Spanish and traveled to Cuba and Brazil, infusing the rhythms and grooves into a dynamic new set of songs. When it was released in March 2020, Tropical Brainstorm was a significant leap forward for MacColl, fusing bright, tropical rhythms with pop, jazz, electronic music, and various other styles. She sounded reinvigorated and sharper than ever. Critics loved it and it was a modest chart success as well. On December 18 of that year, just as her career seemed to be ramping up into its second act, MacColl was killed by a passing speedboat while swimming with her children off the coast of Cozumel, Mexico. The boat was owned by a Mexican multimillionaire, though controversy remains over who was operating it at the time. In the aftermath of the accident, her family launched a Justice for Kirsty campaign and a 2004 documentary, Who Killed Kirsty MacColl?, examined the case in detail.
In the decades since her death, several compilations have been released celebrating MacColl's career, though outside of the U.K. she remains something of a cult favorite. Her 2000 song "In These Shoes?" has been featured in several commercials and television shows including Sex and the City, and "Fairytale of New York" has become a staple of the holiday season in Britain. In 2023, an elaborate eight-disc box set, See That Girl 1979-2000, was released by Universal and covered nearly every aspect of her career”.
On 10th October, I hope people will remember Kirsty MacColl. It would have been her sixty-fifth birthday. She should still be with us. Killed in such an avoidable incident, you wonder just how much more she would have given us. Regardless, we can remember and celebrate what she did leave us. An amazing legacy and a distinct and beautiful body of music from such a great (yet underrated) talent. I will be thinking about…
THE brilliant Kirsty MacColl.