INTERVIEW: Daniel & Mikael Tjernberg

INTERVIEW:

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Daniel & Mikael Tjernberg

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I have been chatting with Daniel & Mikael Tjernberg…

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about their new E.P., Flight of the Raven, and what themes/ideas inspired it. The brother discuss how they got started in music and which artists/genres inspire them; whether they have plans for the year ahead and which albums are important.

I ask if they will tour at all and come to the U.K. and what the music scene is like in Sweden; whether they unwind away from music and the advice they would give artists emerging – they each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Daniel Tjernberg: Hi! Very well, thank you. The week has flown by pretty quick.

For those new to your music; can you introduce yourselves, please?

Mikael Tjernberg: We're two brothers from Sweden creating eclectic music, moving between different genres and styles such as Classical, Jazz and Popular music. Our music is primarily instrumental.

Daniel: Yes. We like to blend the tone language and instruments of Classical-Romantic music with contemporary and modern ones of popular music genres.

Daniel and Mikael; you are brothers. When did you start making music together and decide to get into recording?

Daniel: Very early, I'd say; pretty much as early as memory goes. Music has always been a natural form of expression for us; a way to express things that we otherwise would struggle or be outright unable to communicate…

Mikael: …And to record what you create became a natural thing; soon, there were no thinking about it but it just happened as soon as new ideas came to life. There was no deciding process behind that whatsoever. At that time, we would use an old tape recorder for recording.

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Give me an impression regarding the artists you grew up around. Was it quite a varied upbringing?

Mikael: We grew up in the 1980s and 1990s in a home full of all kinds of music. Classical and the orchestral masters, Jazz; Pop, Rock; Folk, Herbie Hancock; Joe Sample, Quincy Jones; Jan Johansson, Miles Davis; Grover Washington Jr., Pink Floyd; Dylan, Black Sabbath; Bee Gees, Genesis; Fleetwood Mac, Beatles; Ray Charles, James Brown; Aretha Franklin, Stevie Wonder; Michael Jackson, Motown…you name it.

Daniel: Yes. And our parents engaged and supported us a lot when we showed interest in music.

Mikael: Our late grandpa Sven meant a great deal to us. Not just as an inspiration, but it was also in his home we started up our first rehearsal room and recording studio.

Flight of the Raven is your new album. Are there particular themes that inspired the record?

Daniel: Yes, absolutely. Flight of the Raven is the first of two in a suite of Norse-inspired music where every track is drawn from Norse mythology. Making this E.P. has been an enjoyable journey, during which we've also had the pleasure to collaborate with some very gifted and talented musicians.

Mikael: And, as a matter of fact, the follow-up is already in production. It'll act as a natural continuation of the just-released E.P., building on the same themes. Expect some interesting tracks on that one, as well as a few yet to be revealed collaborations.

Do you each have a favourite cut from the collection?

Daniel: All songs made it to end up on the album – therefore, we like them all very much and it's very hard to choose a favorite. But, if I had to pick only one, I'm particularly attached to the title track.

Mikael: Agreed. That song’s dedicated to my late cat, Svarv. Written in honor of his spirit - and with the Norse myth inspiration where the bird of the Monocular God is sent out to surveil over the living and the dead.

What do you hope to achieve by the end of 2018?

Mikael: We hope that we have finished an album entitled Atlantis. That will come out via the Italian label Blue Spiral Records. We’ve worked on this one on and off for a couple of years now. It's inspired by Greek mythology; musically, it's Neo-Classical with a lot piano based material.

Daniel: For Atlantis, we've collaborated with Swedish string ensemble Malva Quartet as well as harpist Jonathan Grönlund.

You are based out of the centre of Sweden. Is there a good music scene there at the moment?

Daniel: Sweden is a huge exporter of music and the music scene is very much alive, I'd say.

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Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Mikael: Not a one and specific moment, but those sessions me and Daniel would have in our early teens where we would pop a cassette into the tape recorder, hit record and then just jam away for hours on end. We'd stay up 'til the witching hours just coming up with and refining musical ideas – a very special kind of magic!

Daniel: I have a lot of fun memories from when we played in the band (Metal Fusion). One that jumps out is that one time when we were playing in Enköping and the electricity went out and then at the same time the fire alarm went off. But, we just kept going unplugged, fumbling in the dark and synchronizing the finale with the fire alarm pulses. In the end, it turned out to be a rather theatrical and welcome touch to the show - albeit undoubtedly comically so!

Mikael: I also mustn't forget to mention the various concerts me and my brother have given at all of these beautiful churches in central Sweden. The atmosphere and acoustics in a medieval stone church are something to behold, I'm telling you.

Which one album means the most to each of you would you say (and why)?

Mikael: I have to confess, I'm not an 'album guy': I like to mix it up quite wildly. But…Pink Floyd’s The Dark Side of the Moon; Stevie Wonder’s Journey through “The Secret Life of Plants” but also his later works. Isaac Hayes has many great albums.

Daniel: Vangelis, Björn J:son Lindh and George Duke; not a specific album, rather...the sum of their production...

If you could support any musician alive today, and choose your own rider, what would that entail?

Mikael: George Benson with Stevie Wonder as rider.

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Can we see you on the road this year at all?

Daniel: Probably not. We're a duo constellation and, as such, we do almost everything ourselves. To put together the manpower required to play most of our music wouldn't be financially viable, at least not for the time being. And then there's practical implications, given that our music varies quite wildly from one work to another. You'd have to assemble a likewise wildly varied circus of musicians to perform it.

Mikael: We've given concerts before, but those always were quite small in scale and centered around Chamber Music specifically composed for piano and recorder. I think, going forward, we have so many more avenues that we'd like to explore musically.

Daniel: Somewhere along the line, you might see us somehow somewhere; albeit in a different setting. Together with our baby brother Gabriel, we're bringing Jazz-Fusion band Tjernberg Brothers to life - and who knows where that'll end up.

Mikael: Also; we always keep the door open for orchestras and ensembles to perform our music, so there's that.

Might we see you in the U.K. very soon?

Mikael: Based on the reasons given: no. However, the United Kingdom holds a very special place in our hearts with its rich culture and heritage, so I'd say it would be one of the very first places we would go, should the opportunity arise.

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 IN THIS PHOTO: Tjernberg Brothers; the upcoming project involving all three brothers

What advice would you give to new artists coming through?

Mikael: It truly is a jungle out there and it can be disheartening to face backlash after backlash. It's a tough industry, for sure. But, I believe that as long as you have stories longing to be told; feelings to communicate, then there is an audience for your art. Trying to appeal to each and everyone is a path that'll ultimately and inevitably fail.

Same goes for money: if you find yourself thinking about art in terms of if it will be financially beneficial and therefore worth it; then I'd say you should take a step back and reconsider whether art is the thing that you should be doing. Art is bigger than all of that. That's something I would say is a crucial understanding for making worthwhile art.

Daniel: And the music you're making should first and foremost be for you. It's therapy, man! If it's genuine and sincere, it's just a bonus if it can be appreciated by others.

Are there any new artists you recommend we check out?

Daniel: Not really. To be honest; we've been too busy with work to check out new stuff. But, we try to catch up by following interesting labels and zines.

Do you both get much time to chill away from music? How do you unwind?

Mikael: Well, naturally, music is unwinding. Being out on the countryside is a big one, though, for the both of us.

Daniel: Mikael is even is what you'd call a nerd; completely obsessed with beetles.

Mikael: Being out in nature, where you get to observe how everything interacts; see all these cogs in this massive cog wheel called life…that's the greatest kind of inspiration you could ask for.

Daniel: Being a creative kind of person; I've also always been into drawing and illustrating. And, when drawing, I often find myself exploring the same kind of themes and moods that I've recently used musically. I find it an interesting combination; using these forms of artistry to express the same kind of mood or to use them in conjunction with each other so that the sum of it tells a story that would be difficult to get across otherwise.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Daniel: Put on the title-track from Björn J:Son Lindh's Atlantis album. Björn was one of the most talented and interesting musicians that Sweden ever had, in my humble opinion, but his recognition – even is his home country! – is criminally low

Mikael: Another one deserving far more recognition is the late Swedish pianist Jan Johansson. The guy had an absolutely unprecedented emotion behind every stroke of the keyboard.
But, for today, I'm gonna go with George Duke's Anticipation as my contribution to the playlist. You're sorely missed, George

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INTERVIEW: Shields

INTERVIEW:

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PHOTO CREDIT: Rhiannon Banks Photography  

Shields

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THANKS to Shields…

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for chatting with me about their new E.P., Etemenanki, and what inspired it; if they have a favourite cut from the collection and what their plans are regarding next year – I ask if there are tour dates and we can see them on the road anytime soon.

The guys talk about their musical influences and albums that are important; which rising acts we need to get behind and whether they have special memories from their careers so far – they end the interview by each selecting a track.

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Hi, guys. How are you? How has your week been?

Really, really good, thanks! We had our E.P. launch and it was absolutely class! Amazing crowd, sell-out gig. So, yeah, pretty good!

For those new to your music; can you introduce yourselves, please?

We are Shields. There are five us in the band (Luke, Rich; Dave, Tom and John).

How did Shields form? When did the magic start?

Shields came together in 2012. The band really started as a three-piece. We went to Blank Studios in Newcastle to record some demos which is where we met John - he was the engineer. John’s creative input as producer became so integral that we asked him to join the band. It then got to the point that the music we were recording required an extra member in order to perform it live. I (Luke) was in another band at the time with Dave so asked him if he’d like to join Shields. We quickly found we could all write and produce together and it went from there.

Etemenanki is your new E.P. What sort of ideas and stories inspired the music? Do you each have a favourite song?

I (Rich) usually write musical ideas before coming up with an idea or story to accompany it. That allows me to draw inspiration from the feeling I get when listening to the idea. Babel, for example, sounded exotic and had a carnival feel to it. The story of the Tower of Babel seemed to fit really well with that feeling but it also provided a lot of inspiration, lyrically. That’s one of my favourite songs on the E.P.

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

We really are inspired by all kinds of music, which I think shows in our set. It’s a bit all over the place but, hopefully, in a good way. There are certain bands which we all love such as Radiohead.

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What do you hope to achieve by the end of 2018?

Having just released our first music in a couple of years, we are super-keen not to leave it so long this time. We are heading into the studio in November and plan to get another batch of music recorded before the end of the year. We also have a few gigs lined up. Check the website for details. 

Do you already have plans for 2019?

Assuming the rest of this year goes to plan then we’ll be releasing new music in early-2019. We’d love to get out to play some festivals throughout the year and maybe head over to Europe again if the opportunity presents itself.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

For me (Luke), it has to be Glastonbury. I’d never been before and I always said to myself that I’d wait until I could go as an artist. It was totally worth the wait! A close second is Melt Festival in Germany, but there are so many brilliant memories.

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PHOTO CREDIT: Rhiannon Banks Photography  

Which one album means the most to each of you would you say (and why)?

Luke: Sound of Silver By LCD Soundsystem is one that I will always come back to. I remember hearing in a record shop in Newcastle and I fell in love with it straight away. It was massively refreshing to me. It became the sound track of my uni days

Tom: De-Loused in The Comatorium by The Mars Volta. John Theodore shows that it is possible to have energy, virtuosity and musicality in equal measure in the drums and inspired me to approach my performances and creative processes in the same way. The songwriting and arrangements are incredible and left me listening on repeat for over six months. Even now, when I need a reminder of how exciting an album can be, I go back to it.

Rich: That’s a really hard question! I can’t pick one album that means the most to me but I’ll never forget the profound effect Bitte Orca by Dirty Projectors had on me. I remember Luke gave me a C.D. of it and I was just blown away with how inventive the composition and instrumentation was. Everything from the drums to the guitar work…but especially the vocals.

Dave: Radiohead - Kid A: I first heard snippets of Kid A while being an insomniac listener to a late-night MTV2 programme called 120 Minutes while at college. The album was a perfect soundtrack to that state of mind and it felt time to progress from the boring sounds and albums Oasis were releasing. I'd never heard songs or an album approached like this before; that have purposefully inaudible lyrics, guitars that sounded nothing like guitars and had no singles from it...yet, it was their number-one in America. The opening lyric of the album also gave the band Everything Everything their name and have obviously been a huge influence on those guys as well.

If you could support any musician alive today, and choose your own rider, what would that entail?

That’s too hard to choose! Either Radiohead, LCD Soundsystem or Arcade Fire. I know you said choose one but I can’t. If you’d asked me a few years ago it would have been Bowie, without a doubt.

We’re pretty easy to please when it comes to riders. We are happy with some nice booze, humus and carrot sticks.

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Given the band’s name; if you could design your own shield, what would it be made of?

Are we allowed fictional materials? If so, then that stuff that Captain America’s shield is made of. It would be one of those tall ones that covers you head to foot and it could double up as a sledge.

What advice would you give to new artists coming through?

To stick to your guns, creatively. Don’t try to second-guess what you think other people are looking for in your music. As cliché as it is; be yourself.

Do you have tour dates coming up? Where can we catch you play?

The next gig is at The Finsbury in London on 17th November.

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 IN THIS PHOTO: Callum Pitt/PHOTO CREDIT: Daniel Stark

Are there any new artists you recommend we check out?

Defiantly check out Callum Pitt, Grace Gillespie; Fever Days, The Pale White; Martha Hill, The Old Pink House and Penguin.

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 PHOTO CREDIT: Grace Gillespie/PHOTO CREDIT: Poppy Marriott

Do you get much time to chill away from music? How do you unwind?

We don’t really stop. We’re doing something music-related most days, whether it’s recording, mixing; writing or working with other artists. It’s pretty addictive. I have made time for Daredevil on Netflix over the past few days though.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

What’s Your Problem? – FEVER DAYS

Away From the Rousing Parades - Callum Pitt

Wisdom Tooth - The Pale White

Martha Hill - Wallflower

Restoration - Grace Gillespie

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INTERVIEW: CAEZAR

INTERVIEW:

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 PHOTO CREDIT: Daniel Alexander Harris

CAEZAR

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THE guys of CAEZAR…

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have been telling me about their new track, Somewhere New, and what we can expect from their E.P., HAIL! I ask how the band met and what sort of music inspires them; if there is an approaching artist we need to get behind and whether they are heading on the road at all.

I discover which albums are important to them and what they have planned for next year; if there are any favourite musical memories and which artist they’d support given the chance – the band members each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! It’s been another busy week. It always surprises us just how busy it is when you’re deep in the middle of a campaign. With all the P.R. work, the travelling and the interviews – it’s relentless! We love it though.

For those new to your music; can you introduce yourselves, please?

Of course. We’re an Electro-Pop three-piece, originally from Cheltenham in the South West but now we spend most of our time in London. We’ve been a band for about four years, but previously performed under a different name (‘Quigley’). We then had a line-up change with two members leaving the band; this left just Chris, Zoe and Rich (C,Z,R) in the band. It seemed like the right time to close the chapter on Quigley and start something new. We’d started working with a new producer at the same time and the chemistry of it all just seemed to click. Eighteen months later and CAEZAR was born.

Somewhere New is your single. Can you explain the story behind the song?

This is actually one of the oldest tracks in our repertoire – although it’s changed a lot since when we first started performing it. We wanted to capture that feeling of restless excitement that you get when you discover a new place or a new adventure – and we think this song epitomises that. It’s a real anthemic track with a strong hook at its heart. It always gets a great reception when we perform it live.

The E.P., HAIL!, has been announced. What sort of themes motivated and inspired the songs?

It was really important for us to try and capture the many shades and sides to ourselves in this E.P. It would have been easy to have put four lighthearted, easy-listening tracks together. However, we wanted to showcase that – yes, we’re an Electro-Pop band – but there are so many emotions that inspire us and we love to explore in our music – whether it’s bittersweet, lighthearted; frisky… that’s what keeps us interested. We’re really proud of each single on the E.P. and feel that the tracks work either independently on their own but also as a collection.

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 PHOTO CREDIT: Daniel Alexander Harris

In terms of sounds/artists; who are CAEZAR inspired by?

We have quite a diverse range of influences – Chris loves OneRepublic, Maroon 5 and Muse while Rich is more introverted and will spend hours digesting acts like Pink Floyd and Ben Howard. Zoe has Indie tastes, so loves acts like Nothing But Thieves and Amber Run.

How did you get together? Did you all meet in Cheltenham?

Chris and Rich first met on the rugby pitch. They played for the same rugby team and both got injured at the same time. As they couldn’t play rugby, they had to find another way to spend our time so they started the band! One thing led to another and now the music has completely taken over from the rugby (although they will try to get a game in when we can). Zoe came into the mix in 2015; first as a backing singer for the band but her voice and character were so strong she quickly established herself as a key member of the band.

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 PHOTO CREDIT: Daniel Alexander Harris

What do you hope to achieve by the end of 2018?

The goals for this year is to complete the release of the E.P. (due 30th Nov) and to continue to nurture the CAEZAR following. We’ve been very fortunate to have an amazing reaction to the tracks so far with BBC Introducing featuring the E.P. as a main event; CLASH magazine premiering our singles and even getting some U.K. National T.V. broadcasting with Philip Schofield on ITV’s This Morning!

Do you already have plans for 2019?

We want to build on what we’ve started this year. It’s been amazing to release the songs to such a positive response; now we want to take the tracks on the road and showcase them to audiences across the U.K. – and beyond. We’re talking to festivals currently and hope to make some big announcements soon. After that, we will be looking to get back into the studio to start on our next project.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Our favourite memory so far has to be when we performed at Alt Fest in Belgium. It was our first international show and really opened our eyes to how far music could take us. We were treated like royalty; we got to meet loads of amazing acts, and also were able to hang out for a night in Bruges – which we’d highly recommend. It was an incredible adventure.

Which one album means the most to each of you would you say (and why)?

Chris: Muse - Origin of Symmetry

The first album I began to understand the power of melody regardless of genre.

Rich: Pink Floyd – The Wall

I grew up hating this album. My parents would play it on-repeat and it confused the hell out of me. Then, as I grew up, I reengaged with the narrative, the journey; the multifaceted moods and tones – and, of course, the guitar solos. I love it. Dave Gilmour is the man. Fact.

Zoe: Amber Run - 5am

I'd been in a dark place where I didn't even want to listen to music. This was the album that changed that. It marks a very poignant turning point in my life

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 PHOTO CREDIT: Daniel Alexander Harris

If you could support any musician alive today, and choose your own rider, what would that entail?

If we could support anyone performing right now, then I think someone like Raleigh Ritchie would be amazing. In terms of riders; we’re happy with a few beers! As long as it’s not fruit – we were once given a bowl of oranges as a rider and Chris is still angry about it today.

What advice would you give to new artists coming through?

Creating and growing music that you love is not easy. It takes a lot of dedication and persistence to get your head above the water and even then expect a lot of rejection and disappointment. It’s the bands that believe in themselves and who can ride the waves of ups and downs that will make it. So many amazing acts never make it because they give up too early.

Do you have tour dates coming up? Where can we catch you play?

We will be announcing 2019 tour dates very soon. Head over to our Facebook page to ensure you get the updates when they are published.

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 IN THIS PHOTO: Rex Orange County

Are there any new artists you recommend we check out?

Not really an ‘unknown’ but Rex Orange County is tearing it up right now – we love him!

Do you get much time to chill away from music? How do you unwind?

Probably unsurprisingly we turn to rugby when we’re not in CAEZAR-land. We’re big supporters of Gloucester rugby, so will go to watch the Cherry and Whites when we can and, if not, we will strap on our boots for a game with our home club, Old Cryptians. Except for Zoe – she’s mega-creative so she will be painting or designing something stunning (like the band’s artwork).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rich: Rex Orange County – Loving Is Easy

Chris: Navajo – Masego

Zoe: Theophillus London – Bebey

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INTERVIEW: Alichè

INTERVIEW:

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Alichè

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THANKS to Alichè…

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 PHOTO CREDIT: @bychrisreid

for talking with me about her latest song, B.B.I, and what it is all about. She reveals how her music has developed and which artists influenced her; a few albums that are very important and some rising names that we need to be aware of.

I ask whether there are gigs approaching and how important London is to her; which musical memory stands in the mind and how she unwinds away from music – Alichè chooses a great song to end the interview with.

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Hi, Alichè. How are you? How has your week been?

Hey, hey! So good. It’s release week, so I've literally been counting down to the day!

For those new to your music; can you introduce yourself, please?

I’m Alichè - pronounced ‘Ali-Chay’. I was born into music, literally born under a piano at home. Haha! I’d say I sit somewhere in a contemporary style of R&B/Hip Hop. I like to take influences from all different genres of music to form my own style and take. I embrace being from London and proudly sing with my accent. To be honest, couldn't drop it if I tried. 

B.B.I is your latest single. What is the story behind it?

B.B.I = Bad Boy Issues. It’s not about any specific being, but more a reflection of frustration. Anyone that knows me knows I have a big, big heart but I'm not a lovey-dovey relationship person. I do my own thing, work hard and put myself first a lot. But ‘bad boys’ are my kryptonite: I get pulled in by a certain type of presence and swagger; they always seem to end up being an issue.

How do you think it moves on from No Luv? Do you feel yourself bringing out more material next year?

They are both tracks that represent me and I'm proud of. There’s a lot more to B.B.I; there’s a certain vibe to it that I was, like, ‘Cool; this has to be my first official release’. I’ve got a couple things lined up for next releases but, for now, I’m just eager to test the waters in the reception of B.B.I.

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In terms of music; who do you count as idols? What sort of stuff did you grow up listening to?

My family play a big part in my musical influences. I grew up with a lot of Jazz, Funk and Soul music around me. There’s always good tunes playing in our house. We spent some time in Cuba when I was little - and my family did before I was born too -, so a lot of Cuban and Spanish music and culture was always about - whilst I also had an older brother drilling Hip-Hop and Grime into me from an early age. 

Erykah Badu, to me, is one the greatest human of all time. Q-Tip is also possibly one of my favourite Hip-Hop artists alongside the more modern-day sounds of King Kendrick. And, finally, I would not be the woman I am today without the existence of Amy Winehouse. 

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Being based in London; how important is the area and the people regarding your music and creative mind?

So important. I bounce off London. It’s an exciting time for U.K. music as a whole. Defining sounds and pushing new limits. There’s a lot of love in this city but a lot of pain too. It inspires me every day. Even just watching the people I see on the Tube every day; they give me ideas or inspiration. 

What do you hope to achieve by the end of 2018?

The most important thing for me right now is developing my presence and sound as an individual, so I’m keeping my head down and trying to stay consistent. 

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Do you already have plans for 2019?

Of course. I’ve got so much I would like to do but, my team and I, we plan loosely. Things and plans can change so quickly. In 2019; I would love to support a British female artist on their tour or their home show.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It would have to be the headline show I did in September at The Spice of Life. I’ve been going to that Jazz club for London Jazz festival for years. It was also my first headline with a live band who, shout out to them, are the best musicians. Excited to see where we’ll be playing in the future.

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Which three albums mean the most to you would you say (and why)? 

The Miseducation of Lauryn Hill by Lauryn Hill and Baduizm by Erykah Badu shaped me as a human; they both got me through some tough times and boosted the good days. Then, Songs in A Minor by Alicia Keys is a timeless album to me; reminds me of just being young, blasting it out singing at the top of my lungs. My biggest worry was the flat upstairs banging to tell me to pack it in. 

If you could support any musician alive today, and choose your own rider, what would that entail?

If we’re talking worldwide, then Anderson .Paak. I think he is incredible. Ah…a rider. Well. If I was on tour I’d probably set up and run a fitness boot camp every day for the whole team and band. Blast some tunes and whip everyone into shape….

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What advice would you give to new artists coming through?

I’m still very new myself so I’m still learning but I think just trust your own process. You live and learn. Don't be afraid to try new things but also don't be afraid to stay true to what feels right to you.

Do you have tour dates coming up? Where can we catch you play?

I’ve got my biggest headline show yet lined up on Sunday, 11th November at the Camden Assembly. I live to be on stage so I literally cannot wait.

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Are there any new artists you recommend we check out?

I’m going to give you three AMAZING U.K./London-based artists…

Fred Fredas - who features on B.B.I. I was on one of his songs last year under a different name and fell in love with the richness of his voice. He's a QUALITY rapper and also a really good guy. Dotty. He is one of my favourite U.K. artists. His album, London X Living, is one of the most underrated projects. CHECK HIM OUT FOR SURE. Cleo Sol! Her song, Why Don’t You; it’s one of my most played songs. She has so much to her voice and lyrics; literally makes me melt.

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 IN THIS PHOTO: Cleo Sol

Do you get much time to chill away from music? How do you unwind?

To be honest; I’m one of those people that hardly sits still. Haha! Not a lot of ‘chill’ time on a regular day/week. I do weightlifting/powerlifting, which I find is my time to myself. But, putting on my favourite album or project and just zoning out when on public transport or travelling is probably the time I take to chill.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kaiit - OG Luv Kush pt.2. Another perfect example of pure U.K. talent. Someone introduced me to her earlier in the year and I have been rinsing this track since

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INTERVIEW: Soul Island

INTERVIEW:

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Soul Island

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I have been speaking with Soul Island…

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about his new single, Ocean, and how it came together. He talks about the upcoming album, Shards, and what sort of themes inspired it; when he got into music and what sort of sounds inspired him – he reveals a few albums that mean a lot to him.

Soul Island discusses his future plans and spending time in London; being raised in South Italy and whether there are any ambitions to fulfil before the end of the year – the songwriter ends the interview by selecting a cool track.

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Hi, Soul Island. How are you? How has your week been?

Hey! Quite deep…prepping the live set, some flying London to Lecce; with in between working on visuals for the upcoming record and singles.

For those new to your music; can you introduce yourself, please?

I’m Daniele and Soul Island is my first solo project. It’s an exciting phase as the first record is coming out, with experimentations on songwriting mixed to analog, Electronic soundscapes. In the past, I was part of quite a few other projects, from Power-Pop to Folk. However; this new work I always had in mind and turned out to be the most personal music I ever released.

Ocean is your new single. Can you explain the story and background of the song?

I was fascinated by the idea of composing a track with a lead synth arpeggio from start to finish. I worked a lot on the narrative in the chords sequence and then fed it through a Juno-106 with continuous live tweaking of all envelopes and filters. Lyrics are about the environment and my – everybody’s – sense of responsibility for it; the hopes we hold on to as events bigger than us unfold.

I was also definitely externalising the impact of London’s weather(!). After some time working on the track, I realised that water movement is effectively what I had in mind musically and that this was a recurring topic appearing (also) in the lyrics…so I picked ‘Ocean’ as the title.

It is from the upcoming album, Shards. What sort of stories and experiences compelled the music on there?

As I said; Shards is all very personal. Lyrics and soundscapes expose intimate imagery and feelings as fragments of my story and my inner-speech. However, I am always very empathic and context-aware so much of this focuses on friends, other people; or else subcultures, global issues. The songs in Shards are a selection over a long period; effectively a chunk of me and my ideas over time, most of which I was living in London, having moved there from Italy and travelled a lot to the rest of Europe and New York. There’s also a good amount of focus on change in independent music and the arts, fast content versus depth; substance vs. networking - the way with which I deal with these thoughts emotionally.

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In terms of influences; which musicians did you grow up around?

Lecce in Puglia, South of Italy, is where I’ve grown up. There was a small local street and skate scene of which I was part. Music started playing a huge part into this scene and eventually quite a few bands were born and places for gigs, small D.I.Y. distros and labels. This was the environment; bands I would listen to were mostly Hardcore, Punk and Indie from the States…Hüsker Dü, Minor Threat; Fugazi, Sensefiled; Promise Ring, Texas Is the Reason…I could mention dozens.

Then, some Italian, Kina; Negazione, Nuvolablu; Shock Treatment, Eversor - we had brilliant Punk/Emo bands down in Lecce as well like Suburban Noise. And, of course, U.K. like The Clash, Exploited…eventually attention slowly shifted on the sound more than the politics and I became genre agnostic; I get passionate so long as the writing is good.

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How did you get into music? Was there a particular moment when you knew it was what you needed to do?!

It came as a natural consequence of being in the skate culture in the '90s which eventually led to Punk/Hardcore. My parents’ home was also a place imbued with art ranging from paintings to good records played loud on Sundays. Making loud music felt as a protest against the culturally dry and small-minded region I lived in. Started on the guitar and immediately began writing songs, fronting a few bands with guitar and vocals (Room 104 among all). Since then; making music just felt a basic need.

You were raised in South Italy but are now in London. Was it a hard decision leaving Italy or has it opened up your musical world would you say?

Leaving Italy took some planning. Once in London and past the first few tough adaptation months, I started loving the city incredibly; it’s a constant adventure and discovery and, yes, it’s been a dive into countless shows in the many venues and pubs, both on stage and as public. I started buying vinyl again. I’ve also seen another completely different side of the city working as a software designer.

For me; the most challenging job to date. Full disclosure: I am now back in Italy, mostly, although I frequently fly back to U.K. having lived what has been a very intense life there - sorry London; the weather is so much better!

What do you hope to achieve by the end of 2018?

Record out, live set ready to go!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have a terrible memory for events. However, recently, as the first single came out - announcing the record - and I was so touched by many (among friends, music people and totally unknown others) getting very emotional, almost as in-sync with the tracks’ footing. That’s been quite a thing to experience: a sense of intimate warmth and protection from the exposure of putting the track out in the first place.

Given your name; if you had to populate your own ‘Soul Island’; which singers would you have on there?!

Jon Bunch - always pictured as my older brother, fatherly figure. Bent Sæther, Jello Biafra. I love Thomas Mars’ attitude and writing. Elliott Smith, Nick Drake. Many more; depends if it’s a shipwreck or we’re at a holiday resort (smiles).

Which three albums mean the most to you would you say (and why)?

So difficult - there’s way more than three…

I’ll give you Blissard – Motorpsycho

It’s still there on any device I carry around. I have slept countless times with it in my headphones.

Then, more recently, Our Love - Caribou

It matches my sensibility; 100% would love to meet Dan Snaith and have a chat.

Finally…James Blake’s first (James Blake)

It’s a blue I always end up needing at some point or another.

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What advice would you give to new artists coming through?

Ultimately, you want to hope making music is urgent to you or it will likely hurt you.

Do you have tour dates coming up? Where can we catch you play?

There are a few things lined up - but will put out details in due time!

Do you get much time to chill away from music? How do you unwind?

I do probably too many things. Besides music and designing software interfaces, I do often end up exploring computational art in many ways. I have an Instagram account where I post things at @morekid.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I have this I just recently discovered; I’m loving it; amazing ambience

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Follow Soul Island

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INTERVIEW: ROYAL

INTERVIEW:

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PHOTO CREDIT: Liz Rosa Photography  

ROYAL

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THE fantastic ROYAL…

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has been talking with me about her new album/E.P., Heart of Shadows, and what inspired it; whether she has a favourite cut from the collection and what she has coming up next – she reveals a new artist we need to get behind.

I ask whether there are plans for next year and when music came into ROYAL’s life; if there is a favourite musical memory that stands out; which artist she’d support given the chance – ROYAL ends the interview by selecting a great recent track.

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Hi, ROYAL. How are you? How has your week been?

Hey. I’m great! Thanks for asking! My week has been a lot of fun - it’s a very exciting time with the album release of my newest project, Heart of Shadows. 

For those new to your music; can you introduce yourself, please?

My name is ROYAL. I am an independent, Dream-Pop artist with a flare for cinematic, romantic and dark tones. I write my music based off emotion and my own personal life experiences. I draw inspiration from artists including Lana Del Rey, Amy Winehouse and Billie Holiday, to name a few.

I have had some success with film, television and commercial placement over the years as well as a collaboration with Electronica artist Conro on a track titled City Lights, which has gained over five million streams on Spotify. You can check out my latest single, Vessel, on the Spotify-curated playlist Indie Pop Chillout! 

 

Heart of Shadows is your new E.P./album. What sort of themes did you tackle when writing and putting the songs together?

Heart of Shadows is a musical odyssey of the trials and tribulations of love and loss of identity. Thematically; it follows my story and experiences with the beautiful and darker sides of love - and the lessons we learn - and the power we gain from those experiences.  

Do you have a standout track from the record that sticks in your mind?

Reminisce is one of my favourite tracks on the album. It begins with a hauntingly beautiful string orchestration and leads you down the path of reminiscent swells of emotion. The mood and style of this song best represents me as an artist as a whole. It’s one of the more sweet songs – rather than bitter – on the album and carries me back to some very precious moments of my life. 

Was your early life filled with music? Which artists did you follow when growing up?

I am so fortunate to have been raised in a home filled with music. I swear if I were to press my ear against the walls I would still feel the vibrations, built in to the framework of the house. Not only was there always music playing but music from every genre under the sun. My dad followed the Rock classics including Bob Dylan, Neil Young; The Beatles and Tom Petty, while my mom blasted anything from Queen to Billie Holiday, Janis Joplin to The Zombies and Blue Rodeo.

It was a very well-rounded, constant thrill of inspiration. As I got older, I fell into the Pop scene; then Country then Punk; then to Rock - which finally led me to a musical world without borders.  

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 PHOTO CREDIT: Liz Rosa Photography  

What do you hope to achieve by the end of 2018?

The end of 2018 is quickly approaching! I am working hard to reach my goals of successfully promoting my single, Vessel, and album, Heart of Shadows. With these releases, I hope to expand my following and create more music placement opportunities through film, television and beyond.

Do you already have plans for 2019?

I have many plans for 2019. This includes a music video release, tour and continued promotion for the current album. As well, I plan to step into the studio with more music. There are a few songs that I wrote within the last year that I would love to see come to life. The recording experience I had working with my producer Luca Fogale on Heart of Shadows really inspired this and I look forward to stepping in to that creative hub again. 

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PHOTO CREDIT: Liz Rosa Photography  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The one memory that comes to mind is the moment I was notified I was a successful FACTOR Juried Sound Recording grant recipient. FACTOR is a major source of funding for Canadian artists.

I was sitting in the hospital chair waiting for my boyfriend - who had injured his arm from a concert the night before (don’t worry; it wasn’t anything serious) - and the email popped up on my phone screen. It was as if the world stopped turning; I think I forgot to breathe. I opened the email and there it was. Someone believed in the music I was creating so much that they wanted to make sure it had the means to be developed. At a time in my life where I was feeling quite down about my career, there it came and it couldn’t have been a better time. I immediately burst into tears, unable to move. It was one of the most precious moments I’ve ever had. 

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Which three albums mean the most to you would you say (and why)?

This is one of the most difficult questions to answer - because how could I pick just three? My life has been monumentally inspired and carried by music for as long as I can remember. And, so, I’ll give you three from different periods of my life. 

Bob Dylan - The Essential Bob Dylan

This album is an automatic number-one for me. I can remember my dad playing it whenever he cooked dinner. We would sing along as we chopped vegetables and it put a bit more pep in his step. I’ve always felt a strong connection to Bob Dylan’s music. To me, he is one of the most incredible songwriters of all time. His storytelling abilities have the power to draw you in and connect on a deeper level. 

Billie Holiday - Billie Holiday’s Greatest Hits

Okay; so it’s a greatest hits compilation but, before anyone jumps to judgement, know that I also love Deep Cuts. This album makes me want to dance and cry all at the same time. Long before the time of The Notebook’s presentation of I’ll be Seeing You, I have loved Billie Holiday. This album reminds me of my mom. This was one she often played while I was growing up. Billie Holiday’s music embodies all of the timeless qualities that I so admire. There is a deep and genuine sadness to it that I find intoxicating. It’s as if her voice casts a romantic, yet tragic spell that I am helpless against and can’t help but surrender to. So much more than just music. It moves you. 

Lana Del Rey – Honeymoon

Can you imagine a more enchanting album introduction than that of Honeymoon? To me, this album is absolute perfection. I love turning off the lights, lighting a few candles and laying on the floor to listen to this album. It’s such a trip. I can feel reality melt away when I put this album on. It captivates and rejuvenates me, while filling my soul with inspiration. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Hands-down, Adele. I attended her last show in Vancouver and was blown away. As soon as she began singing, I lost it. I didn’t just cry, I sobbed. It was as if all of my life’s emotions began uncontrollably pouring out of me, triggered by her voice. It’s quite funny to think about it now, but wow, what an experience. 

Like myself; Adele isn’t too concerned with dancers and moving stages etc. She provides visual stimuli that compliments her music and doesn’t take away from her voice - which is why we’re all there in the first place. I prefer my music to do the theatrics. Beyond that, I find it too distracting. Wonderful and relevant for some artists; I mean, can you imagine a world in which Michael Jackson had performed with only a live band? No. That was part of his creative vision. 

If I were to tour with Adele, I would have to get over being so star struck by her. For the rider, my dream is to be accompanied by a band comprised of the usual piano, drummer; bass player etc., but I would also love to bring in a small string ensemble and backing vocalists to create a beautiful and full sound. There would be some stage props to emphasize the cinematic tone and I would want to do something to make the audience feel a part of the show. Something along the lines of when Coldplay handed wristbands to everyone in the audience before the show and left the purpose of them a mystery until all of a sudden they all began lighting up in a choreographed light show. That was a brilliant idea. 

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PHOTO CREDIT: Liz Rosa Photography  

Given your name…have you got a favourite member of Britain’s Royal Family?

I love learning about the history of the Royal Family, although I can't say who I would pick as my favourite. They are all very interesting. My stage name came to me while riding a bus one day in the city. There was a large sign with ‘Royal’ in the title and as it blurred past me, I was really taken with it. I decided to choose the name based on its timeless essence and powerful mark. Thematically; I feel it is very fitting with my sound and artist brand. 

What advice would you give to new artists coming through?

To the young and dear souls entering the all-consuming and beautifully chaotic world of music: stay true to yourselves and your art. Art is meant to be a reflection of the soul and creative divine, not a trend. Work hard and surround yourself with people who love and support you, and who will be honest with you. Go to the workshops and the lectures, collaborate with other artists and do not let your fears hold you back. Just take a deep breath and go for it. 

Do you have tour dates coming up? Where can we catch you play?

Yes! I have special album release show coming up in Vancouver as well I am planning a cross-Canada tour for the spring. More details will be announced shortly, so stay tuned!

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 IN THIS PHOTO: Chersea/PHOTO CREDIT: Tor Hammar Erickson and Dayna Weststeyn

Are there any new artists you recommend we check out?

My talented friend Chersea has been releasing some incredible music in the past few months. Not only is her music beautiful but she is also one of the most hard-working, talented and big-hearted people I know. Definitely check her out! And, if you’re looking for an opportunity to check her out live, she and I are teaming up as co-headliners for the upcoming album release show in Vancouver. 

Do you get much time to chill away from music? How do you unwind?

Music is pretty much an all-consuming thing for me these days. As an independent artist, I wear many, many hats and am constantly learning how to execute new titles and projects. However, when I need to take a break from it all, I love going for nature walks and spending time with the people I love. I really enjoy playing with my nephews. Kids have a way of making the world feel a little lighter - they aren’t concerned with the world and responsibilities of life. They just want to play and have fun and they provide the ultimate escape.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that)?

Thank you for all of the great questions! I will leave you with this musical gem by Chersea: I Can’t Be You

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Follow ROYAL

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INTERVIEW: HANNIE

INTERVIEW:

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PHOTO CREDIT: Arielle Shear

HANNIE

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TODAY’S first interview is with HANNIE…

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as they talk to me about their new single, Stay Another Night, and what inspired it. I ask what comes next for them and how they came to work with Hight on Stay Another Night; which rising artists we need to watch and the albums that mean the most to them.

HANNIE reveal what sort of music they grew up around and whether there are plans for next year; the advice they would offer artists coming through; if they get time to chill away from their busy careers – Hannah and Annie each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We’re really good thanks! We’ve been in the studio writing some songs and rehearsing for live. 

For those new to your music; can you introduce yourselves, please?

We are HANNIE, an artist duo. We make upbeat, fun music that (we hope) makes you want to dance. We write, produce and play and have different feature singers on each track. 

Stay Another Night is your latest single. How did the song come about? What inspired it?

We were just jamming with Tim (Hight) one day (who is the guys who is singing on it). Annie started playing the riff that you hear in the post chorus and Tim started singing the line “Don’t let me stay another night”. From there it just flowed; we wrote the song in about three hours and then produced it up afterwards. It was such a relatable topic to all of us and there was such a good vibe in the room at the time that the songs felt so natural as if it needed to be written. 

How did you come to work with Hight? Do you think you’ll work together again?

We were working with a friend and she mentioned Hight to us. She said we’d really get along and we should work together so we hit him up - and he came around our place to do some writing.  

Yes, 100%. We’ve actually already written another song with him that we love; we’re going to release it for sure!

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 PHOTO CREDIT: Arielle Shear

Might we see more material from HANNIE next year?

Definitely! We have way more coming for you next year. This year was a warm up; get ready (smiles).

Did you grow up around a lot of music as children? Which artists struck your ears?

Annie: I didn’t grow up in a very musical family: I was the only one who played; it wasn’t like I was engrossed by music but I was encouraged to practice and play and I loved it so much so I just surrounded myself with it. I listened to a lot of Earth, Wind & Fire and CHIC. 

Hannah: For me, it was the same. Me and my sister both had piano lessons but I stuck with it and, when I was thirteen, I started up my own band with a couple of friends. From then, I just knew this is what I wanted to do. I listened to a lot of Coldplay and Train at the time! 

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What do you hope to achieve by the end of 2018?

We want to get a couple more songs out there for you by the end of this year. We’re also hoping to have full live shows to top it off. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

We plan to be touring! We are going to be focusing a lot more on the live aspect; playing as many shows as possible, hopefully doing some festivals. And, of course, we plan to have a lot more music out there for you!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There have been a lot of awesome moments. I think the ones that stick in mind most are those moments in the studio when you’re writing a song and you just know it is gonna be great; when everyone is just totally vibing and on the same wavelength. 

Which one album means the most to each of you would you say (and why)?

Hannah: No Mythologies to Follow by MØ

I think I’ve listened to this about a million times. Every song is different and I could stick it on whenever and straight away love it again! 

Annie: Songs About Jane - Maroon 5

I listened to this so much as a kid and learnt literally every guitar part and all the drums. It’s ingrained in me.  

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If you could support any musician alive today, and choose your own rider, what would that entail?

Maroon 5. That would be ridiculously amazing!  Salmon…loads of smoked salmon! Thai sweet chilli crisps and a couple of perfectly ripened mangos. We’re not too hard to please.

Can we see you on the road this year at all?

Yeah! We’ve got a few gigs coming up really soon. We’re playing at BBC Introducing on 9th November and we have a couple of Sofar Sounds coming up too.

What advice would you give to new artists coming through?

Do your own thing. Do as much as you can by yourself: there are so many opportunities now that you don’t need a massive team around you all giving you their opinions and making things more complicated than they need to be. 

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 IN THIS PHOTO: Amanda Delara

Are there any new artists you recommend we check out?

Amanda Delara; she’s dope! FARR. Check their song called Blades. 

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 IN THIS PHOTO: FARR

Do you both get much time to chill away from music? How do you unwind?

Not really at all; we live and breathe music. When we aren’t in the studio or making videos we are practicing. A lot of our friends are also in music so when we hang out we’re normally jamming or writing together. We do love going out for some good food though!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Annie: SWEET!  I choose Masterpiece - Tori Kelly. It has SUCH VIBES. If you can listen to this and not dance you’re not human! (Smiles).

Hannah: Medicine by Robinson. The chorus is such a jam! 

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Follow HANNIE

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INTERVIEW: Velvet Starlings

INTERVIEW:

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Velvet Starlings

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I have been speaking with Velvet Starlings…

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which is the moniker of fifteen-year-old Christian Gisborne. He has been talking about his musical rise and his band; what the story behind If Life Ain’t Getting You High and whether he will follow it with more material next year.

The teenager reveals whether it is daunting being in the industry at such a young age and which albums are important to him; if there are tour dates and which artist, if he had the chance, he would support.

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Hi, Velvet Starlings. How are you? How has your week been?

Pretty good. We had an incredible week playing our record release party at Madame Siam. It was pretty awesome having legendary DJ Rodney Bingenheimer of SiriusXMradio and Frank Infante from Blondie in attendance. We were invited to hang out with them at Canter’s Deli afterwards.

We also had our best Sofar Sounds LA show yet at the Hotel Erwin in Venice. And, to top it off, we were voted #3 on the KROQ locals only show! We could not be more grateful to our friends and fans we who have been requesting and voting for our music.

For those new to your music; can you introduce yourself, please?

My name is Christian Gisborne and I am a singer/songwriter and the guitarist of Velvet Starlings - which is a '60s-influenced Indie Brit-Rock and Blues-based band. The name came from a period in time when I was listening to Cream (White Room’s reference to ‘tired starlings’) and Velvet Underground. 

 

If Life Ain’t Getting You High is your new cut. Is there a story behind it?

If Life Ain’t Getting You High is a question…

I try to present some options. There are a lot out there right now addressing the impact of social media addiction and overload on people; including depression for some. So, the idea was to write a song about getting off your devices and living life beyond the tiny screen. Take a look around and you’ll see the big picture or at least another perspective. We spend so much time ‘wired in’ or stressing about a negative comment or not being noticed. Sometimes, a change of scenery could be the ticket.

We included lots of natural backdrops in the video to convey that idea. I seriously believe in the power of music; whether playing, writing; tracking, going to a concert or just listening.  Music, literally, can tune you up spiritually.

You seem to be inspired by vintage guitar sounds and a classic edge. Were you influenced by particular artists/sounds when writing it?

Totally. I love The Beatles and all things '60s. I am a fan of Syd Barrett’s whimsical lyrics  and I may have been inspired by Mick Jagger in my vocal phrasing on the chorus. The production and overall feel on the outro was clearly influenced by I Am the Walrus and Strawberry Fields straight off The Beatles’ Magical Mystery Tour.

Might we see an E.P. or more material next year?

Yes, definitely. We have another E.P. already in mix stages that we are excited about. We are also releasing another single, Sold Down the River, off this one and we will probably release a holiday number for fun.

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Was your early life filled with music? Which artists did you follow when growing up?

My father is from Leicester (Kasabian country). In the '90s, before I was born, he headed up an Indie Brit-Rock band (Skylab and Plastiscene) and later ran a label and managed bands - and was out touring or making records so he was not around much. I loved his music and The Beatles and let’s just say I caught on real quick where his influences had come from.

At six; I also had a computer so I was downloading music off of the Internet, going deep into many artists’ catalogues - starting with The Beatles and everything evolved from there. I started experimenting on an old vintage organ and with some of my parents’ gear. The first songs I learned were by The Beatles, The Animals and The Kinks and then I switched to guitar. I was really into The Who, Cream; The Stones, The White Stripes; Cage the Elephant and Arctic Monkeys. 

This record that is out now was recorded right before my fourteenth birthday. After that experience, I saved up my cash from busking at the farmers market and bought a computer and Pro Tools and started writing, producing and tracking the songs myself before I started high-school. As a result, I was admitted a year early into the recording arts program as a freshman.    

As a fifteen-year-old; do you have to juggle studies and music?! Is it quite tough a balancing act?

Yes. It is very challenging. My teachers are upset that I have to miss school and make up homework because I have been traveling and playing so many shows. It is a grueling lifestyle. But, I have to put in the work to keep the grades in check.

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What do you hope to achieve by the end of 2018?

Playing more shows. The end of 2018 is coming up fast. My second E.P. should be mixed and mastered. I would also like to finish off a few new songs I’ve had on the back burner. And, I hope to see Tenacious D! 

Do you already have plans for 2019?

We have the new E.P. to release; lots more dates in Los Angeles, SXSW, Canadian Music Week and, as soon as school lets out; we are off to the U.K. to hopefully bring music to the masses. 

Lots of amazing music and artists there so it’s a bit daunting. We will also be playing Milwaukee Summerfest as the booker and owner caught one of our showcases in Sweden last month and was impressed enough to offer us a slot.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We opened for Robbie Krieger and got to hear him play some of those classic Doors songs that I have been listening to since I was young. As far as live music experiences; probably seeing The Who, The Stones, Paul McCartney and Dylan live at Desert Trip - along with Jack White in Vegas and Cage the Elephant at the KROQ Weenie Roast.

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Which three albums mean the most to you would you say (and why)? 

The Beatles – ‘The White Album’

Greatest album ever. The diversity of genres, quality of songwriting; originality and production.

The White Stripes – Elephant

Best Jack White songwriting.

The Doors – The Doors

As it’s The Doors when they were bringing a new and darker tone to the sixties; a bit more mystery and poetic madness to the L.A. scene.

If you could support any musician alive today, and choose your own rider, what would that entail? 

I’d like Jack White to come on stage and play a song with me and I’d also like ten Impossible burger sliders topped with Jack White’s special guacamole that he always has backstage. The recipe can be found on the Internet. 

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What advice would you give to new artists coming through?

If you love music, don’t ever quit. The main reason I do music is because I straight-up love music. I could not imagine my life without it. A song is magical. It can change your whole vibe and day and its proven to tune up your soul.

Do you have tour dates coming up? Where can we catch you play?

I think we have some Los Angeles shows coming up: The Mint and The Hotel Cafe and another Sofar Sounds event! We love those as, even though they are mainly acoustic, the audience always gets involved and makes the energy electric.

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 IN THIS IMAGE: Jack White

Are there any new artists you recommend we check out?

They might not be considered new but of newer bands: all things Jack White; Ty Segall; Arcade Fire; Gorillaz; Kaiser Chiefs.

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 IN THIS PHOTO: Arcade Fire/PHOTO CREDIT: Ellen Matthews

Do you get much time to chill away from music? How do you unwind?

When I’m not doing music, I’m watching other bands play live or watching previously recorded concerts and music festivals. Old live footage from early shows is the best as it’s cool to see these legends we know today at their musical inceptions and in their prime.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

All of Rattlesnake by King Gizzard and the Lizard Wizard...haha! Just kidding! For real, though, this is a tough question. How about Oh My God by the Kaiser Chiefs or Instant Karma by John Lennon

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INTERVIEW: Blushing

INTERVIEW:

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PHOTO CREDIT: Kendall Chapman

Blushing

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THE brilliant Blushing…

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have been telling me about their single, The Truth, and how the song came together. I ask whether there is more material coming along and how the band found one another; which album is most important to each member and what they have planned regards touring.

The U.S. band recommend some approaching artists to follow and tell me which artist they’d support given the chance; how they unwind away from music and what they have planned for 2019 – they each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

We are great! This week has been amazing. Our single, The Truth, was released on Friday and then on Sunday we went into the studio to start recording our full-length. We are answering these from the studio right now!

For those new to your music; can you introduce yourselves, please?

Christina Carmona on vocals and bass, Michelle Soto on guitar and vocals; Noe Carmona on guitar and Jake Soto on drums.

The Truth is your new single. Is there a story behind it?

Lyrically…it’s about how there can be many versions of the truth and sometimes we will choose to believe a version that may not be factual simply because it’s easier to or will cause less pain/controversy.

Will there be more material coming next year?

Yes. We are currently at The Bubble studios in Austin recording our debut full-length and are shooting for a release early-2019.

How did you all find one another? Were you friends before you started the band?

Jake and Noe were high-school friends from El Paso. They both ended up moving to Austin and Michelle and Christina met through them; then, in 2015, Michelle and Christina got together to write music and Blushing was formed.

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PHOTO CREDIT: Kendall Chapman

It is strange to see two married couples in a band. It is sort of like Fleetwood Mac but with less drama! Do you think your music is lending a unique quality because of your bonds?

I think, as married couples, we know each other’s working style and musical preferences so well that it makes communication easier.

In terms of sounds/artists; who are Blushing inspired by?

Cocteau Twins, Wild Nothing; Lush, Smashing Pumpkins and Drab Majesty

Being based out of Austin; what is the music scene like there? Is it a great place to be?

There are a lot of great venues, great promoters and an abundance of music lovers. It’s definitely a great place to be if you want to play live.

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What do you hope to achieve by the end of 2018?

We hope to be finished recording and ready to press our next album.

Do you already have plans for 2019?

Big plans! We are lucky enough to come back in 2019 as official SXSW showcasing artists, we will be releasing our debut full-length and then going out on the road to tour.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

SXSW 2018 sticks out in all our minds as a pinnacle moment. We played a whirlwind of shows in one week and had an amazing time. It was exhausting but we were always having fun.

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Which one album means the most to each of you would you say (and why)?

Christina: Nine Inch Nails – The Downward Spiral

The soundtrack to my youth.

Michelle: Smashing Pumpkins – Gish

It was the first C.D. I purchased on my own at Blockbuster Music. It changed my perception of what music could be and I still listen to it with the same awe and wonder decades later.

Noe: At the Drive-In – Relationship of Command

It was very inspiring seeing and hearing this kind of creativity; especially coming from my hometown.

Jake: Silverchair – Frogstomp

Seeing kids my age making music was inspiring and the first song I learned on guitar was Tomorrow - which led to me playing music till today.

If you could support any musician alive today, and choose your own rider, what would that entail?

Slowdive. As long as we have Topo Chico, Sour Punch Straws; Takis and some original Coca-Cola.

What advice would you give to new artists coming through?

As cliché as it may sound, always remember to have fun. We see making music as a privilege and a way to enjoy those moments in between all the obligations.

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Do you have tour dates coming up? Where can we catch you play?

November 3rd is our single release show at Cheer Up Charlie’s and also the label launch party for The Nothing Song Records, who helped us release our 7” single on vinyl. Winter (L.A.), Ringo Deathstarr; Rose Ette and Glaze will also be playing so we are super-excited. We are also playing November 14th with Holy Golden (N.Y.) and El Lago (Galveston) at Hotel Vegas in Austin.

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 IN THIS PHOTO: Wild Moccasins/PHOTO CREDIT: Arturo Olmos

Are there any new artists you recommend we check out?

El Lago, Flasher; Wild Moccasins and Holy Golden are coming out of our speakers quite often.

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 IN THIS PHOTO: Flasher

Do you get much time to chill away from music? How do you unwind?

Music is our main mode of chilling. Outside of work and band stuff, we don’t have much free time but luckily we really enjoy doing band stuff so it works out!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Christina: Sally Dige – Holding On

Michelle: The Lightning Seeds – Pure

Jake: tricot - Tokyo Vampire Hotel

Noe: Drab Majesty - 39 by Design

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INTERVIEW: Brooke Law

INTERVIEW:

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Brooke Law

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THANKS to Brooke Law…

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for telling me about her latest single, See Ya Later, and the story behind it. She tells me what is coming up and which musical memory stands in her mind; the albums that mean the most to her and which approaching artists we need to get involved with.

Law explains where her inspiration for music came from and what advice she’d give to artists coming through; if there are plans for gig dates and what she hopes to achieve next year – she ends the interview by selecting a great track.

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Hi, Brooke. How are you? How has your week been?

I’m good, thanks. How are you? My week’s been busy but goood!

For those new to your music; can you introduce yourself, please?

I’m in the process of releasing my first E.P. Each song is a single and the concept is that each song represents a different female archetype.

 

See Ya Later is your latest track. What is the story behind the song?

The queen is represented by a woman taking control of who she wants to meet and what she wants to be. She is independent and does not need the security of a relationship. If she wants she can play the field. 

I like the use of the Buffy the Vampire Slayer theme! What was the reason for utilising that?!

I think Buffy’s a great role model for young women and I generally like the imagery of a dark night and the vampire world…it allowed me to get really descriptive with the lyrics.

Might we see an E.P. or more material next year?

I’ve got another two singles on the E.P. so all will be released by March! 

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Was your early life filled with music? Which artists did you follow when growing up?

My mum’s a nursery teacher and dad’s a hairdresser so I’m not from a musical family but they’d play music all the time; from Janis Joplin to Siouxsie and the Banshees to Otis Reading. We’re going to see Lykee Li this Sunday. Whoopee.

How important were your family in regards your musical curiosity and the way you express yourself?

Both my parents worked really hard whilst I was growing and have really taught me to not give up and that anything is possible. I think, ultimately, that’s where my inspiration for lyrics and passion when performing comes from.

What do you hope to achieve by the end of 2018?

2018 has been a really amazing year. I’ve released music for the first time and I sung at Trafalgar Square at the Million Women Rise rally. I’ve just started gigging with my band so if we can get an agent by the end of the year I’d be woooooooing!

Do you already have plans for 2019?

I’ve got two more ‘archetype’ singles dropping early-2019…

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Singing at the Million Women Rise rally in Trafalgar Square after being part of the march. It was so surreal; so much solidarity and strength.

Which three albums mean the most to you would you say (and why)?

Christina Aguilera – Stripped

The first album I bought.

Jeff Buckley – Grace

The whole album has so much feeling.

Taylor Swift – Taylor Swift

It came out when I first started writing. I was in America and it made me wanna be a Country artist. 

What advice would you give to new artists coming through?

To make your own decisions and surround yourself with people who encourage you and boost your confidence. 

Do you have tour dates coming up? Where can we catch you play?

9th November at the Century Club (tickets online).

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 IN THIS PHOTO: MØ

Are there any new artists you recommend we check out?

My favourite artist is MØ.

Do you get much time to chill away from music? How do you unwind?

I have a part-time job working in events. I wouldn’t say it’s unwinding but I meet great people.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently saw the film A Star Is Born. I loved it so much so I’m gonna say Shallows

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Follow Brooke Law

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INTERVIEW: The Shantics

INTERVIEW:

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The Shantics

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WITH the video for Heaven fresh and in the world…

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I have been speaking with The Shantics about it and the inspiration behind the song; how they all came together and whether there is more material coming soon. They talk about their influences and reveal a couple of rising artists that are worth checking out.

The guys share their favourite music memories and tell me which albums mean the most to them; how they unwind away from their career and reveal what they hope to achieve before the end of the year.

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Hi, guys. How are you? How has your week been?

All groovy here, thank ya. How has yours been?

For those new to your music; can you introduce yourselves, please?

We are The Shantics; there is four of us:

Jimmy Morris (guitar/vocals)

Harry Morris (guitar)

Jacob Nation (bass/vocals)

Mike Cosburn (drums).

The single, Heaven, is out. What is the story behind the song?

Jimmy: I had recently watched a documentary called Adrift about a man called Steve Callahan who went on a sailing trip around the world alone as a way of clearing his head after a divorce. His boat was hit by a huge wave and started sinking and he had to spend seventy-six days floating through the ocean on a tiny raft, with very few rations or water.

He had said in that documentary that being so thirsty whilst being surrounded by so much undrinkable water was like ‘a view of heaven from a seat in hell.’ So; I ran with that as the story for the song, but made out that he went to sail around the world because it was too painful seeing his ex-wife with someone else.

Can you reveal how the idea for the video came together? Did the band have a lot of say?

Jimmy: My girlfriend has always found my dancing entertaining and when we were struggling with how to make a music video on pretty much no budget, it seemed to make sense to utilise this. Us two just filmed it together and had a laugh doing it.

Mike: It was also inspired by similar videos like Black Keys’ Lonely Boy. I found it interesting how the same thing can be entertaining for the duration of the song. The rest of the band saw it and instantly thought it was funny.

When did The Shantics form? How do you think you have evolved since the start of your career?

Harry: Us two brothers have been playing music together since we were sixteen, but the band started a year and a half ago after we met Jacob at a gig at KOKO. We had asked Mike to play with us three years before - and he couldn’t at the time - but it all came together in the end. Our evolution will become apparent when we release some more tracks I think, but just know that we are working on it.

What sort of music/styles is the band inspired by? Are you all bonded by similar tastes?

Harry: We definitely all have differing tastes, but we also get most of each other’s references which is really helpful when trying to get cool parts down. Collectively, we love all the greats like The Cure, The Police; Talking Heads, David Bowie and The Beatles etc. 

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What do you hope to achieve by the end of 2018?

Harry: Hope to have more tracks out and recorded and be set up ready to smash 2019.

Do you already have plans for 2019?

Harry: Release a couple/fourteen E.P.s; hopefully get a couple of support tours and keep writing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Mike: Most probably wreckin’ Toploader at their own gig cos they hated us and we were way better than them.

Jacob: Hearing In Bloom for the first time at thirteen and the only way my body could compute it was by bodyslamming all around my room; kept it on-repeat and slammed without stopping for at least half an hour straight. Pure joy.

Harry: Being able to get our parents into a Paul McCartney show in Prague and making their holiday, just because of a couple of songs we wrote in our bedroom that led to us knowing someone who could make it happen.

Jimmy: Anytime a song starts coming together and everyone is vibing to it in the room is always an amazing feeling.

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Which one album means the most to each of you would you say (and why)?

Mike: Thriller by Michael Jackson is important to me because it made me realise how great Pop music can be instead of being a flat-out Rock and Metal fan.

Jacob: Blood Sugar Sex Magik by Red Hot Chili Peppers as it balanced all forms of music for me at fifteen; got me into every genre under the sun and got me playing different instruments and guitar styles, too. Nothing is more important to me than those 73 minutes and 55 seconds (and its bedazzling B-sides).

Harry: Now That's What I Call Music! 50 from 2001, because it was the first C.D. I ever got and I’ve been hooked on music ever since.

Jimmy: Green Day’s International Superhits! because it was since then, age five, that I knew I wanted to be in a band, too.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jacob: Take That. Because I can do the whole dance routine to Pray when I'm drunk and I wanna be the new Jason Orange.

Jimmy: Arctic Monkeys - and I’d probably ask for some pittas and hummus for afterwards.  

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What advice would you give to new artists coming through?

Jacob: Stay out our fu*king way. Haha…

Jimmy: …But also keep your eyes on your own path; try and ignore how far along other similar artists are compared to you.

Do you have tour dates coming up? Where can we catch you play?

Jimmy: Afraid not at the moment, but we will next year for sure.

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 IN THIS PHOTO: The Americas

Are there any new artists you recommend we check out?

Jacob: My guys The Americas. Their parts are rifftastic and their beats are bombastic

Jimmy: WOOZE and Hot Dreams are amazing.

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 IN THIS PHOTO: WOOZE/PHOTO CREDIT: Debora Goldmoon

Do you get much time to chill away from music? How do you unwind?

Mike: Playing golf, reading; seeing friends and family. Partying, drinking; smoking weed, listening to music; watching music-related documentaries/live performances, going for walks; going out for meals.

Jacob: Music is my chill time, yo. Even when I’m at a bar, I’m more interested in what’s playing through the speakers than the conversation I’m having. If I’m not playing guitar or learning an album, then I’m either asleep or making love - but even then there’s music blaring, oi oi.

Jimmy: Almost every action I take is geared towards music in some way.  I just love writing songs in my chill time.

Harry: Pretty much everything I do is centred around music. I’ll have all the time in the world to chill after we’ve made it. Living together as brothers we find it hard to switch off.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Mike: What’s the Use - Mac Miller

It’s got Snoop Dogg on it; it’s a fu*kin’ banger and R.I.P.

Jacob: Eric B. & Rakim - Don't Sweat The Technique. Or, if you need a new one; Travis Scott - Sicko Mode

Jimmy: Clem Snide’s version of I’ll Be Your Mirror

Harry: Paul Simon - You Can Call Me Al

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Follow The Shantics

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INTERVIEW: Chasing Deer

INTERVIEW:

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Chasing Deer

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THE boys of Chasing Deer…

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have found some time in their hectic schedule to talk to me about their upcoming album, Hands On, and what themes will be addressed (their single, Miracle, is out now). I ask about their album launch at London’s Bush Hall (22nd November) and they explain their passion for and connection to British Sign Language.

The guys each pick an album that means a lot to them and reveal where we can see them play; which rising artists we need to get behind and whether they chill outside of music – they each pick a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey. We’re really good thanks. We’re fully into promotion and preparations for our Album Launch Show in a few weeks, so it’s been a busy one! We’ve been practicing and finalising some new merchandise this week as well as a music video shoot up in Birmingham and a photoshoot over in East London.

For those new to your music; can you introduce yourselves, please?

We are Rob, Adam and Peter; a three-piece called ‘Chasing Deer’, currently living in London!

Hands On, your debut album, is out on 30th November. What sort of themes inspired the record?

The overarching theme of the entire album is support of British Sign Language, which we have done through the artwork for the monthly singles we have been releasing. This year we have played so many events and met people who have inspired us greatly which has all gone into the songwriting process. With the album recorded across the UK and in Amsterdam, we are very lucky to be able to travel for our inspiration too.

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You have a launch show coming at London’s Bush Hall on 22nd November. What is that going to entail? Is it true the show will champion sign language?!

The show will be fully accessible to a deaf audience, with an interpreter signing all of our songs on stage with us as we perform them live. We’re really excited to be part of the ever-growing movement for inclusiveness in live music.

How did Chasing Deer get together? When did you all form?

We have been playing together for around three years, with Peter being the newest member of about a year. We made Chasing Deer a full-time career around a year ago and have never looked back!

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Even before you have released your debut album, you have played to huge crowds! Why do you think your name/shows have gained such steam and popularity?!

We love to play our music to everyone and hopefully that energy and enthusiasm comes across on stage, meaning we have been invited to some fantastic places to play including Trafalgar Square for Pride in London and performing in Kenya!

Which artists did you all grow up around? Do you have any personal musical idols?

We’ve been treated to a really wide variety of music all of our lives; all starting playing instruments at young ages. The Beatles, David Bowie; The Police and Queen are all up there! We’re all big supporters of the vinyl revival, too, which helps with the era of music we idolise.

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What do you hope to achieve by the end of 2018?

This has been our biggest year yet, so we are already in plans to make 2019 even better; with touring plans, new material and abroad trips in the works.

We would love to end the year with as many people as possible listening to our debut album, which we are immensely proud to have created and designed - and gained more fans through our shows and weekly videos.

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Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Peter: Looking out to thousands of happy faces at Pride in London 2018 dancing to our original music was a real buzz.

Rob: Touching down in Kenya after being invited across to play at the President’s music festival was very surreal and hopefully a taste of things to come.

Adam: Facebook live streaming from our sofa last year playing our songs; to be surprised by the fact that the stream had gone viral and reached over 2.2 million people that evening.

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Which one album means the most to each of you would you say (and why)?

Rob: A fairly rare Red Brazilian vinyl copy of Revolver – The Beatles. Not my favourite of their albums (Rubber Soul) but it’s probably worth the most!

Adam: Blood Sugar Sex Magik - Red Hot Chili Peppers was the first album I learnt in full on the drums so it will always be a favourite of mine.

Peter: A Funk Odyssey – Jamiroquai because it reminds me of loads of great family holidays where we played it to death. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Paul McCartney would be pretty cool - and an instant sell out gig! Three teas would be good; milk no sugar. Oh…and do you remember Starburst Joosters?

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Can we see you on the road this year at all after your album launch?

We’ll be switching on the Christmas lights at a number of towns this year which we will be announcing very soon, alongside our regular gigs and residencies. Find us over on social media for behind the scenes and our website for full show listings.

What advice would you give to new artists coming through?

Play the music that you enjoy and would listen to. There will be others that also enjoy the same out there. Then work really hard every day to make it the best you can do. Build a good team around you as there will be times where you really need the support and motivation.

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 IN THIS PHOTO: Parcels

Are there any new artists you recommend we check out?

We’ve been enjoying the music of Parcels for the past few months; recently attending an intimate show at the Gibson showroom which was mysteriously cancelled. One day they’ll let us know what happened!

Also enjoying the new material from Alice Merton. There’s too many to name as we tend to add it all to our Chasing Deer Picks Spotify playlist to listen to on the road.

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 IN THIS PHOTO: Alice Merton

Do you get much time to chill away from music? How do you unwind?

Time away from music is tricky with the fact we play every day we have. When we get back from performing at a show, we are back having a jam and writing new material! In our down time, we enjoy watching football, going to the cinema and exploring as much as we can of the museums and activities in London. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Emily Chepchumba - Moto Moto Band (this is one of the songs we covered during our time in Kenya)

Rick Astley – Pray with Me

David Bowie – China Girl

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Follow Chasing Deer

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INTERVIEW: The Teskey Brothers

INTERVIEW:

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PHOTO CREDIT: Lisa Businovski

The Teskey Brothers

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THANKS to Liam from The Teskey Brothers…

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for chatting about the band’s new album, Half Mile Harvest, and the sort of themes that inspired it. I ask how the Melbourne band got together and what sort of music inspires them; if there is any new talent we need to get behind and whether we can catch the guys tour at all.

Liam highlights a favourite memory from his career and reveals band ambitions for 2019; if they are coming over to the U.K. at all and if they all get time to chill away from music – each of the band members choose a song to end the interview with.

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Hi. How are you? How has your week been?

Liam: Good! I’ve just been in the studio working on new songs and about to go into Triple R community radio station in Melbourne for a performance and interview. Always enjoy visiting radio stations.

For those new to your music; can you introduce yourselves, please?

Sure thing. We are The Teskey Brothers. We are four friends that grew up just outside of Melbourne, Australia and have been playing music together for over ten years. Brendon Love is on bass; me (Liam Gough) on drums; Sam Teskey on lead guitar and Josh Teskey on vocals and rhythm guitar.

Half Mile Harvest is your new album. Are there particular themes that define the record? Do you have favourite songs from it?

We didn’t realise it at the time of writing it, but it’s mostly about breakups and trying to hold relationships together. Songs like Pain and Misery and Crying Shame are pretty much what it says on the back of the box. Those themes resonate throughout the album. Bit of a downer but that’s what we were all kinda going through at the time.

I’m really excited to have I Get Up out in the world. It’s a fun song to play live and always gets the crowd moving!

When did The Teskey Brothers start making music? Do you remember those early days and the song you were playing?

A long time ago. We busked at the local market as teenagers and then eventually started playing gigs in the local pub across the road from the market. We mostly played Blues jams and stared at our feet. Slow beginnings!

Which artists did you all grow up around? Do you have any personal musical idols?

We idolised a lot of the local Melbourne Blues musicians. Melbourne has always had such a thriving music scene. We would go out and see lots of bands of all styles really. I think this gave us an appreciation for an eclectic array of styles and sounds.

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PHOTO CREDIT: Lisa Businovski

What do you hope to achieve by the end of 2018?

We really wanted to make our album Half Mile Harvest available for people to buy in Europe and U.K. which, as of today, has actually happened - so that’s a big tick on the list. Otherwise; we’re hoping to record some new music and play a few Australian music festivals. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish? 

2019 is going to be another big year of touring, which will be fun. The past year has taken us all over, so we’re aiming to revisit Europe, U.S.A. and Japan. We’d also like to get to Canada and Scandinavia. Fingers crossed. We’ll also put out the next album so that will be a big moment too.

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PHOTO CREDIT: Lisa Businovski

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There’s a festival near Melbourne called Meredith Music Festival. It was a life goal to play at that one. It’s such a unique site and the lineup is always so eclectic and incredible. Last year, we were given a late afternoon slot and it was such a special moment for us. I was a bit overwhelmed.

Which one album means the most to you would you say (and why)? 

Electric Ladyland by The Jimi Hendrix Experience

Raw, live feel and mix of Blues, R&B and Rock. Incredible.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Neil Young. We would love to share a pizza with him and talk about the ’60s.

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 PHOTO CREDIT: Lisa Businovski

Can we see you on the road this year at all?

We are playing a handful of summer festivals in Australia this year

Might you come to the U.K. and play?

Yes! We’ll be there in February. Our London show is at the Union Chapel which looks incredible.

What advice would you give to new artists coming through?

Just keep at it and don’t give up. Don’t change what you’re doing or how you’re sounding just because of trends. If you love the sort of sounds and music you are making then stick to your guns and just keep working hard. It took us ten years to hone our sound down to something we liked and I think we needed that time! There’s no rush!

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 IN THIS PHOTO: TEEKS

Are there any new artists you recommend we check out?

I’d recommend checking out TEEKS from New Zealand. He’s making some really cool soulful music.

Do you all get much time to chill away from music? How do you unwind?

We all love to have our own time and the more touring we do the more we realise that we need to make time for ourselves. We all have a strong connection to nature and love to go camping or hiking to clear our minds and connect with friends.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Sam Teskey: Peter Green – A Fool No More

Brendan Love: Queen - Somebody to Love

Josh Teskey: Percy Sledge - When a Man Loves a Woman

Liam Gough: The Animals - Cheating

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Follow The Teskey Brothers

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INTERVIEW: Lili Caseley

INTERVIEW:

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Lili Caseley

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THIS interview finds me talking with Lili Caseley…

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about her debut single, Have I Ever, and what inspired it. I ask whether more material will be coming along and, as a songwriter, whether she sets time aside to write; which three albums mean the most to her; the artists she grew up around and which rising musicians we need to get behind.

Caseley tells me how she spends time outside of music and what she has planned for next year; who she would support on tour if she could pick anyone; the advice she would offer emerging musicians – she ends the interview by selecting a rather cool song.

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Hi, Lili. How are you? How has your week been?

Hey. Good, thanks. Been rehearsing and doing some writing sessions. Have seen family too, so it’s been quite nice.

For those new to your music; can you introduce yourself, please?

I’m from Kentish Town. I’m a singer songwriter and I make Soul/R&B/Pop; sometimes with a Hip-Hop feel, often the beats. I’ve got Portuguese and French heritage and grew up listening to a lot of different music.

Have I Ever is your debut single. Is there a story behind the track?

I wrote it after a night out; a party. I was tired and had drunk; I felt alone. I didn’t have anyone and started to question whether I’d really ever had anyone at all. I found a harp sample online, then got my friend Oliver Wass to play it live at David (the producer’s) studio. And David made the music around it.

Do you think there will be more material next year?

Yeah. For sure (smiles). I’m looking forward to putting more songs out.

Are there particular moments and times that inspire your songwriting? Do you set time aside to write?

Sadness, rejection; loss, being in love; heartbreak. I try to be more methodical with it, but often it is just spontaneously.

Which artists got you interested in music? Did you grow up around a lot of music?

Coming from Portugal and France, I listened to a lot of Fado music - Amália Rodrigues, Mariza - French music - Jacques Brel, Charles Aznavour - and English too - Queen and The Beatles. Other World music, too: Amadou and Miriam, Seu Jorge…they all got me keen and also Billie Holiday, Ella Fitzgerald; Johnny Cash, Bob Marley…

What do you hope to achieve by the end of 2018?

More and more live shows, performing to more people; connecting and working with more and more people.

Do you already have plans for 2019?

Yeah. A few. More releases, more shows; work with more people…

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Explosive writing sessions where the song just happens; gigs where everyone dances and jamming with the musicians.

Which three albums mean the most to you would you say (and why)?

Lauryn Hill - The Miseducation of Lauryn Hill

The songwriting and music blew me away. There’s a lot of heart.

Justin Timberlake - Justified

Songs like Señorita are sexy, good to dance to and have original lyrics.

Destiny’s Child - Survivor

Amazing tunes.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably Billie Eilish or Post Malone. I’d just want some drinks for the musicians and some for me and some coconut yoghurt. I love it man. Would’ve loved to meet or play for Mac Miller in some way too man; it’s a damn shame.

What advice would you give to new artists coming through?

Well. I’m not sure I could really advise anyone, but I’d say just keep going and don’t be afraid to make mistakes. You gotta risk looking foolish to move up anywhere. And try to work with kind people.

Do you have tour dates coming up? Where can we catch you play?

Got lots of gigs coming up. All on my Songkick and my website.

How important is it bringing your music to the stage and getting that instant reaction?

Vital. It’s the only real way to connect with people I reckon.

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IN THIS PHOTO: Natty Wylah/PHOTO CREDIT: Ivan Bliminse

Are there any new artists you recommend we check out?

Natty Wylah and Stone Jets.

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Do you get much time to chill away from music? How do you unwind?

I hang out with my friends, go to films - sometimes saucy ones -; I have dinner with family.  I party too - gotta dance.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you. Bruce Springsteen – I’m on Fire

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Follow Lili Caseley

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INTERVIEW: Micky James

INTERVIEW:

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Micky James

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ALTHOUGH it is a bit of a brief interview…

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I have been finding out more about Micky James and his new work. He has two new tracks out, New Heart and Tie Me Up, and I ask about the former and what inspired its creation; whether there is more material coming next year and when music came into his life.

James reveals a few albums that are important to him and whether there is a rising act we need to get behind; whether the New York artist is hitting the road and if he ever dedicates time to unwinding and getting away from music.

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Hi, Micky. How are you? How has your week been? 

I’ve been well! Getting ready to start rehearsals for November-December tour. 

For those new to your music; can you introduce yourself, please?

My name is Micky James. I’m from N.Y.C. and I play guitar music. 

How did New Heart come together? What is the story behind the song?

New Heart, lyrically, came from a more personal place. To keep it general and on the surface, it’s about understanding and the acceptance of change in one’s life for the better. A rebirth if you will.

Might we see an E.P. or more mater next year?

Yes! You might even see one before the New Year. Lots more music about to come out. 

Was your early life filled with music? Which artists did you follow when growing up?

Yes. I come from a very artistic family. I got into music at a very young age. Around eight-years-old, I believe. That’s when I was introduced to The Beatles, Led Zeppelin; The Beach Boys etc. 

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What do you hope to achieve by the end of 2018?

To keep expanding the world of Micky James. More music is coming and hopefully more people tuning in.  

Do you already have plans for 2019?

I’m in the process of making plans for the New Year.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind? 

The times that always stick out to me are the times actually making the music. The creative process. The sweat and the tears that go into the songs. 

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Which three albums mean the most to you would you say (and why)?  

Hmmm. I’d say The Strokes’ Is This It; Led Zeppelin – Led Zeppelin and David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars

Without these albums, I wouldn’t be the musician I am today. They shaped everything about me as a singer, a writer and a performer. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I guess the pinnacle band to open for would be The Rolling Stones. Biggest band in the world.

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What advice would you give to new artists coming through?

To be themselves completely - this business is filled with tricks and traps. To truly know and accept yourself for who you are will most likely benefit you in the long run.

Do you have tour dates coming up? Where can we catch you play?

Yes. I’ll be on the Alt Nation Advanced Placement Tour supporting The Regrettes and Welles. All dates and tix on my website.

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Are there any new artists you recommend we check out?

I’m into this band The Lemon Twigs at the moment. Very cool band from Long Island, N.Y. 

Do you get much time to chill away from music? How do you unwind?

No, not really. I don’t really watch T.V. or anything. That’s boring to me. If I’m gonna ‘unwind’; I might as we’ll be working on a song idea or something creative. 

Finally, and for being a good sport; you can choose a song (not ones of your own - I shall do that) and I’ll play it here.

The Strokes – Someday

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Follow Micky James

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INTERVIEW: Kane Miller

INTERVIEW:

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Kane Miller

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I am ending my day …

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by speaking with Kane Miller about his new single, Could It Be, and how it came together. I ask whether there might be more material next year and what sort of music inspire him; if there are some rising artists to look out for and which albums mean the most to him.

Miller discusses his tastes and what his plans are regarding 2019; if he gets chance to chill away from music and if he has any plans as to what he wants to achieve by the end of this year – he ends the interview by selecting a great track.

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Hi, Kane. How are you? How has your week been?

Hi! My week has been great. My new single, Could It Be, came out this past Friday so this weekend has been hugely exciting. I got to see it added to some playlists on Spotify and Apple Music - which have some of my favourite artists on them - so that has been crazy so far.

For those new to your music; can you introduce yourself, please?

My name is Kane Miller. I’m a singer-songwriter from Lakefield, ON. I grew up as a Classical violinist and have kind of turned that into Acoustic-Folk/Pop thing. I’ve been collaborating with Grammy-winnning producer Femke Weidema over the past year and I released my first single, All We Need, through her label last August - and we’ve just released my second single, Could It Be.

Could It Be is your new track. What is the story behind it?

Could It Be was a song I wrote about a year ago and only had parts together without the feeling of a full song. This past spring, I took a trip to Nashville to work out some writing on this song and others and it really, kind of, came together at that point. A chorus formed and Femke and I were able to finish up writing it.

It’s a song about that blurry, confusing time at the end of a relationship where you are remembering all of the good (and bad) things and you find yourself stuck in this cycle of hope and despondency all at once.

Might we see more material next year do you think? Are you working on other songs?

Yes! Definitely! I have plans to release another single early in the New Year, followed up by a couple more.

Was your early life filled with music? Which artists did you follow when growing up?

When I was seven; I started taking Classical violin lessons which I stuck with through to the end of high-school, playing in orchestras and competing, the whole deal. I also took piano lessons, even before that, and played a couple other instruments before picking up the guitar in high-school. My dad played piano as well and has been releasing stuff since long before I was born, so our house was always really full of music.

The music I listened to growing up was really varied. Tons of classical along with the Prog-Rock my dad would listen to. When I got to high-school; I really started listening to my own stuff which, I guess, Damien Rice would be the biggest part of that.

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Is Ontario a great place for a musician? Is there a good scene there?

Ontario is an amazing place for musicians! I come from a small town called Lakefield, outside of Peterborough, which has a great music scene in itself. There are many great groups that have come from Lakefield - and then having a hugely artistic city like Peterborough right next door means the music is so amazing around here.

What do you hope to achieve by the end of 2018?

I honestly don’t know. Every turn so far since recording in Nashville and releasing music has been so great. There have been a ton of things that pop up constantly and I love every moment of it.

Do you already have plans for 2019?

Yes! I’m going to be releasing another few singles followed by an E.P. I’ve already got the next music video planned in my head and I can’t wait to get started on it. I’ve been writing songs non-stop and I’m super-excited to share them!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Wow! So many great memories. I think my first trip down to Nashville to record my own songs was definitely one, recently, that sticks out. I remember playing guitar and having this moment where I was over the moon because I was actually getting to work on my own songs with people and not just sitting in my bedroom at home anymore.

Which three albums mean the most to you would you say (and why)?

Damien Rice – O

This album was introduced to me when I was sixteen, a little after it came out. It’s been arguably the biggest influence on the music I write. This is a highly emotional and acoustically-charged album that I spent hours with, even learning pretty much every song on it.

Sufjan Stevens – Illinois

This album is so great and creative. The way everything blends together and the fact so many crazy choices regarding instrumentation and arrangements maybe don’t work on paper but really make Sufjan a musical genius.

Josh Ritter – So Runs the World Away

My first introduction to Josh Ritter. I love so much of his stuff but this was the first album of his I heard. This is storytelling at its absolute best. He really knows how to write amazing songs.

If you could support any musician alive today, and choose your own rider, what would that entail?

Damien Rice. Hands down. I love his stuff and would do anything to be on that show.

Rider-wise; I’ve worked a ton as a tour manager and a sound guy for bands in the past. Everybody has different rider requirements and I’ve sent way too many emails about them (to really be picky). I’d be happy with a couple bottles of water and maybe a hot meal.

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What advice would you give to new artists coming through?

Work at it and play, play, play. You’ve got to be super-comfortable being you in order to make your music. It’s really hard to get going in the music industry but you’ve got to be able to give it your all which, at times, will feel like everything is spiralling out of control. You’ve got to work hard and stick with it.

Do you have tour dates coming up? Where can we catch you play?

I don’t actually. I’m working hard on that for the New Year. So, check in again soon!

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 IN THIS PHOTO: Dean Lewis

Are there any new artists you recommend we check out?

Dean Lewis is someone who I haven’t been able to stop listening to, though he’s been doing stuff for the last couple of years. Belle Mt is another one who has some really great songs out right now.

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Do you get much time to chill away from music? How do you unwind?

I live pretty immersed in music all of the time but I wouldn’t change that for the world. Really, I love playing and, to unwind, I usually love a nice cold beer and then I play more music or do play some Celtic fiddle tunes with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Dean Lewis – Be Alright. On-repeat pretty much constantly on my iTunes. I love the emotion and the production is awesome

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Follow Kane Miller

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INTERVIEW: Lean Bravo

INTERVIEW:

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Lean Bravo

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MY final interview of the day…

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is with Lean Bravo, who has been telling me about his new single, The Journey, and how he will follow it. I ask what it was like moving from Chile to Berlin and what the German capital is like for a musician – the songwriter recommends an upcoming artist we need to follow.

I was keen to know if there are tour dates coming and which albums mean the most to him; if Lean Bravo has any plans in place for next year and if he allows himself some time to chill away from music – I discover which artist the songwriter would support if he was given the chance.

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Hi, Lean. How are you? How has your week been?

Hey! That's awfully nice of you to ask. I don't think I've been asked how I am during an interview before. I'm currently fighting a cold, but I'll be fine! I hope you're doing great.

For those new to your music; can you introduce yourself, please?

Sure thing. Greetings. My name is Lean Bravo and I'm a singer-songwriter/producer from Santiago de Chile, though I've lived in Berlin (Germany) for over six years now. Also; I'm really good at cooking. Oh, yeah…and I just released a song called The Journey. You should check that out…

The Journey is your latest single. Is there a personal story behind the song?

For sure there is. It's probably the most personal song I've released so far as it deals with a topic that is an essential part of who I am: the life-changing decision I made to move from Chile to Germany. I started writing this song shortly after my first trip back to Chile in 2013 and I finished it shortly after my second trip, last year. Writing it was a way for me to tell myself ‘It's okay that you feel lost and it's also okay that you don't know where you belong’.

Might we see more singles or an E.P. next year?

Oh, hell yeah. I've got an E.P. lined up and I wanna go really nuts after I release that. Lately, I've been getting into Alternative-R&B and lo-fi music. That's something I wanna explore next year.

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You were born in Chile but live in Berlin. Was it difficult moving to a new country?!

The funny thing about moving to another place permanently is that your body travels much faster than your mind does. It only took me about a day to arrive in Germany but, mentally, it took me much longer to realize what that actually meant. It's like my mind left an after-image back in Chile that sort of lingered there for a pretty long while. The realization that I had left my life to start a completely new one was one that came very slowly and when it did...boy, I was not prepared.

This whole drama made for a very difficult first year in Germany. Add to that my inflated pride and my inability to ask for help when I needed it and I pretty much put myself through the gutter. With time, things got better. I settled down; got my sh*t together (in a way) and made the conscious decision to start an actual life here. I'm pretty happy now.

How is Berlin suiting you as a musician? Is it a great place to be?!

You will never run out of things to do in Berlin. That can be both good and bad. The truth is that there's a lot going on in this city but sometimes it can feel too unfocused. I wanna see people having less fun and working harder, myself included. Eating out here is a blast, though.

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What do you hope to achieve by the end of 2018?

I'd love to release another single before the year is over! It's almost finished, though who knows when it will actually be ready to be released? It's an old song of mine called Tired that I never got to produce and release properly. It's time it gets the chance to hit the streaming platforms - so far, people have only been able to listen to it at live shows. Despite that; people like it and connect with it. I'm excited to see how they'll react to the studio version.

Do you already have plans for 2019?

Yes! I'm fulfilling my life-long dream of going to Japan next year. That, and I wanna finish and release my second E.P. as well as another big project I don't wanna talk about until I'm sure I can make it happen.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Last year, I got to take my live show back to Chile. My cousin (who's an amazing bass player and lives there) helped me put together an amazing live band and we made the show happen in less than a month. He's always been someone I admire a great deal, so getting to stand on a stage with him in my hometown; playing for my family and friends who hadn't seen me in years was a powerful, inspiring experience.

Which three albums mean the most to you would you say (and why)? 

Grace - Jeff Buckley

It is one of the most eclectic and impressive pieces of music ever made in my opinion. So many epic moments! It defined a part of my musical upbringing and quickly became the soundtrack of my teenage years.

Continuum - John Mayer

This was the album that got me into playing guitar as a lead instrument. I still think it's a perfectly-crafted album. The production is so understated; it's insane!

Blonde - Frank Ocean

Every now and then, an artist will release an album that will make me question everything I think I know about making music. This was such an album.

If you could support any musician alive today, and choose your own rider, what would that entail?

I'd support John Mayer in a heartbeat. I'd do it just for the opportunity to say hello to the guy and tell him that what he does matters a great deal. And, if I got to choose my own rider, I'd ask for a clean shower, some fresh towels; plenty of water and nice food. I'd probably be too intimidated to write anything too extravagant into my rider.

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What advice would you give to new artists coming through?

I'd tell them to think really hard about how to use their resources in a way that benefits them the most. I spent so much time and money on things that I thought would make the difference between my career's success or failure; like pressing really nice, expensive C.D.s, making an expensive music video; recording that one vocal part hundreds of times for three days straight until it sounded ‘just right’...most of those things won't matter one bit if there aren't enough fans around to notice them, so work on that first. To be honest; I still have to remind myself of this all the time!

Do you have tour dates coming up? Where can we catch you play?

(Laughs) Actually, no! I'm focusing on finishing my E.P. for now, so I'm not actively booking any shows at the moment - unless I'm asked to play somewhere. Do follow me on Bandsintown or Songkick to stay in the loop, though.

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IN THIS PHOTO: Joji

Are there any new artists you recommend we check out?

Yes. I'm glad you asked. Joji is the first one that pops into my mind. He used to make comedic content on YouTube but then quit to become a serious musician. I seriously respect how he managed to completely reinvent himself and establish a solid, clear-as-water artist image in the span of...what? A few months? Just when he found his own voice and style on his debut E.P., In Tongues, he went and dared to change things up with his debut album, Ballads 1 - instead of sticking with his tried and true sound. I think it's gonna work out great for him.

Do you get much time to chill away from music? How do you unwind?

I bought myself a new bike back in April. I fucki*g love it. I now look forward to going out because it means I get to ride my dope-ass bike. People…invest in a good bicycle. The planet and your body will thank you for it. I love hitting the weights at the gym, though I'm super-bad at it. Hahaha! Cooking makes me happy - especially for other people - and every now and then I'll get together with some friends to play Dungeons & Dragons. Netflix and YouTube take up a big chunk of my free time, I'm afraid.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Since I raved about Joji already; I might as well make you listen to him!

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Follow Lean Bravo

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INTERVIEW: Born Stranger

INTERVIEW:

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Born Stranger

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STARTING life as a duo…

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Born Stranger is now the solo project of Maddox Jones. I have been speaking with him about that change and the reason behind it; what influenced his current single, Last Night on Earth, and whether we might see some more material coming along next year.

Born Stranger discusses some important albums and which rising artists we need to get behind; how music came into his life and what advice he would offer artists coming through – the songwriter ends the interview by selecting a great song.

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Hi, Born Stranger. How are you? How has your week been?

Hey! My week has been good; really busy - I am just finishing up a season in Cyprus and looking forward to coming back to Blighty. 

For those new to your music; can you introduce yourself, please?

My name is Maddox Jones. I write, record and perform Electronic-Pop music inspired by the likes of Depeche Mode, Chic; The Weeknd and Prince under the moniker Born Stranger. My latest single, Last Night on Earth, is my first as a solo artist. Before that, Born Stranger was myself and Raife Hacking. 

Last Night on Earth is your latest single. Is there a tale behind the song?

This song was originally written around two years ago. The music came from a French producer friend of mine called Antony Chivers; we were instantly inspired to make it into a Born Stranger track; I fell in love with the groove. I wrote this about the song for the press release: 

Last Night on Earth was written around a friend of mine’s house who sadly isn't with us anymore. The world has lost a few amazing people recently that were seemingly happy on the surface but battled with depression on the inside. Last Night on Earth is about living in the moment, being there for each other and celebrating humanity.

Will there be more material coming next year do you think?

Yes, for sure. We are releasing a cover of The Beloved’s Sweet Harmony next. I’ve just started working with a new producer and this is our first outing together. I’m really excited about it.

Born Stranger is just yourself (Maddox) but it used to be a duo. What was the reason behind the change?!

Myself and Raife Hacking had been working together for ten years in various guises and, at the turn of 2018, Raife decided he wanted to pursue a more House-producer route with his partner Kelda. We are still really close; it just felt like the right thing to do. The music industry is a tough nut to crack and if your hearts not fully in it there’s no point sticking around. 

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How did you get into music? Was there a particular moment when it all sort of clicked?!

When I was at university, I auditioned to the singer in this Post-Hardcore band. It turns out the guys in the band were really into '80s New Wave stuff like Japan, Depeche Mode; The Cure etc. and I’d never really listened to this kind of music before. I fell in love with songs like Enjoy the Silence and In Between Days - this is where my love of Pop-music-with-a-bit-of-mystery-surrounding-it came from. 

Are there particular musicians you draw inspiration from? Did you grow up around a lot of music?

I was actually brought up in a Christian community with no television or radio - so my only outlet was to learn to play the guitar and write Christian songs to sing in church. I used to go round to my friend's house and tape stuff off the radio when I was like fourteen or fifteen….so, I never had any idols growing up really. I got into reading biographies of bands like Blur and Radiohead when I was at uni. I really brought into the band dynamic - being in a gang, making cool music. 

What do you hope to achieve by the end of 2018?

Hmm. I hope to write some really good music ready to release in 2019... 

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Do you already have plans for 2019?

Continue to make and release music; hoping for a wider audience. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

In one of my previous bands, I supported Placebo at Wembley Arena. Robert Smith from The Cure sang a couple of songs with Placebo. Robert’s cousin randomly invited me into their dressing room so I was stood there chatting to Robert Smith whilst he was having a beer. That was a cool moment. He’s a down to earth guy actually.

Which three albums mean the most to you would you say (and why)? 

Depeche Mode - Violator

I just love this album. This album is a great demonstration of how catchy Pop doesn't always have to be fun and lighthearted. This is an album to get obsessed over. Enjoy the Silence is my favourite song of all time. That riff and the chorus vocals; amazing. 

Radiohead - Pablo Honey

This was Radiohead’s first album and is the perfect university album. I remember listening to this in my halls of residence and learning all the songs on guitar. Thinking About You is a particularly great song. This album often gets overlooked because Radiohead’s later work got more attention but give it some time and you’ll be glad you did. 

The Night Game - The Night Game

This album was released this year. This is an amazing record because it sounds like an epic '80s Indie band but still sounds completely modern at the same time. If you haven’t heard this album, please go check it out now!

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’d support Coldplay and, on the rider, I’d have everything from a massage to expensive whiskey, with food imported from around the world. I actually heard that Chris Martin imported fresh fish daily to have for dinner but that’s probably completely untrue. I’d also request to eat my meal with Chris Martin. I would love some songwriting tips from him. 

What advice would you give to new artists coming through?

Keep a steady stream of music coming out and, just because one tune doesn’t get as good a reaction as some of the others, don’t let it dishearten you. Find a good producer you trust and don’t be too precious with anything. 

Do you have tour dates coming up? Where can we catch you play?

Not at the moment; will keep you posted. 

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 IN THIS PHOTO: The Night Game/PHOTO CREDIT: Niko Neithardt/Daniel Oechsler

Are there any new artists you recommend we check out?

The Night Game and HANNIE.

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 IN THIS PHOTO: HANNIE/PHOTO CREDIT: Arielle Shear

Do you get much time to chill away from music? How do you unwind?

Yes. There’s enough time in the day to chill away from the music, of course. I read or watch things on Netflix, to be honest. I just finished watching Making a Murderer: Part 2 - compelling viewing. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Night Game - The Outfield

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Follow Born Stranger

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INTERVIEW: Deanna Devore

INTERVIEW:

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PHOTO CREDIT: @rachelwinslow  

Deanna Devore

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TO start today…

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I have been speaking with Deanna Devore about her new E.P., Half and Half, and what inspired the songs; if she has a favourite cut from the E.P. and what is coming next for her – she selects some rising artists we need to get behind.

The songwriter discusses her favourite albums and tastes and whether we can see her tour; what the scenes are like in Chicago and Toronto (where she bases herself) and if there are plans cemented for next year – I ask what advice she would give to artists emerging.

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Hi, Deanna. How are you? How has your week been?

Hi! It’s been pretty good - just busy preparing for the upcoming tour. 

For those new to your music; can you introduce yourself, please?

I’m Deanna Devore; a songwriter/multi-instrumentalist and producer based in Chicago and Toronto. 

Half and Half is your new E.P. Were there particular stories and experiences that influenced the songs? 

I wrote the music first and then the music influenced the lyrics which were inspired by my own experiences, if that makes sense! 

Do you have a favourite cut from the collection?

I like them for different reasons but Effortlessly currently. 

Which artists got you interested in music? Did you grow up around a lot of music?

I did grow up around a lot of music. I was exposed to a variety of genres at a young age, which is why I think the music I write has a lot of different styles mixed together. There isn’t any particular artist that got me interested in music. I loved playing instruments.  

You are based in Chicago and Toronto. Is there a very different music vibe in the areas? Which city do you prefer?

Yes. The music scenes are very different. Chicago seems to have a larger Folk/Americana scene and Toronto has gotten into the more ‘Drake style’ - minimal, Downtempo/R&B/Hip-Hop. The cities are actually very similar in other ways - the size/feel and the lakefront. I like them both for different reasons but Toronto will always hold a special place in my heart. 

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What do you hope to achieve by the end of 2018?

A successful tour and having the album reach as many new listeners as possible.

Do you already have plans for 2019?

I’m planning on releasing a new single in early-2019.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Opening for Jamie Cullum, solo, in front of nine-hundred people was a pretty great memory. 

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Which three albums mean the most to you would you say (and why)? 

That’s a tough question. The albums that I’ve loved have changed over the years but I’ll narrow it down to three. 

Esthero - Breath from Another

I just love the production throughout this album. It got me into the whole Trip-Hop genre.

The Go Find - Miami

This artist mixed a lot of synths and guitars; some Electronic music with acoustic and electric guitars, which definitely influenced my production.

Radiohead - In Rainbows

They are just musical geniuses. 

What advice would you give to new artists coming through?

To not be afraid to be unique in the music you write - so many people sound the same these days. And, to not be afraid to follow-up. People get bombarded by emails; so a friendly follow-up is usually needed.  

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Do you have tour dates coming up? Where can we catch you play?

Yes! Next month we will be going on tour.

11/8 - Chicago, IL

11/11 - Toronto, Canada

11/12 - Rochester, NY

11/13 - New York, NY

11/14 - Philadelphia, PA

11/15 - Washington, DC

11/16 - Pittsburgh, PA

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 IN THIS PHOTO: Jadu Heart

Are there any new artists you recommend we check out?

I’ve been really into two British groups - Jadu Heart and The Hics. 

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 IN THIS PHOTO: The Hics

Do you get much time to chill away from music? How do you unwind?

I like to unwind by cooking. Nothing like a home-cooked meal with a glass of wine. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Tom Misch. As for the rider; I’m pretty simple. Some snacks like chips and salsa and definitely Earl Grey tea with lemon and honey. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Galaxy Surfing by Jadu Heart.

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INTERVIEW: Henge

INTERVIEW:

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Henge

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THANKS to Henge…

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for talking about their new single, Indigo Dust, and what sort of themes inspired their debut album, Attention Earth! I ask whether there are going to be gigs coming up and whether the group have any ambitions for the year ahead.

Henge recommend some rising artists get behind and discuss influences; the advice they would give to artists coming through and how they spend their time away from music - they choose some cool tunes to end the interview with.

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Hi, guys. How are you? How has your week been?

Phantasmagorical.

For those new to your music; can you introduce yourselves, please?

Greetings, humans. We are Henge. We bring you the gift of Cosmic Dross - a kind of music that is new to your world.

Indigo Dust is the new single. Is there a story behind it?

Indigo Dust is about the thrill of making art – the rush you feel when inspiration has you in its euphoric grip… 

Attention Earth! is your debut album. Are there particular themes that inspired it?

Attention Earth! tells of our space travels; we celebrate the importance of water and admire the beauty of the moon; we use the record to reveal our involvement with your planet and your species and, most importantly, it contains our message for mankind – demilitarise, unite and colonise space or face extinction.

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How did Henge come together? 

Our history spans many billions of years and covers vast amounts of space. There is too much to tell you now... 

Which artists did you all grow up around? Do you have any personal musical idols?

I grew up on the planet Agricular in Cosmos Redshift 7. There was music all around us – the distinction between 'musician'  and 'non-musician' was not as clear as it is here on planet Earth...but I absorbed the sounds of 'Cosmic Dross' (the traditional music of my people the Agriculans) and its influence have pervaded every moment of my existence since. 

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What do you hope to achieve by the end of 2018?

Our mission on planet Earth has taken us to many gatherings and festivals. And we have scheduled numerous landings in the U.K. (with a tour in November and December)... 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish? 

We aim to reach as many humans as possible and share with them the sounds of Cosmic Dross. We wish to see the continued proliferation of joy among peoples. We will continue to encourage human beings to put aside war, to achieve their potential and set up colonies on other planets. Only when the path to mass extinction is past the point of no return will we leave planet Earth and seek new worlds where we may be able to have some positive influence on other lifeforms.

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 PHOTO CREDIT: Savvy Creative

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We have had a myriad of wonderful experiences on planet Earth so far...we have travelled Europe and Australia, played Cosmic Dross to many receptive human beings and catalysed euphoria at many, many festivals. The other members of Henge might have specific highlights – but, as a group, our most significant action on this planet so far is to release the album Attention Earth!

Which one album means the most to each of you would you say (and why)? 

We are unable to load more significance onto a single record – to do so is a dangerous trap. Your life-in-listening should be full of highlights; to get stuck on a favourite will narrow your horizons. Either we give you a list of a few hundred albums...or you must accept the answer: Attention Earth! by Henge...

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Can we see you on the road this year at all?

Yes:

31st Oct - The Lost Arc, Rhayader (Wales)

1st Nov - The Bierkeller, Exeter

2nd Nov - OMA, Bristol (SOLD OUT)

3rd Nov - Nos Da, Cardiff

8th Nov - The Lexington, London

9th Nov - Hope and Ruin, Brighton (SOLD OUT)

15th Nov - The Cluny, Newcastle

16th Nov - The Warehouse, Penrith

17th Nov - Yellow Arch, Sheffield

22nd Nov - HiFi Club, Leeds

23rd Nov - The Continental, Preston

24th Nov - Kilmarnock Festival

24th Nov - The Craigdarroch Hotel, Moniaive

25th Nov - Voodoo Rooms, Edinburgh

29th Nov - The Bodega, Nottingham

30th Nov - The Donkey, Leicester

1st Dec - EBGBS, Liverpool

7th Dec - The Trades Club, Hebden Bridge (SOLD OUT)

8th Dec - Gorilla, Manchester *** two shows - all ages matinee + evening show***

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What advice would you give to new artists coming through?

Do not set out to copy a particular artist, no matter how much you love them. Listen to a wide variety of music and do not shy away from music that you don't understand. Do not get lost in your ego. When choosing musicians to work with seek to find their particular gift and play to their strengths. Try out ideas without putting yourself under too much pressure. Have fun in rehearsals.

Never bully a bandmate. Enjoy your own abilities without arrogance; where you lack ability – be kind to yourself. If you try to cover up your insecurities it will sound ugly. If you try and show off your abilities it will sound ugly. Get comfortable. Don't care. Don't try to second guess what you think the audience is thinking. Make what only YOU can make. Be unique or die trying.

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IN THIS PHOTO: Soccer96

Do you all get much time to chill away from music? How do you unwind?

Fungus and a foot spa.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Paddy Steer - Bifurcation Arrows

The Evil Usses - Wellard J. Fowler

Shunya - Analogue Heart

Dubi Dolczek - Laser Dojo

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Follow Henge

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